Home Research Departments Department Weddigen Individual Projects Complete List of Individual Projects Department Weddigen ColorwAI: Generative Colorways of Textiles through GAN and Diffusion Disentanglement Andrea Alfarano [more] Circulation of Religious Art and Artists of the Society of Jesus between Italy and the Viceroyalty of Peru (16th-17th century): Bernardo Bitti and His Followers Elena Amerio [more] Embodied Cognition in Virtual Environments with Diachronic Analysis of Linguistic and Visual Inputs Jason Armitage [more] Computational Study of Light in Paintings José Ballesteros Zapata [more] Italy and Brasília, “the New City, Synthesis of the Arts”: Italian Art Critics at the Extraordinary International Congress of Art Critics in 1959 Marina Barzon Silva [more] “Roma = Parigi”. The 1968 Movement and the Art Institutions in France and Italy: a Comparative Perspective Elisa Bassetto [more] “Africa sintetica, dinamica, simultanea”: Colonial Iconographies and Contexts in Italian Futurism Giulia Beatrice [more] Fascist-Era Artefacts in Italy: From Iconoclasm to Critical Preservation Carmen Belmonte [more] Decolonizing Italian Visual and Material Culture: From the Era of Nation-Building to the Present Carmen Belmonte [more] Show Me Your Hand! Computational Methods for Hand Gesture Analysis in Early Modern European Painting Valentine Bernasconi [more] The Constitution of Space in German Travel Literature Maria Elena Bertoldi [more] Earth Materials in the Work of Roberto Matta in Italy (1950s-1960s) Paulina Caro Troncoso [more] Reshaping National Identity through Primitivism in Italian Visual Countercultures Martina Caruso [more] Mapping the Hertziana Hannah Casey, Dario Rodighiero, and Alessandro Adamou [more] Multimodal Machine Learning, Culture, and the Arts Eva Cetinić [more] Art, Body, and Power: The Construction of the Body Politics of Louis XIV (1648–1715) and Urban VIII (1568–1644) Matheus Corassa da Silva [more] The Art of Resistance: An Inquiry into Queer Art in the Brazilian and Peruvian Contexts from 1990 to the Present Luigi Crea (Scherbarth Fellow) [more] From Weasels to Ostriches: The Influence of Ancient Egyptian Iconography on the Creation and Development of the Emblematic Genre Hugh Cullimore [more] Alighiero Boetti’s Tecnica Povera Michele D’Aurizio [more] Transnational Encounters: Diasporic Narratives across Italy and Latin America (1960s–1980s) Lara Demori [more] Mexico Photo Collection Project Ana Paula Dos Santos Salvat [more] Portatrici, Lavandaie, Cucitrici: Picturesque Modernism and the Image of the Italian Woman at Work Anna Aline Mehlman Dumont [more] Heinrich Wölfflin’s Italien und das deutsche Formgefühl (1931) Teresa Ende [more] Pier Paolo Pasolini in Contemporary Art: The Politics of Artistic Practice Benjamin Fellmann [more] Displacement, Translation, Desire: Italian Art in Brazil during the Fascist Era Fernanda Ferreira Marinho Camara [more] Heinrich Wölfflin’s Die Kunst Albrecht Dürers (1905) Elena Filippi [more] The Marking of Absence: What Iryna Pap’s Archive Reveals Kateryna Filyuk [more] True Lies: Restorations, Reproductions, and Fake Antiquities Barbara Furlotti [more] Communes, Farms and Menhirs. Echaurren, Baruchello, Sottsass, and Male Domesticity Jacopo Galimberti [more] The Role of Urban Machine Sensing and Emerging Technosensibilities in the Production of Space Lucía García de Jalón Oyarzun [more] Transatlantic Constellations: Visual Arts and Solidarity Networks between Chile and Italy Roberta Garieri [more] Ancha Ñaupa Pacha: The Creation of a Global Antiquity in the Early Modern Andes (1550s–1650s) Juan Carlos Garzon Mantilla [more] Now we have seen. Women and Art in the Seventies in Italy Giorgia Gastaldon [more] Miraculous Image Motion: Multiplication and Dissemination of the Virgin Mary throughout the Hispanic World Nora Guggenbühler [more] Interventions in Public Spaces: Contemporary Art, Institution, and the City Hou Hanru (Rudolf Wittkower Fellow) [more] Le Radici Francesi: The Parisian Origins of Arturo Schwarz’s Surrealist Collection in Rome Cristina Heflin [more] Seicento Architecture for Fascist Italy: Armando Brasini’s Projects in Italy, the Italian Colonies, and Beyond Philipp Hubert [more] The Mural Painting of the Church of the Savior at Berestove: Semantics and Stylistics Alina Kondratiuk [more] Nachwuchsförderung / Promoting Future Scholars: Hertziana-App Susanne Kubersky-Piredda und Oliver Lenz [more] The Violence of the Image Lesia Kulchynska [more] Escala: Art, Scale, and Geographic Vastness in the Spanish Empire, 1521–1621 Sunghoon Lee [more] West German Art Museums of the 1950–1980s in the Context of Cultural Politics and Architectural Discussion Alexander Lemeshinski [more] Archivio Staccioli: 1971-1988 Caterina Martinelli [more] The Sense of Sculpture: Practiced Sculpture in the 1970s Dematerializations Context Caterina Martinelli [more] In Dialogue: Medial Thinking in Bolognese Printmaking, 1500-1530 Ariella Minden [more] Cultural Heritage of the Soviet Period in Contemporary Ukrainian Art Yevheniia Moliar [more] Investigating Petro-Modernity: Between the Alternative Writing of Modernism and the Hypothesis of a Post-Oil Visual History Morad Montazami [more] Southern Modernities: Trans-Mediterranean Encounters in Rome, 1950s–1970s Giulia Morale [more] Drawn to Law: Legal Drawings in Early Modern Italy in an Age of Empire Linda Müller [more] Transnational Artistic Networks: Italians, Spaniards, and Latin Americans in Rome (1870–1915) Giulia Murace [more] Urbanity of Images: An Ecology of Vision in the Modern City Darío Negueruela del Castillo [more] City Gist Iacopo Neri [more] The First Words from October: Artists, Mass Culture and Russian Avant-Garde in Italy, 1968–1977 Duccio Nobili [more] Spielraum: Spaces for Play and Margins to Maneuver between Brazil and Europe in the 20th and 21st Centuries Eduardo Jorge de Oliveira [more] Archive Practices and the Photographic Medium Oleksandra Osadcha [more] Vincenzo Brenna: The Travelling Architect Dimitri Ozerkov [more] The Haptic Interface: Artisanal Ecologies of Pietre Dure Tables in Early Modern Italy Wenyi Qian [more] Curating Bolzano’s Fascist Legacies: The Myth of Druso Elisabetta Rattalino [more] Intentional Glances at the Quattrocento in the Interwar Period in France and Italy: Art, Politics, and Cultural Institutions. An Approach to the Construction of Modernity Ana Redondo Plaza [more] Crossing the Borders: Artistic Exchange during the Cold War Seraina Renz [more] Projection and Montage: Revolutionary Visions in Early Soviet Visual Culture Amirkhan Saifullin [more] History of the Obelisk Dux Paola Salvatori [more] Art Criticism as Social Critique: The Disintegration, Deculturalization, and Objection of Art Criticism in 1969 Frida Sandström [more] On the Latent Representations of Image Generative Models: A Technical, Artistic, Theoretical, and Art Historical Perspective Ludovica Schaerf [more] The Architectural Drawings of Antonio da Sangallo the Younger and his Circle Georg Schelbert [more] Towards a Collaborative Cultural Analysis of the City of Rome Maximilian Schich (Rudolf Wittkower Fellow) [more] Burgundy in Bethlehem: Architectural Diplomacy in Fifteenth-Century Mamluk Syria Braden Lee Scott [more] Shape-Shifting: Transfiguring Art History Grégory Sugnaux [more] Post-Truth and Hybrid Fake Structures as Artistic Strategy from the Second Half of the 20th to the Beginning of the 21st Century Oleksandr Sushynskyi [more] “A Most Severe Judgment to All Peoples”: On the Circulation of Philippe Thomassin’s Last Judgement (1606) in the Early Modern Iberian World Ianick Takaes de Oliveira [more] Heinrich Wölfflin: Aufsätze, Reden, Rezensionen (Essays, Lectures, Reviews) Jutta Teutenberg [more] Affirmations of the Non-Visual: The Art History of Blindness in the 19th and 20th Centuries Tobias Teutenberg [more] Heinrich Wölfflin’s Kunstgeschichtliche Grundbegriffe (Basic Concepts of Art History) (1915) Tobias Teutenberg [more] Thinking with Materials: Exploring Materia Praeparata in the Early Modern Theory and Practice of Sculpture Baptiste Tochon Danguy [more] Avant-Garde Comics: Pablo Echaurren from “Quadratini” to Graphic Novels Carlotta Vacchelli [more] Striving for Eternity: Material Experimentation in Seventeenth-Century Roman Painting Laura Valterio [more] Virility in the City: The Male Body and Urban Space in Rome from Italian Unification to Fascism Sara Vitacca [more] Italian Varnishes in the Sensory Heritage of the Nineteenth Century Érika Wicky [more] Michelangelo, the Truth of Stone, and Architecture beyond the Surface Vitale Zanchettin (Rudolf Wittkower Fellow) [more] Visual Open Research Data VORD Ana María Zapata Guzmán [more]