Events

This workshop is to explore the relation between relics and architecture. First and foremost, cases of relics physically built into the architectural fabric of churches and chapels will be addressed, such as columns whose capitals have been equipped with relics, triumphal arches or the apse’s semi-dome with relic depositories, “secret chambers” or even foundations and walls fortified by holy material. [more]

Conferenza dell'Unione Internazionale: Ifigenia a Pompei. Nuovi affreschi dalla Casa dei Pittori al lavoro

Conferenza
L’Istituto Svizzero ha il piacere di ospitare la conferenza annuale dell’Unione Internazionale degli Istituti di Archeologia, Storia e Storia dell’Arte a Roma. Il tema di quest’anno, Ifigenia a Pompei, con la partecipazione della professoressa Francesca Ghedini, è proposto dall’Institutum Romanum Finlandiae.L’Unione Internazionale, raccoglie trentotto istituti di ricerca, italiani e non italiani, appartenenti a diciannove nazioni diverse, europee ed extra-europee, tutti operanti negli ambiti disciplinari indicati. [more]
“After the Middle Ages” implies both a temporal horizon, extending from the early modern period to the present day and beyond, and responses to the Middle Ages (medievalism). The conference aims to navigate the historical interactions between these responses and architecture, fostering critical discussions surrounding an “architectural history of medievalism”. [more]
Recent discussions in aesthetics and art history, literature, and visual studies have seen a renewed interest in questions of form and formalism. Whether in connection with algorithmic thinking, computer vision, and artificial intelligence, or with transcultural comparisons, revised narratives of modernism, re-conceptualisations of formlessness, and cognitive reflections on connoisseurship, form and formalism have regained currency in current discourses on a transhistorical and transdisciplinary level. It has become clear that an “archaeology of knowledge” about these crucial notions is indispensable in teasing out their critical potential and in productive application of what has also been termed “new formalism” or “post-formalism”. [more]
Il Convegno Internazionale di Studi si svolge nell’ambito del Progetto di ricerca Spazidentità. Spazialità materiale e immateriale dell’italianità dalla Repubblica Cisalpina al Fascismo : territori, città, architetture, musei. Programmes structurants, École française de Rome, 2022-2026. Axe Thématique : Création, patrimoine, mémoire [more]
In the early modern period, throughout the process of negotiation that gave shape to sainthood – whether officially recognized or aspirational – images were of paramount importance. Encompassing a wide range of media, from inexpensive medals and woodcuts to costly altarpieces, images were as crucial at the grassroots level of popular devotion as in the context of elite patronage. The conference Picturing Sainthood: Images and the Making of Saints in Early Modern Global Catholicism investigates the role of images in generating, defining, and recognizing sainthood across cultures in the wake of Catholicism’s global expansion during the period of Iberian hegemony (c. 1500–1700). [more]
In the historiography of the philosopher, mathematician, and Minim theologian Marin Mersenne (1588–1648), 2024 marks 91 years since the publication of the first volume of his Correspondance, 81 years since Robert Lenoble’s trailblazing biography, and 36 years since Peter Dear’s revisionist study of Mersenne and the Jesuit milieu that produced his “deliberately unrevolutionary” scholarship in a rather revolutionary period. [more]
This conference brings together almost five years of research from the Max Planck Research Group “Visualizing Science in Media Revolutions.” The Research Group has compared different scientific disciplines of the late medieval and early modern periods, from anatomy to the study of magnetism. [more]

Art in Times of War and Peace: Legacies of Early Modern Loot and Repair

Conference
Art in Times of War and Peace is an international, interdisciplinary conference that addresses the ways in which conflict and its resolution have historically moved, modified, and reclassified art objects in the long early modern period. [more]
The event represents the final stage of the eponymous project launched by the Bibliotheca Hertziana, Max Planck Institute of Art History in Rome in 2022 and concluded with the publication of a collective volume of the same name dedicated to the relationship between art and feminism in 1970s Italy. [more]

Confluenze Digitali: Tutela, valorizzazione, fruizione condivisa del patrimonio artistico aquilano

Conferenza
Accesso, tutela e fruizione di patrimonio culturale dell’Aquila tramite l’aggregazione di dati provenienti da biblioteche, musei, istituti e la loro condivisione su Wikidata. [more]
The aim of this workshop, a sequel to the one held last year in Brno, is to further illuminate and classify the contribution of Hans Belting (1935–2023) to art history, visual and cultural studies and to reflect on its significance. [more]
In 1532, the painter Maarten van Heemskerck (1498–1574) set out on a journey from Haarlem to Rome. A collection of 94 sheets with about 160 drawings in the Berlin Kupferstichkabinett provides a visual testimony to his five-year stay – it is one of the most extensive by an artist traveling to Rome in the 16th century. [more]
1524 schrieb der neapolitanische Humanist Pietro Summonte einen Brief an Marcantonio Michiel, in dem er über die Geschichte und Kunst Neapels berichtet. In dem interdisziplinären Gespräch an der Villa Vigoni wird dieser erste explizit kunsthistorische Text zu Neapel gemeinsam gelesen und analysiert, um eine Neuedition und eine erstmalige Übersetzung ins Deutsche vorzubereiten. [more]
This study day honors the memory of art historian Ursula Nilgen with presentations from international scholars that have taken up her research proposals. In this context we will present the Foundation established in her name at the Bibliotheca Hertziana. [more]
L’Europa ha fatto realmente i conti con la sua storia coloniale? Italia e Germania, protagonisti tardivi della scramble for Africa, hanno davvero prodotto colonialismi minori? E oggi questi due paesi come si confrontano con quel passato, in che modo agiscono sulla memoria discorsiva e visuale, partecipando alla costruzione della loro narrazione nazionale? [more]
Join us for a discussion and Q&A with Professor Katharine Cashman FRS, Professor Matthew Cobb, and Dr Dirk van Miert to celebrate Antoni van Leeuwenhoek and the development of microscopy to the present day. [more]
Three hundred years ago the Dutch microscopist Antoni van Leeuwenhoek died. He had been corresponding with the Royal Society for fifty years. Leeuwenhoek, born in Delft in the Netherlands in 1632, developed himself into one of the most prolific early microscopists. He made his own lenses and small hand-held microscopes which were more versatile than most other devices at the time. With these instruments and his outstanding preparation and observation techniques, he was the first to see and describe red blood cells, bacteria and many other things. [more]

The 34th ACM Hypertext Conference 2023: Hypertext and Social Media

Conference
The ACM Hypertext conference is a premium venue for high-quality research on all aspects of modern hypertext research: social and intelligent media, narrative systems, authoring, reading and publishing hypertext, workflows and infrastructures. [more]
Ripensare e ricostituire idealmente lo spazio sacro medievale costituisce una tappa epistemologica obbligata se si vogliono comprendere a fondo gli scenari entro i quali sono stati performati i riti e i contesti per i quali sono stati concepiti gli oggetti. [more]

Rome 10th Century

Conference
The conference aims to draw the attention of the scientific community to the history and history of art in Rome during the 10th century, to fill the many existing historiographical and methodological gaps. [more]
The conference will explore the many ways the concept of the Renaissance has been viewed over the centuries, with a focus on the key figures, artistic practices and paradigms that have helped keep it alive for five hundred years. [more]
Cogliendo l’occasione del completamento del restauro degli arazzi allegorici della Primavera e dell’Autunno, che furono tessuti all’inizio del XVII secolo nell’atelier della famiglia Raes riprendendo dei disegni di Francesco Salviati, il convegno Tessere le Stagioni intende approfondire lo studio di questi arazzi – la loro storia, fortuna e iconografia – e indagare altresì una serie di tematiche legate ai processi creativi, alla circolazione e serialità dei motivi, alla materialità e alle pratiche conservative. [more]
With the overriding question of whether collectors purchased strategically or amassed drawings by accident, the Gernsheim Study Days at the Bibliotheca Hertziana in May 2023 will examine the full breadth of this early moment in the history of collecting works on paper. [more]
These study days will question the complex interaction between continuity, discontinuity, survival and rebirth by employing the epistemological tools of art history, visual anthropology and the history of ideas in order to reflect on the heritage, as well as on the creative processes that have ensured the posterity of a strange, complex, changing, close and distant Antiquity. [more]
Images of old age and aging determine how we handle demographic change. This conference will explore how the stages of the life cycle have been construed throughout history in order to consciously recognize the stereotypes that emanate from these age categories. [more]
Wastework is an international, interdisciplinary conference on the materiality, spatiality, and processing of waste in the early modern workshop. It proposes to examine acts of disposal, displacement, removal, and abeyance – in short, the getting rid of unwanted things – and the consequences these carry for the study of early modern material culture. [more]

Aktivierung. Strategien der Inszenierung mobiler Kunstwerke in der hispanischen Welt der Frühen Neuzeit

Tagung
Mit der temporären Aktivierung von Kunstwerken in der hispanischen Welt widmet sich die Tagung einem Phänomen, das bis in unsere Gegenwart hinein eine zentrale Rolle für die Vermittlung von Glaubenswahrheiten und die Manifestation politischer Macht spielt. [more]

The Voices, Sounds, and Images of Europe

Interdisciplinary Conference
Organised within the framework of the European Pavilion in Rome and dedicated to the many voices, languages and images that make up Europe, this afternoon at Bibliotheca Hertziana is divided into three programmes that combine presentations, listening sessions and exchanges with the guests and amongst the audience. [more]
Teresa Cristina di Borbone delle Due Sicilie fu la terza e ultima imperatrice del Brasile. Responsabile dei dialoghi culturali tra l’Italia e il suo paese di adozione, lasciò al Brasile un’importante eredità: la Collezione Mediterranea del Museu Nacional da Quinta da Boa Vista che subì un gravissimo incendio nel 2018. [more]

Digital Publishing for the Humanities – New Technologies and Ideas

Digital Publishing for the Humanities
In recent years, digital publishing has increasingly acquired relevance in the Humanities. This is particularly the case for critical editions, which, notably when compared to print editions, can now profit from the flexibility of XML with TEI tag suite, full-text or faceted search functionalities, semantic annotations, named entity recognition and continuous improvement. [more]
Quali sono le qualità attribuite allo spazio, a quello della città, degli edifici, dei musei, nella lenta costituzione di una “identità nazionale” italiana durante l’Ottocento fino agli anni del fascismo? In che modo la spazialità contribuisce a forgiare l’identità? [more]
Images and Institutions brings together an international team of historians of art and science for a three-day symposium in Rome to gain a larger picture of the relationships between visual culture and the developing practices of collaborative science. [more]
The panel seeks to explore the visuality of the Russian-Ukrainian War, how its images are constructed and distributed, how they function within the social and political contexts, how they shape and transform those contexts, what antagonisms, continuities and discontinuities they create. [more]
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