Art in Times of War and Peace: Legacies of Early Modern Loot and Repair
Conference
- Event open to the public without registration
- Start: May 8, 2024 09:00 AM (Local Time Germany)
- End: May 10, 2024 06:00 PM
- Speaker: Conference
- Location: Villino Stroganoff, Via Gregoriana 22, 00187 Rome
- Contact: Editorial-LMG@biblhertz.it

The conference interrogates the material, ethical, legal, political, and narrative implications of the claiming and reclaiming of objects in early modern war- and peacetime, as well as the ongoing resonance of these issues into the present.
A category of objects that exists entirely as a function of violence, the term “loot” describes a relationship of possession, if not more specifically of dispossession. This conference revisits the pre-modern origins of the discourse around cultural property with an eye to the challenges facing museums today. It investigates the long history of the restitution of objects and its repercussions for what is accessible to art history, where, and in what condition.
“Art in Times of War and Peace” is organized by Francesca Borgo (BHMPI/University of St Andrews) and Julia Vázquez (BHMPI) as part of the Lise Meitner Group Decay, Loss, and Conservation in Art History.
Program
MAY 8
10:00: Introduction by Francesca Borgo and Julia Vázquez
10:30: Panel One. Loot in Epic Literature (chaired by Guido Rebecchini, Courtald Institute of Art)
Tancredi Artico
(Università degli Studi di Ferrara)
Pilgrimage or Raid? The Italian Epic after Tasso at a
Crossroad
Jessica Goethals (University of
Alabama),
Literary Looting after the 1527
Sack of Rome
11:30: Coffee break
12:00: Panel Two. Loot in the Law (chaired by Mary-Ann Middelkoop, Pitt Rivers Museum/St Peters College, University of Oxford)
Sara Petrilli-Jones
(BHMPI/Yale University/Scuola Normale Superiore di Pisa)
Restoration,
Redemption, Return: Restitution under Early Modern jus in bello
Matthew Cleary (Max Planck Institute for
Comparative Public Law and International Law)
Looting, Ownership, and
Annotations: Readers’ Engagement with Early Editions of Hugo Grotius’s De Iure Belli ac Pacis
13:00: Lunch [participants only]
14:00: Panel Three. Movement and Its Consequences (chaired by Francesco Guidi, BHMPI)
Kelley Helmstutler Di Dio
(University of Vermont)
How
to Steal Sculptures in Early Modern Italy
Karen Rose Mathews (University of
Miami)
Loss,
Ruin, Fragment, and Regeneration: Recontextualizing Plunder in the Medieval and
Early Modern Mediterranean
Luciano Pezzolo (Università Ca’ Foscari Venezia)
The
Redistributive Function of Looting in Renaissance Italy
15:30: Coffee break
16:15: Presentation of the Arte Salvata project by Stéphane Verger, director of the Museo Nazionale Romano
17:00: Opening keynote by Erin Thompson, John Jay College of Criminal Justice, CUNY,
Looted and Found: Why We Look for Looted
Cultural Property
MAY 9
10:00: SPECIAL PANEL by SNF research project The Inheritance of Looting: Exhibiting a Looted Inheritance
Beate Fricke (Universität Bern)
Visualizing Gaps
in the History of Canons
Jakob Weber (Universität Bern)
Transitive Loot:
Armor as Multi-Layered Mediums of Identification
Sasha Rossman (Universität Bern)
Things Fall Apart: On Burgundian Banners and
Disintegration as a Motor for Historical Mediation (1476–Today)
11:30: Coffee break
12:00: Panel Two. Case Study: Banners (chaired by Francesca Borgo, BHMPI/University of St Andrews)
Karin Tetteris (Stockholms
universitet/Armémuseum)
Monuments
of the Realm: Depicting Captured Military Flags in Seventeenth-Century Sweden
Sarah Rosenthal (BHMPI/Harvard
University)
Loot/Tool: Urs Graf, the Juliusbanner, and Inversions of Loot
13:00: Lunch [participants only]
14:00: SPECIAL PANEL organized and chaired by Elsje van Kessel (University of St Andrews): Loot on Water
Sara Rich (Coastal Carolina University)
Flotsam, Jetsam, Lagan, and Derelict in Native Waters
Roberta Cruciata (Università degli
Studi di Palermo)
Stolen Art in the Mediterranean Sea in Modern
Times: Understanding the Cultural Impact in Sicilian Decorative Arts Studies
Joseph Litts (Princeton
University)
Painting Loss, Picturing Catastrophe: Claude-Joseph Vernet’s Shipwrecks in
the Eighteenth-Century North Atlantic
15:45: Coffee break
16:15: Panel Four. Case Study: Bells (chaired by Leendert van der Miesen, BHMPI)
Anke Fischer-Kattner
(Universität der Bundeswehr München)
Phase Transformations: Metal Objects in the Rhenish
Theater of War (Late Seventeenth/Early Eighteenth Century)
– Alex Rodríguez Suárez (Real
Academia de España en Roma)
Recycling
Bells: The Case of the Ottoman Empire
MAY 10
15:00: Panel. Objects in/and the Art Museum (chaired by Julia Vázquez, BHMPI)
Ilona Katzew (Los Angeles County
Museum of Art)
The
Imperative and Pitfalls of Tracing Colonial Artifacts: The Mobility of Antonio
de Torres’s Elevation
of the Cross
Jefferson de Albuquerque Mendes
(Universidade Estadual do Rio de Janeiro)
Leaving a Trail of the Sacred: Deviant Objects between Sixteenth- and
Seventeenth-Century Brazil and Europe
Katarzyna Wagner (Uniwersytet
Warszawski)
Swedish
Conquests from the Polish-Lithuanian Commonwealth: The Outline of the Project
16:30: Coffee break
17:00: Closing keynote by Ananda Cohen-Aponte,
Cornell University
The
Transmutability of Objects in the Era of Andean Insurgencies
18:00: Final discussion and closing remarks
In collaboration
with: