Contribution to a Collected Edition
Contribution to a Collected edition (184)
2024
Contribution to a Collected edition
Tatjana Bartsch, "Colonia Agrippina exactissime descripta. Arnold Mercators großer Plan der Stadt Köln von 1571", in Andere Ästhetik meets Andere Ästhetik. Visualisierungen von Antiken nördlich der Alpen in der frühneuzeitlichen Druckgraphik, edited by Laura Di Carlo, Johannes Lipps, and Anna Pawlak (De Gruyter, Berlin, 2024), pp. 40.
Contribution to a Collected edition
Tatjana Bartsch, "Die römischen Zeichnungen und Gemälde [The Roman Drawings and Paintings]", in Faszination Rom. Maarten van Heemskerck zeichnet die Stadt [The allure of Rome. Maarten van Heemskerck draws the city](Ausstellung, Kupferstichkabinett, Staatliche Museen zu Berlin, 26.04.2024-04.08.2024), edited by Tatjana Bartsch and Christien Melzer (Hirmer, München, 2024), pp. 30.
Contribution to a Collected edition
Tatjana Bartsch and Christien Melzer, "Einführung [Introduction]", in Faszination Rom. Maarten van Heemskerck zeichnet die Stadt [The allure of Rome. Maarten van Heemskerck draws the city](Ausstellung, Kupferstichkabinett, Staatliche Museen zu Berlin, 26.04.2024-04.08.2024), edited by Tatjana Bartsch and Christien Melzer (Hirmer, München, 2024), pp. 8.
Contribution to a Collected edition
Tatjana Bartsch and Christien Melzer, "Künstlerische Rezeption und sammlungshistorisches Nachleben der römischen Zeichnungen [The Artistic Reception and Historical Afterlife of the Roman Drawings]", in Faszination Rom. Maarten van Heemskerck zeichnet die Stadt [The allure of Rome. Maarten van Heemskerck draws the city](Ausstellung, Kupferstichkabinett, Staatliche Museen zu Berlin, 26.04.2024-04.08.2024), edited by Tatjana Bartsch and Christien Melzer (Hirmer, München, 2024), pp. 18.
Contribution to a Collected edition
Alev Berberoğlu, "A Woman Photographer in Ottoman Istanbul: Elisa Zonaro and Her Studio "Atelier Elsa" [Osmanlı İstanbul'unda Bir Kadın Fotoğrafçı: Elisa Zonaro ve Stüdyosu "Atelier Elsa"]", in Elisa Zonaro's Istanbul [Elisa Zonaro'nun İstanbul'u] (Ausstellung, Kazlıçeşme Sanat, 11/2024-12/2024), edited by Ömer Faruk Şerifoğlu (Istanbul, 2024), pp. 23.
Contribution to a Collected edition
Valentine Bernasconi, "Automated Body Pose Estimation on Painting: A Crisis of Uncertainty", in From hype to reality. Artificial intelligence in the study of art and culture, edited by Eva Cetinić and Darío Negueruela del Castillo (Bibliotheca Hertziana, Rom, 2024), Vol. 3, pp. 8.
Contribution to a Collected edition
Valentine Bernasconi, "Prendre la pose. Nouvelles perceptions picturales à travers la main du chercheur", in Actes des Entretiens de la Fondation Maison Borel, (2024), pp. 20.
Contribution to a Collected edition
Francesca Borgo and Ruth Ezra, "The Work of Waste", in Wastework, edited by Francesca Borgo and Ruth Ezra (Officina Libraria, Milano, 2024), Vol. 1, pp. 33.
Contribution to a Collected edition
Nina Caviezel, "Ansichten, Aufsichten [Viewpoints and Overview]", in Nis Knudsen: Of Color and Composition, edited by Lucia Kaufmann and (Kerber Verlag, Bielefeld, 2024), pp. 96.
Contribution to a Collected edition
Camilla Colzani, "Presentazione della Vergine al Tempio", in Federico Barocci, Urbino: l'emozione della pittura moderna (Ausstellung, Urbino, 2024), edited by Luigi Gallo and Anna Maria Ambrosini Massari (Electa, Milano, 2024), pp. 311.
Contribution to a Collected edition
Camilla Colzani, "San Girolamo", in Federico Barocci, Urbino: l'emozione della pittura moderna (Ausstellung, Urbino, 2024), edited by Luigi Gallo and Anna Maria Ambrosini Massari (Electa, Milano, 2024), pp. 311.
Contribution to a Collected edition
Camilla Colzani, "Visitazione della Vergine a santa Elisabetta", in Federico Barocci, Urbino: l'emozione della pittura moderna (Ausstellungskatalog, Urbino, 2024), edited by Luigi Gallo and Anna Maria Ambrosini Massari (Electa, Milano, 2024), pp. 311.
Contribution to a Collected edition
Camilla Colzani, "Crocifisso con la Madonna, san Giovanni e la Maddalena", in Federico Barocci, Urbino: l'emozione della pittura moderna (Ausstellung, Urbino, 2024), edited by Luigi Gallo and Anna Maria Ambrosini Massari (Electa, Milano, 2024), pp. 311.
Contribution to a Collected edition
Camilla Colzani, "Madonna del Rosario", in Federico Barocci, Urbino: l'emozione della pittura moderna (Ausstellung, Urbino, 2024), edited by Luigi Gallo and Anna Maria Ambrosini Massari (Electa, Milano, 2024), pp. 311.
Contribution to a Collected edition
Camilla Colzani, "Riposo durante la fuga in Egitto", in Federico Barocci, Urbino: l'emozione della pittura moderna (Ausstellung, Urbino, 2024), edited by Luigi Gallo and Anna Maria Ambrosini Massari (Electa, Milano, 2024), pp. 311.
Contribution to a Collected edition
Camilla Colzani, "Federico Barocci e Milano", in Federico Barocci: La Madonna di san Simone (Ausstellung, Mailand, 04.12.2024-12.01.2025), edited by Luigi Gallo and Anna Maria Ambrosini Massari (Skira, Milano, 2024), pp. 102.
Contribution to a Collected edition
Camilla Colzani, "Federico Barocci, tra storiografia e documenti", in Federico Barocci, Urbino: l'emozione della pittura moderna (Ausstellung, Urbino, 2024), edited by Luigi Gallo and Anna Maria Ambrosini Massari (Electa, Milano, 2024), pp. 311.
Contribution to a Collected edition
Lara Demori, "L'Influenza della science-fiction americana sul Movimento Arte Nucleare", in Narrazione atlantiche e arti visive, 1949-1972, edited by Lara Conte and Michele Dantini (Mimesis, Milano/Udine, 2024), pp. 235.
Contribution to a Collected edition
Damiana Di Bonito, "Naturalists and Antiquarians in Istria and Dalmatia between the 17th and the 18th Centuries", in Discovering medieval art while looking for antiquity. Travellers in southern Europe (17th - Early 19th centuries), edited by Vinni Lucherini and Stefano D'Ovidio (Viella, Roma, 2024), pp. 15.
Contribution to a Collected edition
Kateryna Filyuk, "Ukrainian photographers opting for truth: from Soviet documentary photography to Russo-Ukainian war images", in Art in Ukraine between identity construction and anti-colonial resistance, edited by Svitlana Biedarieva (Routledge, New York, NY, 2024).
Contribution to a Collected edition
Giorgia Gastaldon, "Abstraction. Female and feminist practices in Italian abstract art in the 1970s", in Now we have seen. Women and Art in Seventies Italy, edited by Giorgia Gastaldon (Silvana Editoriale, Cinisello Balsamo, Milano, 2024), pp. 25.
Contribution to a Collected edition
Giorgia Gastaldon, "We have been looking for 4000 years: now we have seen!", in Now we have seen. Women and Art in Seventies Italy, edited by Giorgia Gastaldon (Silvana Editoriale, Cinisello Balsamo, Milano, 2024), pp. 7.
Contribution to a Collected edition
Giorgia Gastaldon, "Gli anni Trenta e Quaranta di Carla Badiali. Una storia di resistenza", in Unica. Sei storie di artiste italiane (Ausstellung, Spazio Ilisso, Nuoro, 04.05.2024-01.09.2024), edited by Maria Grazia Messina, Anna Maria Montaldo, and Giorgia Gastaldon (Ilisso, Nuoro, 2024), pp. 19.
Contribution to a Collected edition
Giorgia Gastaldon, "Gli anni Settanta di Carla Accardi. Femminismo, separatismo, autocoscienza", in Unica. Sei storie di artiste italiane (Ausstellung, Spazio Ilisso, Nuoro, 04.05.2024-01.09.2024), edited by Maria Grazia Messina, Anna Maria Montaldo, and Giorgia Gastaldon (Ilisso, Nuoro, 2024), pp. 15.
Contribution to a Collected edition
Giorgia Gastaldon, "Gli anni Settanta di Tomaso Binga. Tra linguaggio e identità di genere", in Unica. Sei storie di artiste italiane (Ausstellung, Spazio Ilisso, Nuoro, 04.05.2024-01.09.2024), edited by Maria Grazia Messina, Anna Maria Montaldo, and Giorgia Gastaldon (Ilisso, Nuoro, 2024), pp. 17.
Contribution to a Collected edition
Giorgia Gastaldon, "Tullio Crali, "Prima che si apra il paracadute (Paracadutista)"", in Arte italiana. Un percorso in cinquanta opere dal Romanticismo alla video performance, edited by Alessandro Del Puppo (Carocci editore, Roma, 2024), Vol. 392, pp. 6.
Contribution to a Collected edition
Giorgia Gastaldon, "Mario Schifano, "Grande particolare di paesaggio italiano in bianco e nero"", in Arte italiana. Un percorso in cinquanta opere dal Romanticismo alla video performance, edited by Alessandro Del Puppo (Carocci editore, Roma, 2024), Vol. 392, pp. 4.
Contribution to a Collected edition
Giorgia Gastaldon, Maria Grazia Messina, and Anna Maria Montaldo, "Unica, perché?", in Unica. Sei storie di artiste italiane (Ausstellung, Spazio Ilisso, Nuoro, 04.05.2024-01.09.2024), edited by Maria Grazia Messina, Anna Maria Montaldo, and Giorgia Gastaldon (Ilisso, Nuoro, 2024), pp. 3.
Contribution to a Collected edition
Philine Helas, "Madonna mit Kind und zwei Engeln", in Bellissimo! Italienische Malerei von der Gotik bis zur Renaissance aus dem Lindenau-Museum Altenburg (Ausstellung, Freiburg, 18.05.2024-03.11.2024), edited by Eva Maria Breisig and Jutta Götzmann (Hirmer, München, 2024), pp. 335.
Contribution to a Collected edition
Philine Helas, "Madonna dell'Umiltà", in Bellissimo! Italienische Malerei von der Gotik bis zur Renaissance aus dem Lindenau-Museum Altenburg (Ausstellung, Freiburg, 18.05.2024-03.11.2024), edited by Eva Maria Breisig and Jutta Götzmann (Hirmer, München, 2024), pp. 335.
Contribution to a Collected edition
Philine Helas, "Madonna mit Kind", in Bellissimo! Italienische Malerei von der Gotik bis zur Renaissance aus dem Lindenau-Museum Altenburg (Ausstellung, Freiburg, 18.05.2024-03.11.2024), edited by Eva Maria Breisig and Jutta Götzmann (Hirmer, München, 2024), pp. 335.
Contribution to a Collected edition
Philine Helas, "Christus am Kreuz mit den Heiligen Benedikt", in Bellissimo! Italienische Malerei von der Gotik bis zur Renaissance aus dem Lindenau-Museum Altenburg (Ausstellung, Freiburg, 18.05.2024-03.11.2024), edited by Eva Maria Breisig and Jutta Götzmann (Hirmer, München, 2024), pp. 335.
Contribution to a Collected edition
Philine Helas, "Beweinung Christi", in Bellissimo! Italienische Malerei von der Gotik bis zur Renaissance aus dem Lindenau-Museum Altenburg (Ausstellung, Freiburg, 18.05.2024-03.11.2024), edited by Eva Maria Breisig and Jutta Götzmann (Hirmer, München, 2024), pp. 335.
Contribution to a Collected edition
Philine Helas, "Disastri, miracoli ed emozioni: l'immagine del Vesuvio tra XV e XVII secolo [Katastrophen, Wunder, Emotionen, Das Bild des Vesuv zwischen dem 15. und 17. Jahrhundert]", in Eruzioni di carta: quattro secoli di stampa sui vulcani [Buch-Ausbrüche: vulkanisches in historischen Drucken aus vier Jahrhunderten], edited by Elisabetta Scirocco, Philine Helas, Golo Maurer, Domenico Cecere, Hanna Sophie Stegemann, and Milena Viceconte (Federico II University Press - fedOA Press, Neapel, 2024), pp. 334.
Contribution to a Collected edition
Helen Kohn and Rebecca Chipkin, "The lost Atlantic City: the discovery of a painting by Helen Saunders beneath Praxitella by Wyndham Lewis", in Hand in hand: collaboration in art and conservation, edited by Miranda Brian, Alexandra Gent, Amy Griffin, Terence Odlin, and Caroline Rae (Archetype Publications, London, 2024), pp. 9.
Contribution to a Collected edition
Susanne Kubersky-Piredda, "Notions of nationhood and artistic identity in sixteenth- and seventeenth-century Rome", in Art and its geographies. Configuring schools of art in Europe (1550-1815), edited by Ingrid Vermeulen (Amsterdam University Press, Amsterdam, 2024), pp. 22.
Contribution to a Collected edition
Nora Lambert, "A Manuscript on the Move: The Kitāb al-Hāwī between Tunisia and Naples", in The Habsburgs in Tunis, edited by Avinoam Shalem and Alina Payne (De Gruyter, Berlin, 2024).
Contribution to a Collected edition
Caterina Martinelli, "Ugo Capocchini", in Costellazioni. Arte italiana 1915-1960: dalle Collezioni Banca Monte dei Paschi di Siena e Cesare Brandi (Ausstellung, Complesso museale Santa Maria della Scala, Siena, 17.10.2024-30.03.2025), edited by Luca Quattrocchi (Sillabe, Livorno, 2024), pp. 2.
Contribution to a Collected edition
Caterina Martinelli, "Silvano Bozzolini", in Costellazioni. Arte italiana 1915-1960: dalle Collezioni Banca Monte dei Paschi di Siena e Cesare Brandi (Ausstellung, Complesso museale Santa Maria della Scala, Siena, 17.10.2024-30.03.2025), edited by Luca Quattrocchi (Sillabe, Livorno, 2024), pp. 2.
Contribution to a Collected edition
Caterina Martinelli, "Marino Marini", in Costellazioni. Arte italiana 1915-1960: dalle Collezioni Banca Monte dei Paschi di Siena e Cesare Brandi (Ausstellung, Complesso museale Santa Maria della Scala, Siena, 17.10.2024-30.03.2025), edited by Luca Quattrocchi (Sillabe, Livorno, 2024), pp. 2.
Contribution to a Collected edition
Caterina Martinelli, "Venturino Venturi", in Costellazioni. Arte italiana 1915-1960: dalle Collezioni Banca Monte dei Paschi di Siena e Cesare Brandi (Ausstellung, Complesso museale Santa Maria della Scala, Siena, 17.10.2024-30.03.2025), edited by Luca Quattrocchi (Sillabe, Livorno, 2024), pp. 4.
Contribution to a Collected edition
Tanja Michalsky, "Rhetorik urbanistischer Ordnung unter den spanischen Vizekönigen: die Ansicht Neapels von Alessandro Baratta (1629/1670) und ihr digitales Pendant", in Habsburg kartieren. Schriftbildliche Entwürfe von Herrschaft im 16. und 17. Jahrhundert, edited by Herbert Karner and Martina Stercken (De Gruyter, Berlin ; Boston, 2024), Vol. 1, pp. 24.
Contribution to a Collected edition
Roberta Minnucci, "Negotiating the future of post-industrial sites through artistic practices. The 1975 Venice Biennale project on the Stucky mill", in Visual culture of post-industrial Europe, edited by Frances Guerin and Magda Szcześniak (Amsterdam University Press, Amsterdam, 2024), Vol. 12, pp. 22.
Contribution to a Collected edition
Oleksandra Osdacha, "(de)Construction of "Post-Soviet" Visualities in Contemporary Ukrainian Photography", in Art in Ukraine Between Identity Construction and Anti-Colonial Resistance, edited by Svitlana Biedarieva (Routledge, New York, 2024), pp. 17.
Contribution to a Collected edition
Martin Raspe, "Imitation und Symmetrie", in Music, Perfomance, Architecture, edited by Tobias C. Weißmann and Klaus Pietschmann (Georg Olms Verlag, Baden-Baden, 2024), Vol. 1, pp. 22.
Contribution to a Collected edition
Johannes Röll, "Hilde Bauer e Bernhard Degenhart. Vita e lavoro in Italia negli anni Trenta", in Hilde in Italy. Art and Life in the Photographs of Hilde Lotz-Bauer, edited by Federica Kappler and Corinna Lotz (Gangemi Editore, Roma, 2024), pp. 34.
Contribution to a Collected edition
Elisabetta Scirocco, "Spazi, immagini e rituali per l'Eucarestia: la basilica napoletana del Corpo di Cristo (XIV sec.)", in Divina perceptio: percezione ed esperienza del mistero di Cristo nella liturgia, edited by Juan Rego (EDUSC, Roma, 2024), pp. 131-157.
Contribution to a Collected edition
Elisabetta Scirocco, "Le due tombe del vescovo Giacomo Martono a Caserta Vecchia (XIV sec.)", in Sepolture medievali. Spazi, opere, scritture (secoli V-XV), Mediaeval Burials. Spaces, Artworks, Writings (5th-15th Century), edited by Fabio Coden (Silvana Editoriale, Cinisello Balsamo, 2024), Vol. 2, pp. 27.
Contribution to a Collected edition
Elisabetta Scirocco, "Spazi, immagini e rituali per l'Eucarestia: la basilica napoletana del Corpo di Cristo (XIV sec.)", in Divina Perceptio. Percezione ed esperienza del mistero di Cristo nella Liturgia, edited by Juan Rego (Edizioni Santa Croce, Roma, 2024), pp. 178.
Contribution to a Collected edition
Elisabetta Scirocco, "Vulcani in mostra [Vulkane austellen]", in Eruzioni di carta: quattro secoli di stampa sui vulcani [Buch-Ausbrüche: vulkanisches in historischen Drucken aus vier Jahrhunderten], edited by Elisabetta Scirocco, Philine Helas, Golo Maurer, Domenico Cecere, Hanna Sophie Stegemann, and Milena Viceconte (Federico II University Press - fedOA Press, Neapel, 2024), pp. 334.
Contribution to a Collected edition
Gudrun Swoboda, "Die Inversion des Helden. Zu einem wiederentdeckten Schlachtengemälde von Salvator Rosa/The Inversion of the Hero. A Rediscovered Battle Painting by Salvator Rosa", in History Tales. Fakt und Fiktion im Historienbild/Fact and Fiction in History Painting (Ausstellung, Akademie der bildenden Künste Wien, Gemäldegalerie, Wien, 27.09.2023-26.05.2024), edited by Sabine Folie (Verlag für moderne Kunst, Wien, 2024), pp. 14.
Contribution to a Collected edition
Gudrun Swoboda, "Auf der Suche nach dem verlorenen Format: Produktionsspuren, sekundäre Veränderungen und andere Formen sedimentierter Geschichte", in Size, Shape and Scale. Die Formate der Malerei, edited by Julia Saviello and Matthias Krüger (2024).
Contribution to a Collected edition
Gudrun Swoboda and Guido Messling, "Mengs und Velázquez – Die Prinzessin von Neapel. Ansichtssache #29. Außergewöhnliche Einblicke in die Gemäldegalerie", in Ausstellungskatalog (Wien, Kunsthistorisches Museum, 17.1.–5.10.2025), (2024).
Contribution to a Collected edition
Vitale Zanchettin, "Weitblicke auf eine Großstadt [Visions of a Metropolis]", in Faszination Rom. Maarten van Heemskerck zeichnet die Stadt [The allure of Rome. Maarten van Heemskerck draws the city](Ausstellung, Kupferstichkabinett, Staatliche Museen zu Berlin, 26.04.2024-04.08.2024), edited by Tatjana Bartsch and Christien Melzer (Hirmer, München, 2024), pp. 11.
Contribution to a Collected edition
Vitale Zanchettin, "Le cappelle Sforza e Cesi", in Basilica Papale di Santa Maria Maggiore, edited by Andreas Raub (Scripta Maneant, Bologna, 2024), pp. 28.
2023
Contribution to a Collected edition
C. Belmonte, "Fascist Heritage in Italy: From Iconoclasm to Critical Preservation", in A difficult heritage: The afterlives of fascist-era art and architecture, (Silvana Editoriale, Milano, 2023), pp. 11.
Contribution to a Collected edition
Carmen Belmonte, "Depicting Abandonment. La Riforma Fondiaria as Heritage in Contemporary Italy", in Distant Voices. On Steven Seidenberg's Architecture of Silence, edited by Carolyn White (Contrasto, 2023), pp. 6.
Contribution to a Collected edition
Carmen Belmonte and Elisabetta Scirocco, "Cultural heritage, art, and art historical research in post-catastrophic sites", in Arte che trema: riscoperta e valorizzazione del patrimonio culturale dopo il terremoto in Irpinia del 1980, edited by Antonello Ricco (De Luca editori d'arte, Roma, 2023), pp. 275-292.
Contribution to a Collected edition
Francesca Borgo, "Vivissimi: bodies in flesh, wax, and silicone", in Anish Kapoor - Untrue unreal - Palazzo Strozzi, Florence, Italy Duration: 7 Oct 2023 → 4 Feb 2024, edited by Arturo Galansino (Marsilio, Venezia, 2023), pp. 10.
Contribution to a Collected edition
Adrian Bremenkamp, "Conques, Rome, Jerusalem and Barbastro: The True Cross and a 'Global' Treasury around 1100", in Conques Across Time. Inventions and Reinventions (9th-21st Century), edited by Ivan Foletti and Adrien Palladino (Viella, Roma, 2023).
Contribution to a Collected edition
Marco Brunetti (ed), "Un gesto per il sonno ebbro. Un’iconografia per Dioniso, Arianna e altri ebbri dei", in Pictura Tacitum Poema. Miti e paesaggi dipinti nelle domus di Cremona, edited by E. Mariani, N. Cecchini, and M. Volonté (Bologna, 2023), pp. 83-98.
Contribution to a Collected edition
Carole Calvez and Érika Wicky, "Parfums d'ateliers fin-de-siècle: l'environnement sensoriel du peintre", in Au travail! Ateliers d'artistes en Belgique (Ausstellung, Namur, 21.10.2023-21.03.2024), edited by Laurence Brogniez and Tatiana Debroux (Silvana Editoriale, Cinisello Balsamo (Milano), 2023), pp. 116.
Contribution to a Collected edition
Nicola Camerlenghi, Tanja Michalsky, and Elisabetta Scirocco, "Introduction", in Visualizing complexities: practices and heuristics of digital models in art history, edited by Nicola Camerlenghi, Tanja Michalsky, and Elisabetta Scirocco (Bibliotheca Hertziana, Rom, 2023).
Contribution to a Collected edition
Chiara Capulli and Donal Cooper, "Perugino nei perduti contesti fiorentini", in Il meglio maestro d’Italia. Perugino nel suo tempo Mostra: "Il meglio maestro d’Italia. Perugino nel suo tempo", Galleria nazionale dell’Umbria, 4 marzo - 11 giugno 2023, edited by Marco Pierini (Dario Cimorelli editore, Milano, 2023), pp. 12.
Contribution to a Collected edition
Camilla Colzani, "Stampe dalle sculture di Michelangelo. Una riflessione sul loro utilizzo nella Milano di Giovan Paolo Lomazzo", in (Im)material Michelangelo: toward a visual historiography of sculpture between reproduction and art-historical enquiry, edited by Giulia Daniele (Campisano editore, Roma, 2023), pp. 13.
Contribution to a Collected edition
Lara Demori, "Open Participation in Piero Manzoni’s Living Sculpture and Magic Base: Between Bodily Reifica-tion and the Spectacle", in Römisches Jahrbuch der Bibliotheca Hertziana, edited by (2023), Vol. 48, pp. 23.
Contribution to a Collected edition
Sietske Fransen, "Tekenen, tekenaars en tekeningen. Antoni Van Leeuwenhoek (1632-1723) en zijn afbeeldingen", in Antoni - Van Leeuwenhoek en de microwereld Museum Boerhaave, Leiden, 17.04.2023-15.01.2024, edited by Sietske Fransen (Uitgeverij WBOOKS, Zwolle, 2023), Vol. 127, pp. 13.
Contribution to a Collected edition
Giorgia Gastaldon, "Strike a pose", in Female Cultural Production in Modern Italy, edited by Sharon Hecker and Catherine Ramsey-Portolano (Springer Nature - Palgrave Macmillan, London, 2023), pp. 15.
Contribution to a Collected edition
Malvina Giordana, "«Ci sarà soltanto il paesaggio»", in Città e guerra: difese, distruzioni permanenze delle memorie e dell’immagine urbana, edited by Francesco Capano (Federico II University Press, Napoli, 2023), Vol. 1, pp. 10.
Contribution to a Collected edition
Hou Hanru, "Going beyond, notes on cultural valuations and spatial difference", in Global Art in Local Art Worlds, Changing Hierarchies of Value, edited by Oscar Salemink (Routledge, London, 2023), pp. 7.
Contribution to a Collected edition
Hou Hanru, "A Dirtier Realism", in Shaanbei = 改造二流子 Published by Lisson Gallery on the occasion of Liu Xiaodong: Shaanbei, May 4-June 10, 2023, edited by Liu Xiaodon (Lisson Gallery, New York, 2023).
Contribution to a Collected edition
Hou Hanru, "No Purity", in A lot of people. Published on the occasion of the exhibition "Rirkrit Tiravanija: A LOT OF PEOPLE" at MoMa PS1, Long Island City, NY, October 12, 2023-March 4, 2024., edited by Rirkrit Tiravanija (MoMa PS1, Long Island City, 2023), pp. 343.
Contribution to a Collected edition
Hou Hanru and Évelyne Jouanno, "J’AI UNE FAMILLE", in EXPOSITION JUSQU’AU 18.02.2024, edited by (Pierre Laporte Communication, Paris, 2023), pp. 240.
Contribution to a Collected edition
Hou Hanru and Hans Ulrich Obrist, "Cities on The Move", in CAPC 2023-1973. Une histoire d'expositions, edited by (Editions Dilecta, Paris, 2023), pp. 256.
Contribution to a Collected edition
Hou Hanru and Benoît Procher , "It's Complicated… Notes on Xie Lei's art/C'est compliqué… notes sur l'art de Xie Lei", in XIE Lei - chant d'amour Ausstellungskatalog, Semiose Galerie, Paris, 03.09.2022-08.10.2022, edited by (Semiose, Paris, 2023).
Contribution to a Collected edition
Philine Helas, "Harnglas und Bahrtuch", in Spitalobjekte. Materielle Kulturen des Spitals in der Vormoderne, Veranstaltung, 2021, edited by Artur Dirmeier (Verlag Friedrich Pustet, Regensburg, 2023), pp. 32.
Contribution to a Collected edition
Philine Helas, "Schöpfung aus dem Schwarzen", in Nachtgesang, edited by Michael Buhr and Helena Pereña (Steidl Verlag, Göttingen, 2023), pp. 9.
Contribution to a Collected edition
Philine Helas, "Christine de Pizan – Dichterin mit Hund", in Tierstudien, edited by Jessica Ullrich (Neofelis, Berlin, 2023), Vol. 24, pp. 10.
Contribution to a Collected edition
Semra Horuz, "So, I've Become The Chief Birdman!’: Envisions of Public Zoological Garden in Istanbul and Ebüzzi-ya’s Field Trip", in Spectacle, Entertainment, and Recreation in Late Ottoman and Early Turkish Republican Cities, edited by Nilay Karaca (intellect, Bristol, 2023), pp. 20.
Contribution to a Collected edition
Susanne Kubersky-Piredda, "The Madonna with Souls: Agency and Iconography of the Anima Emblem between Sixtus IV and Gregory XIII", in Santa Maria dell’Anima. Dinamiche sociali e arte di una comunità straniera a Roma tra '400 e '600, edited by Susanne Kubersky-Piredda and Tobias Daniels (Campisano Editore, Roma, 2023), Vol. 3, pp. 52.
Contribution to a Collected edition
Susanne Kubersky-Piredda, "Santa Maria dell’Anima tra Quattrocento e Seicento. Pluralità sociale, questioni confessionali e identità artistiche", in Santa Maria dell’Anima. Dinamiche sociali e arte di una comunità straniera a Roma tra '400 e '600, edited by Susanne Kubersky-Piredda and Tobias Daniels (Campisano Editore, Roma, 2023), Vol. 3, pp. 7-22.
Contribution to a Collected edition
Ruggero Longo, "Forma e sostanza. Aspetti materiali ed estetici nella concezione dello spazio sacro nel meridione normanno-svevo", in (In)materialidad en el arte medieval, edited by Noelia Silva Santa Cruz, Francisco De Asís García García, Laura Rodríguez Peinado, and Raúl Romero Medina (Ediciones Trea, Somonte-Cenero, Gijón (Asturien), 2023), pp. 34.
Contribution to a Collected edition
Ruggero Longo, "Gleaming White. A Newly Discovered Medieval Artificial Lithotype and its Implications for Art Historical Research and Mosaic Conservation", in Repenser l’histoire de l’art médiéval en 2023, edited by Xavier Barral i Altet, Miljenko Jurković, and Elisabetta Scirocco (Motovun, Zagreb, 2023), Vol. 19, pp. 7.
Contribution to a Collected edition
Juan Carlos G. Mantilla, "Tiahuanaco and Sacsayhuamán: Creating Early Modern World Histories through Pre-Columbian Andeanbuildings", in Relating Continents. Coloniality and Global Encounters in Romance Literary and Cultural History, edited by Romana Radlwimmer (De Gruyter, Berlin ; Boston, 2023), Vol. 17, pp. 287.
Contribution to a Collected edition
Caterina Martinelli, "Cinque Tondi per San Giovanni Valdarno", in Mauro Staccioli, San Giovanni Valdarno, 1996-2023 (Ausstellung, San Giovanni Valdarno, Casa Masaccio, 24 giugno-17 settembre 2023), edited by Ilaria Bernardi (Gli Ori, Pistoia, 2023), pp. 30.
Contribution to a Collected edition
Caterina Martinelli, "Nota biografica [Biographical Note, Notice Biographique]", in Michel Parmentier - opere e documenti (Ausstellung, Florenz, Galleria Il Ponte, 16.09.2022-30.12.2022), edited by Guy Massaux (Gli Ori, Pistoia, 2023), pp. 14.
Contribution to a Collected edition
Tommaso Morawski, "Carto-City. Osservazioni archeologico-mediali su immaginazione, spazio e città", in Urban Forms of Life. Per una critica delle forme di vita urbana, edited by Andrea D'Ammando and Tommaso Morawski (Quodlibet, Macerata, 2023), pp. 25.
Contribution to a Collected edition
Tommaso Morawski, "La Terra digitale: sulla Terra come medium", in Earthscapes. Le conseguenze della visione della Terra dallo spazio, edited by Tommaso Morawski and Matteo Vegetti (Donizelli editore, Roma, 2023), pp. 13.
Contribution to a Collected edition
Duccio Nobili, "La mossa del cavallo. Il ruolo della pittura nella "svolta informale" di Somaini", in Somaini - immaginare scultura/la pittura (1950-1965) (Ausstellung, Fondazione Francesco Somaini scultore, Mailand, 02.03.2023-30.09.2023), edited by Luisa Somaini (Silvana editoriale, Cinisello Balsamo, Milano, 2023), pp. 9.
Contribution to a Collected edition
Martin Raspe, "Gewölbedekoration aus der Domus Transitoria in Rom", in Architekturzeichnungen der Sammlung Albrecht Haupt, edited by Markus Jager and Simon Paulus (Michael Imhof Verlag, Petersberg, 2023), pp. 319.
Contribution to a Collected edition
Martin Raspe, "Längsschnitt durch den Petersdom in der Planung Michelangelos", in Architekturzeichnungen der Sammlung Albrecht Haupt, edited by Markus Jager and Simon Paulus (Michael Imhof Verlag, Petersberg, 2023), pp. 319.
Contribution to a Collected edition
Martin Raspe, "Grundriss der Diokletiansthermen in Rom", in Architekturzeichnungen der Sammlung Albrecht Haupt, edited by Markus Jager and Simon Paulus (Michael Imhof Verlag, Petersberg, 2023), pp. 319.
Contribution to a Collected edition
Elisabetta Scirocco and Sible de Blaauw, "Textual sources and medieval sacred spaces", in From words to space: textual sources for reconstructing and understanding medieval sacred spaces, edited by Elisabetta Scirocco and Sible de Blaauw (Campisano editore, Roma, 2023), pp. 7-18.
Contribution to a Collected edition
Lothar Sickel, "Jacopo Rocchetti alias Giacomo Rocca", in Le vite de’ pittori, scultori et architetti: (Roma 1642): con commento e aparati critici, edited by Barbara Agosti and Patrizia Tosini (Officina libraria, Roma, 2023), Vol. 1, pp. 188-191.
Contribution to a Collected edition
Lothar Sickel, "Paris Nogari", in Le vite de’ pittori, scultori et architetti: (Roma 1642): con commento e aparati critici, edited by Barbara Agosti and Patrizia Tosini (Officina libraria, Roma, 2023), Vol. 1, pp. 254-259.
Contribution to a Collected edition
Lucia Simonato, "Tra Gian Lorenzo Bernini e Jean-Baptiste Carpeaux: il "non finito" michelangiolesco spiegato da Eugène Guillaume", in (Im)materiale Michelangelo, edited by Giulia Daniele and Daniele Di Cola (Campisano editore, Roma, 2023), pp. 176.
Contribution to a Collected edition
Elisa Spataro, "Le Maître de disposer de tout ce qui se voit sur la terre: la formazione e la figura del pittore di paesaggio tra Seicento e Settecento", in Natura e artificio nell’Europa del Seicento e Settecento: artisti, conoscitori e scienziati tra osservazione, invenzione e diffusione del sapere, edited by Michela Di Macco (Leo S. Olschki editore, Firenze, 2023), pp. 67-90.
Contribution to a Collected edition
Elisa Spataro, "Paesaggi", in Arte in Sapienza: catalogo delle opere nella Città universitaria: prime ricerche, edited by Eliana Billi (Gangemi editore, Roma, 2023), pp. 299.
Contribution to a Collected edition
Elisa Spataro, "Paesaggio con cavaliere", in Arte in Sapienza: catalogo delle opere nella Città universitaria: prime ricerche, edited by Eliana Billi (Gangemi editore, Roma, 2023), pp. 299.