Teaching

Elena Amerio

• “Missionari nelle Indie. Le vicende dei Gesuiti italiani nei fondi del Archivum Romanum Societatis Iesu (ARSI)”, seminar (Department of Modern History), Sapienza University of Rome, 17.05.2024.

Tatjana Bartsch

• “Longing for Rome”, documentary film (ZDF/ARTE), scientific consulting, production: Medea Film Factory, director: Margarete Kreuzer, Berlin, 04.08.2023/Rome, 07.–14.09.2023.
• “The Allure of Rome. Maarten van Heemskerck Draws the City” (exhibition, Kulturforum Berlin): 24.04.2024: Guided tour press; 07.05.2024: Curator-guided tour; 17.07.2024: Guided tour for FU Berlin; 17.07.2024: Guided tour for Tagesspiegel; 18.07.2024: Guided tour for HU Berlin.
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• “Il braccio della memoria”, documentary film (Vatican News), interviewee, scientific consulting, director: Paolo Ondaza  (https://www.vaticannews.va/it/vaticano/news/2024-05/segreti-musei-vaticani-braccio-laocoonte-ludwig-pollak-nogara.html), Vatican City, 01.2024.

Elisa Bassetto

• “Internship: Photography and Public History”, adjunct professor, University of Florence, 15.11.–06.12.2023.

Elisa Bastianello

• “Pirro Ligorio archeologo e numismatico: un approccio digitale ai manoscritti della Biblioteca Nazionale di Napoli”, opening lecture for the PhD module Digital Humanities And Cultural Heritage, Università degli Studi di Napoli, DSU, Naples, 15.02.2023.
• “Abbreviature e stili di testo: come usare Transkribus e i modelli ‘smart’ per creare trascrizioni annotate”, study day L’uso della Handwritten Text Recognition per le fonti storiche. Sfide ed esperienze di ricerca a confronto, Dipartimento di Storia, Culture e Civiltà, Università di Bologna, Bologna, 08.09.2023.
• Thesis discussion in Bologna: Master’s Thesis in Paleografia Latina: L’Orthopasca di Pellegrino Prisciani (1508): l’innovazione delle metodologie per un’editio critica con il supporto alla trascrizione dell’Handwritten Text Recognition; Candidate: Carmen Stagnitti, Supervisor prof. Maddalena Modesti, Co-supervisors Cristina Solidoro, Elisa Bastianello, 04.11.2024.

Carmen Belmonte

• Adjunct Professor in History of Modern and Contemporary Art, Bachelor in Drama, Art and Music Studies, University of Florence (2021–2022).
• Lecturer, PhD Summer School in Cultural Heritage and Memory of Totalitarianism, La Sapienza University, Rome/Bard College, New York (2022) I lesson (4 h): Fascist Imperialism and the Myth of Modern Rome; II lesson (4 h) Fascist Modernism, Art and Architecture
• Assistant Professor, “Sources and Materials for Contemporary Art”, Roma Tre University, 21.02.–21.05.2023.
• Assistant Professor, “Artists and Visual Culture”, Roma Tre University, 21.02.–21.05.2023.
• Assistant professor in History of Contemporary Art, Roma Tre University.
• “Unveiling Fascist Legacies in the Aula Magna: Display and Conservation of Sironi’s Mural Painting at La Sapienza University (1985–2017)”, summer school "Dissonant Narratives Dealing with European Universities, University of Padua, 17.09.2024.
• “Fonti e materiali per l’arte contemporanea”, master’s degree course in Art History, Roma Tre University, spring semester 2023/2024.
• “Legacies of Italian Fascism and colonialism with a visit to the EUR e to the Museo delle Civiltà in Rome”; “Visual and Material culture of Fascist Empire”, summer school The Cultural Heritage and Memory of Totalitarianism”, La Sapienza University/Bard College, Rome, 29.–30.05.2024.
• “Ricerca, istituzioni e comunità negli scenari post catastrofe”, second level master’s degree “Esperti nelle attività di valutazione e di tutela del patrimonio culturale”, Roma Tre University, 08.03.2024.
• “L’eredità del Fascismo e la storia dell’arte: studi, progetti espositivi, interventi di tutela”, seminar series L’Italia e il suo passato: una relazione complicata”, Università degli studi di Siena, Arezzo, 16.05.2024.

Alev Berberoğlu

• “Sanatçı İkilisi Olarak Elisa ve Fausto Zonaro [Elisa and Fausto Zonaro as an Artist Duo]”, guest lecture in Filiz Yenişehirlioğlu’s doctorate course Problems of Art and Artists at Hacettepe University, Ankara, 10.12.2024.

Francesca Borgo

• “Rome through Time”, University of St Andrews Art History Summer School, Rome, 25.05.–01.06.2023.
• “Leonardo da Vinci at the Prints and Drawings Cabinet of the Uffizi”, Stanford University, The Breyer Center for Overseas Studies in Florence, Uffizi Gallery, Gabinetto Disegni e Stampe, 11.05.2023.
• Interviewee and program advisor for Leonardo da Vinci, a two-episode PBS documentary directed by Ken Burns, Sarah Burns, and David McMahon.
• Interviewee for a three-part documentary on the Salvator Mundi produced by OR Media and directed by Ian Jones.
• Advisor, PBS Learning Media, digital classroom lessons and activities for middle and high school students and educators, 2024.
• Podcast guest on LEGO Art Podcast as expert on Leonardo da Vinci for release of LEGO Art Mona Lisa, 2024.

Adrian Bremenkamp

• “Architektur als Statement – ‘Sonderformen’ der Gotik im europäischen Maßstab”, advanced seminar, Heinrich-Heine-Universität, Düsseldorf, winter semester 2021/2022.
• “Holy Matter. Repräsentation und Materialität in der Heiligenverehrung in Rom und Neapel (Spätantike bis Frühe Neuzeit)”, seminar, Universität Leipzig, summer semester 2022.
• Exkursion nach Rom und Neapel (17.–25.06.2022), as part of the seminar “Holy Matter. Repräsentation und Materialität in der Heiligenverehrung in Rom und Neapel (Spätantike bis Frühe Neuzeit)”, Universität Leipzig, summer semester 2022.
• Heinrich-Heine-Universität Düsseldorf; Universitat de Valencia; Università degli Studi di Napoli ‘Federico II’: invited lecturer for the trilateral summer school “Valencia – Palma de Mallorca – Naples: Mediterranean Centers of Cultural Transfer”, Valencia/Palma de Mallorca, 17.–23.09.2023.
• “Renaissance and Baroque Architecture in Rome”, seminar (25.03.–07.06.2023), incl. excursions to Naples (22.–25.04.2023), and Florence (19.–23.05.2023), as part of the “Rome Foreign Study Program” (Ada Cohen), Dartmouth College, Hanover, New Hampshire.
• Lectureship, Heinrich-Heine-Universität Düsseldorf; Universitat de Valencia; Università degli Studi di Napoli ‘Federico II’: invited lecturer for the trilateral summer school “Valencia – Palma de Mallorca – Naples: Mediterranean Centers of Cultural Transfer” (with Stefano D’Ovidio, Sven Jakstat, Anna Magnago Lampugnani, and Amadeo Serra Desfilis), Naples, 25.02.–02.03.2024.

Chiara Capulli

• “Arte, musei e collezioni nell’era digitale: Digital Art History; Spatial Art History; Introduzione alla modellazione semantica con CIDOC CRM; Digital Art History, applicazioni: Florence4D”, lecture series for the “Patrimoni archeologici e museali nell’ambito delle Digital Humanities” MA program, Università Telematica Internazionale Uninettuno, Rome, 01.2024.

Hugh Cullimore

• “Narrating Objects, Art, and Archives”, University of South Australia, 20.03.–30.06.2023.
• “Introduction to the GLAM Sector – Galleries, Libraries, Archives, and Museums”, University of South Australia, 27.03.–30.06.2023; 11.09.–15.12.2023.
• “Innovative Curatorial Design”, University of South Australia, 19.06.–22.09.2023.

Şirin Luisa Datli

• “Neapel sehen. Porosität, Wunder, Exzess”, field trip (together with Carolin Behrmann), Ruhr-Universität Bochum, Kunstgeschichtliches Institut, 01.–07.09.2024.

Lara Demori

• “The Representation of Pregnancy in Latin American Women Artists, 1970s–1980s” seminar, Pontificia Universidad Católica del Perú, Lima, 09.09.2023.
• “Andrea Fraser e il Femminismo”, guest lecture, IUAV – storia dell'arte contemporanea, 19.11.2024.

Ruth Ezra

• “An Unusual Sketch of the ‘Adoration of the Magi’”, educational video produced by the Ashmolean Museum, Oxford.

Benjamin Fellmann

• “Connect. Warburg-Haus und Kunsthalle @Phototriennale 2022”, seminar for the exhibition Give and Take. Bilder über Bilder, Hamburger Kunsthalle, Hamburg, 22.07.2022.
• “Aby Warburg, die Politische Ikonographie und der Bildindex zur Politischen Ikonographie im Warburg-Haus”, Lüneburg, Leuphana-Universität, Institut für Soziologie und Kulturorganisation, study day at the Warburg-Haus Hamburg, 13.06.2022.

Elena Filippi

• “Landschaftsmalerei: Entwicklungsgeschichte einer besonderen Bildgattung (Antike bis 16. Jahrhundert)”, online lecture series, Freie Kunstschule Stuttgart – Akademie für Kunst und Design, Stuttgart, 08.09.–15.12.2022.

Sietske Fransen

• “Diagramme in den Wissenschaften der Frühen Neuzeit”, with Christoph Sander, block seminar, Technische Universität, Berlin, winter semster 2021/2022.
• “Cultures of Science and Art in Rome, 1400–1900”, summer school with Matthijs Jonker, Rome, BHMPI/Koninklijk Nederlands Instituut in Rome/Huizinga Instituut, 16.–27.05.2022.
• “Cultures of Science and Art in Rome, 1400–1900”, summer school with Samir Boumedienne (I Tatti The Harvard University Centre For Italian Renaissance Studies), BHMPI/Koninklijk Nederlands Instituut in Rome, 17.–28.04.2023.
• “Early Modern Visual Data: Organizing Knowledge in Printed Books”, guest lecturer in summer school, 45th International Wolfenbüttel Summer Course, Wolfenbüttel, 17.–28.07.2023.
• “Florence City of Art and Science”, guest lecturer in summer school NWIB (Dutch Scientific Institutes Abroad”, Utrecht University, 02.07.2024.

Milena Gallipoli

• “Historia del Arte y la Cultura Visual II”, undergraduate course (virtual), San Martín, Universidad Nacional de San Martín, 01.08.–31.12.2024.

Roberta Garieri

• “The artistic networks of international solidarity after the 1973 coup in Chile”, University of Bergamo – Department of Foreign Languages, Literatures and Cultures, 15.11.2023.

Giorgia Gastaldon

• “Storia dell’Arte Contemporanea T”, Università degli Studi dell’Aquila, Dipartimento di Scienze Umane, 2021/2022.
• “Sensitive, Sentimental, Emotional: Italian Women’s Art in the Language of the Art Critic (1960–1970)”, seminar, working group in literary and visual culture, Stanford Humanities Center, 17.05.2022.
• “Storia dell’arte contemporanea”, Università degli Studi dell’Insubria, 20.02.–22.05.2023.
• “20th and 21st Century Art in Northwest Lombardy”, Università degli Studi dell’Insubria, 12.10.–21.12.2023.
• “Storia dell’arte contemporanea”, Università degli Studi dell’Insubria, 2023/2024.
• “20th and 21st Century Art in Northwest Lombardy”, Università degli Studi dell’Insubria, 2024/2025.

Nora Guggenbühler

• “Einführung Kunstgeschichte der Frühen Neuzeit. Kunst und Theorie in Italien im 16. und 17. Jahrhundert”, seminar, University of Zurich, Institute of Art History, winter term 2024.

Francesco Guidi

• Three lectures on sacks and looting in Vasari’s Lives, Università di Roma Tor Vergata, 13.03.2023, 20.03.2024, 03.04.2024.

Hou Hanru

• Lectures and thesis advising for Curatorial master program, Central Academy of Fine Arts, Beijing.

Sofia Hernandez

• “Sicilian Architectural History”, seminar, Princeton University, Princeton, 29.01.–31.05.2024.

Andrea von Hülsen-Esch

• “Begleitendes Kolloquium während der Promotionsphase”, Institut für Kunstgeschichte der Universität Düsseldorf, summer semester 2023.
• “Kolloquium zur Vorbereitung auf die Abschlussarbeit”, Institut für Kunstgeschichte der Universität Düsseldorf, summer semester 2023.
• “The Art of the Parler Era”, summer school with excursion (Nürnberg, Heilsbronn and Augsburg), blended intensive program with Vienna and Warsaw, summer semester, 2023.
• “Begleitendes Kolloquium während der Promotionsphase”, Institut für Kunstgeschichte der Universität Düsseldorf, winter semester 2023/2024.
• “Das europäische Bühnenbild in der Kunstgeschichte”, lecture, Institut für Kunstgeschichte der Universität Düsseldorf, winter semester 2023/2024.
• “Kolloquium zur Vorbereitung auf die Abschlussarbeit”, Institut für Kunstgeschichte der Universität Düsseldorf, winter semester 2023/2024.
• “Künstlerinnen in Düsseldorf, 1819–1919”, masters seminar, Institut für Kunstgeschichte der Universität Düsseldorf, winter semester 2023/2024.
• “Perspectives on Productive Aging (spring School in Düsseldorf)”, blended intensive program with Graz and Molise, winter semester 2023/2024.
• “Valencia – Palma de Mallorca – Neapel: Mediterranean Centers of Cultural Transfer (spring School in Naples)”, blended intensive program with Valencia and Naples, winter semester 2023/2024.

Victor Hundsbuckler

• “Régressions. Familiarités du dessin à Rome au XVIIe siècle”, Ecole du Louvre, Paris, 13.10.2023.
• “Séminaire: techniques et gestes du dessin”, Ecole du Louvre, Paris, 20.10.2023
• “Promenades dessinées dans Rome. Itinéraire, detours, transferts d’une pratique et d’un genre”, Ecole du Louvre, Paris, 27.10.2023.
• “L’ombre et la trace du dessin caravagesque. Dessins d’artistes du Nord”, Ecole du Louvre, Paris, 10.11.2023.
• “L’ombre et la trace du dessin caravagesque. Dessins d’artistes italiens”, Ecole du Louvre, Paris, 22.12.2023.

Harleen Kaur Bagga

• “History of Indian Photography”, seminar, MAP Academy, 10.07.2023–31.03.2024.

Alina Kondratiuk

• “Art of Western Europe of the 20th Century”, National Academy of Managers of Culture and Art, Kyiv, online, 19.09.–15.12.2022.

Susanne Kubersky-Piredda

• “Roma cosmopolita”, seminar (20 lessons) and excursion, Università La Sapienza, Rome, Scuola di Specializzazione, Fachbereich Kunstgeschichte, 10.2022–01.2023.

Lesia Kulchynska

• “Media, Culture, and Society”, John Cabot University, Rome, 01.09.–22.12.2023.
• “Digital Media Culture”, John Cabot University, Rome, 01.09.–22.12.2023.

Nora S. Lambert

• “Cavallini to Caravaggio: Medieval and Early Modern Art in Rome”, undergraduate college course, Dartmouth College Department of Art History Foreign Study Program, Rome, 25.03.–31.05.2024.

Ruggero Longo

• “Italy and the Medieval Mediterranean”, IMT School for Advanced Studies Lucca, 16 hours, L-ART/01, 01.02.–31.03.2023.
• “Visual Arts and Ornament in the Medieval Mediterranean. Byzantium, Islam and the Latin West (teaching in English)”, seminar, Università degli Studi Roma Tre, Dipartimento di Studi Umanistici, Rome, 07.03.–17.05.2024.

Alberto Lo Pinto

• “Exploring Italian Culture and Language”, Dartmouth College (Rome Program), spring 2022.

Anna Magnago Lampugnani

• “Valencia – Palma de Mallorca – Naples: Mediterranean Centers of Cultural Transfer (15–16th Century), summer school, coordinating institution: Heinrich-Heine-Universität Düsseldorf, 17.–23.09.2023.
• “Valencia – Palma de Mallorca – Naples: Mediterranean Centers of Cultural Transfer”, summer school, Università di Napoli Federico II, 26.02.–01.03.2024.
• “Mailand. Inszenierungen einer Metropole”, course of study, 26.–30.08.2024.

Caterina Martinelli

• “A museum for Mauro Staccioli”, seminar “Mauro Staccioli Museo Archivio”, Politecnico di Milano, Milan, 10.04.2024.

Golo Maurer

• “Goethe, Italia e i Tedeschi”, seminar, Università Roma Tre, Dipartimento di Lingue, Letteratura e Cultura Straniere, 28.04.2022.
• “Über die Neugestaltung der Dauerausstellung der Casa di Goethe”, seminar with students of the Kunsthochschule Weißensee at the Casa di Goethe, 09.11.2022.
• “Italienreisen und Alterität”, seminar for German Erasmus-students of the Dipartimento di Lingue, Letteratura e Cultura Straniere (Università Roma Tre), 23.11.2022.

Tanja Michalsky

• “Guide di Napoli – Reiseführer der Frühen Neuzeit in einer Großstadt”, lecture in the lecture series “Mobilität und Reisen in der Kunst(geschichte) der Frühen Neuzeit”, organized by Prof. Dr. Henry Keazor (Universität Heidelberg) and Prof. Dr. Anna Schreurs-Morét (Universität Freiburg), winter semester 2022/2023.

Leendert van der Miesen

• “Muziekgeschiedenis I-2, 1600–1800”, University of Amsterdam, Amsterdam, 08.11.–13.12.2023.

Ariella Minden

• “Writing Recipes and Picturing Gastronomical Knowledge in Early Modern Italy”, guest lecturer, BHMPI and KNIR, Rome, 21.04.2023.
• “The Art and Architecture of the Apostolic Palace and St. Peter’s Basilica”, guest lecturer, Australian Catholic University–Rome Campus, 04.12.2023.
• “FAH230: Renaissance Art and Architecture”, lecture course, instructor of record, University of Toronto, 01.07.–31.08.2024.
• “Good Scientific Communication Practices in Art History”, online workshop, University of Toronto, 25.09.2024.

Rossella Monopoli

• Teaching assistant at UCL, London in the History of Art Survey and History of Art and its objects BA course in Art History, fall term 2023/2024.

Tommaso Morawski

• “What is space? A media-aesthetic approach to the problem of spatiality”, English-language teaching contract for the course Media Aesthetics (M-FIL/04 - 6 CFU - LM-78 - code 10596150), La Sapienza – University of Rome, Rome, 2023/2024.

Aleksander Musiał

• “Inscribing Domus Aurea: Wall-Paintings, Graffiti, and their Historiography”, research seminar, BHMPI and American Academy, Rome, 07.07.2022.
• “Santa Trinità dei Monti Complex: Illusion and Revelation”, lecture in the summer school “Cultures of Science and Art in Rome”, BHMPI and KNIR, Rom, 24.05.2022 (with Leendert van der Miesen).

Darío Negueruela del Castillo

• “Towards Digital Visual Studies”, seminar, Institut für Kunstgeschichte der Universität FS, Zürich, 2022.
• “Sensing like a (Multipli)City”, École polytechnique fédérale de Lausanne EPFL, Lausanne, 31.01.–23.05.2023.
• “Datathink 2023, The City as Collection: Building an Augmented Database for the Humanities and Social Sciences”, Université de Montréal – BHMPI, Rome, 27.02.–03.03.2023.
• “Data, Dictum”, Institute of Advanced Architecture of Catalonia, Barcelona, 29.11.2023.
• “AI and Computatinal Thinking for Art History”, seminar, University of Zurich, spring semester 2024.
• “DataThink 2024, AI & Cities: Sampling the Past, Interpreting the Present in Future Tense”, winter school, Université de Montréal, hosted by BHMPI Rome 04.03.–08.03.2024.

Iacopo Neri

• “Data Literacy: Research, Collection, Analysis, Interpretation & Biases”, seminar, Shenzhen, SISD – Harbin Institute of Technology, 2022.
• “Earthy Indexes”, with E. Dinarama, workshop for the Computer-Aided Architectural Design Research in Asia, 2022.
• “Urban Analytics”, workshop for the IAAC Global summer school, 2022.
• “Sensing like a (Multipli)City”, École polytechnique fédérale de Lausanne EPFL, Lausanne, 31.01.–23.05.2023.
• “Datathink 2023, The City as Collection: Building an Augmented Database for the Humanities and Social Sciences”, Université de Montréal – BHMPI, Rome, 27.02.–03.03.2023.
• “Data, Dictum”, Institute of Advanced Architecture of Catalonia, Barcelona, 29.11.2023.

Alejandro Nodarse

• “Ribera’s Spectators”, lecture for Lucia Simonato’s course Inscenare l’orrore: violenza e morte nell’arte italiana del Seicento, Scuola Normale Superiore, Pisa, 10.03.2023.

Oleksandra Osadcha

• “Art Theories of the XXth Century”, Kharkiv State Academy of Design and Arts, Kharkiv, 27.02.–13.05.2022.
• “The History of Photography”, Kharkiv State Academy of Culture, Kharkiv, 06.10.–09.12.2022.
• “Photo Art of Eastern Europe”, seminar, Kharkiv State Academy of Culture, 28.01.–31.05.2024.

Alice Ottazzi

• ATER (Attaché Temporaire d’Enseignement, 100% – 192 h) at Université de Franche-Comté, Besançon, academic year 2021/2022.
• “Le projet AORUM et les sources techniques de la peinture”, lecture for the seminar La fabrique de l’art: utilisation des données matérielles en histoire de l’art, INHA, Paris, 03.2023.
• “Outils et méthodes en histoire de l’art”, seminar, Université de Franche-Comté, Besançon, academic year 2023/2024.
• “Les regards sur l’œuvre”, seminar, Université de Franche-Comté, Besançon, academic year 2023/2024.
• “Sources textuelles et littéraires”, seminar, Université de Franche-Comté, Besançon, academic year 2023/2024.
• “Discours sur l’art”, seminar, Université de Franche-Comté, Besançon, academic year 2023/2024.

Costanza Paolillo

• “Paradise Gatekeepers. Tutela, conoscenza e trasformazioni del paesaggio della Costa d’Amalfi contemporanea”, seminar on the history of cultural heritage, Università degli Studi di Napoli Federico II, Naples, 29.05.2024.

Wenyi Qian

• “Introduction to Art History”, tutorial leader for a global survey course, University of Toronto Mississauga, fall term 2023.

Martin Raspe

• “Rom – Hauptwerke der Kunst”, excursion, Institut für Kunstgeschichte der Universität Freiburg, 21.02.–06.03.2022.

Katherine Reinhart

• “Art of Empires” (enrollment 25), “Pigment Plaster Print: The Materials of Early Modern Art” (graduate seminar / enrollment 17), fall 2023.
• “Renaissance & Baroque” (enrollment 84), spring 2024.
• “Introduction to Art History 1” (enrollment 150), “Picturing Knowledge: Art & Science in Early Modernity” (graduate seminar / enrollment 11), fall 2024.
• “Glass in Art and Science in the Early Modern Period”, guest lecture for Materials Matter UNIV 280M / ARTH 281D, spring 2024.
• “The Art & Science of the Scientific Revolution”, guest lecture for Medieval Studies MDVL 101, fall 2024.

Seraina Renz

• “Wahrheit und Wirklichkeit. Debatten um den Realismus in Russland von 1850–2020”, seminar, University of Zurich, spring semester 2022.
• “Momente und Monumente der Revolutionen in Osteuropa”, masters seminar, University of Zurich, fall 2023.

Dario Rodighiero

• “Visual Communication and Information Design”, Panthéon-Sorbonne University, École des arts de la Sorbonne, 01.2022.
• “Visualizing Data”, BSc Data Science & Society, lecturer since 2022, University of Groningen, Campus Fryslân.
• “Visual Rhetoric”, BSc Data Science & Society, lecturer since 2023, University of Groningen, Campus Fryslân.
• “Visual Rhetoric”, course, Data Science and Society bachelor, University of Groningen, 15.11.2023–15.01.2024.

Mariano Saggiomo

• Course on the history of modern art, l’Università degli Studi di Napoli Federico II, Dipartimento di Scienze Economiche e Statistiche – Corso di Scienze del Turismo ad Indirizzo Manageriale, 02.–05.2024.

Paola Salvatori

• “La questione della risemantizzazione dei monumenti fascisti: il caso del Foro Mussolini”, Scuola Superiore di Studi Avanzati, Sapienza Università di Roma, Rome, 05.04.2023.

Christoph Sander

• “Diagramme in den Wissenschaften der Frühen Neuzeit”, Technische Universität Berlin, winter semester 2021/2022.

Ludovica Schaerf

• “What does AI do to Art History”, guest lecture, University of Zurich, 02.11.2023.
• “AI and Computatinal Thinking for Art History”, seminar, University of Zurich, spring semester 2024.

Georg Schelbert

• “Rom. Raumbezogene Kunst zwischen privat und öffentlich”, excursion seminar for the Institut für Kunst- und Bildgeschichte der Humboldt-Universität zu Berlin, 03.2022
• “Ist das echt? Architektur des Barock und Neobarock in Berlin”, seminar for the MA program of studies at the Institut für Kunst- und Bildgeschichte der Humboldt-Universität zu Berlin, summer semester 2022.
• “Spurenlesen im Bildarchiv”, practice-oriented course for the BA and MA programs Kunst- und Bildgeschichte der Humboldt-Universität zu Berlin, summer semester 2022.
• “Kirchenräume der Renaissance und des Barock in Italien, mit besonderer Berücksichtigung Roms” seminar for the bachelor’s degree at the Institut für Kunst- und Bildgeschichte der Humboldt-Universität zu Berlin, winter semester, 2022/2023.
• “Rembrandt rotiert. Den Kunstmarkt im frühen 20. Jahrhundert (digital) erforschen und dokumentieren”, seminar for the MA program at the TU Berlin and at the Institut für Kunst- und Bildgeschichte der Humboldt-Universität zu Berlin, summer semester 2023.
• “Rom. Hauptwerke vom 15. bis 18. Jahrhundert”, field trip seminar at the Institut für Kunst- und Bildgeschichte der Humboldt-Universität zu Berlin, 03.2023.
• “Bologna. Architektur, Skulptur, Malerei”, field trip seminar at the Institut für Kunst- und Bildgeschichte der Humboldt-Universität zu Berlin, 09.2023.
• “Die rheinischen Kurfürstentümer und ihre Architektur im Mittelalter. Trier, Mainz, Köln”, seminar and field trip in the BA program of the Institut für Kunst- und Bildgeschichte der Humboldt-Universität zu Berlin, summer semester 2023.
• “Das Imperium studieren und bauen. Architektur und Architekturtheorie in Europa um 1800”, seminar in the MA program of the Institut für Kunst- und Bildgeschichte der Humboldt-Universität zu Berlin, summer semester 2023.

Maximilian Schich

• “Cultural Data Analytics II (BFM7037.FK)”, MA-level seminar, Tallinn University, fall 2023.
• “Cultural Data Analytics I (BFM7409.FK)”, MA-level seminar, Tallinn University, spring 2023.
• “Cultural Data Analytics Research Lab (BFM8028.FK)”, PhD-level seminar, Tallinn University, spring 2023.
• “Introduction to Audiovisual Culture and Media Research (BFM8001.FK)”, PhD-level guest lecture, Tallinn University, fall 2023.
• “Einsichten aus der Museumsanalyse”, full-day invited lecture, Getty Summer Institute Das Museum in einer digitalen Welt: Strategien – Methoden – Tools at Belvedere Research Center, Vienna, 14.09.2023.
• “Cultural Data Analytics 1 & 2”, MA-level seminar, Tallinn University, spring and fall 2024, 8 credits.
• “Cultural Data Analytics Research Lab”, Tallinn University, spring 2024, 4 credits.
• “Cultural Data Analytics 1 & 2”, seminar, Tallinn University, fall 2023.
• “Cultural Data Analytics Open Lab Seminar”, seminar, Tallinn University, spring 2024.
• “Cultural Data Analytics Research Lab”, seminar, Tallinn University, fall 2023 and spring 2024.

Elisabetta Scirocco

• “Mappature digitali e modelli 3D come strumenti per la ricerca storico-artistica”, masters seminar in the masters course “Arte, musei e collezioni nell’era digitale”, Università UniNettuno, Cultural Heritage Faculty, Rome, 28.02.–28.03.2024.

Lucia Simonato

• scientific project of the new display of the medal collection in the Museo Nazionale Bargello, Florence, launch 29.11.2023.
• “The Touch of Pygmalion. Rubens and sculpture in Rome / Il tocco di Pigmalione. Rubens e la scultura a Roma”, exhibition curated by Lucia Simonato and Francesca Capelletti, Galleria Borghese, 14.11.2023–18.02.2024.

Elisa Spataro

• “Roger de Piles e la teoria della pittura di paesaggio nel primo Settecento francese”, seminar, Sapienza University of Rome, Dipartimento Storia, Antropologia, Religioni, Arte, Spettacolo, Rome, 12.11.2024.

Antonino Tranchina

• “Storia della miniatura” (40 Stunden/9 cfu), Università degli Studi di Udine, Udine, 29.09.–16.12.2022.

Laura Valterio

• “Bodies of Difference. Disability, Art History and the Museum”, field trip, London, University of Zurich, 02.–05.11.2022.
•  “Flanders: From Early Modern to Present”, field trip, Antwerp – Bruges – Ghent, University of Zurich, 14.–19.06.2022.

Julia Vazquez

• co-curator of the exhibition “Marisol: A Retrospective” at the Buffalo AKG Art Museum (projected 05.07.2024–05.01.2025).
• “Velázquez, Painter & Curator”, online guest lecture for course Velázquez’s Las Meninas as an Organon of Art History (taught by Alexander Nagel), Institute of Fine Arts, New York University, 04.05.2023.

Sara Vitacca

• “Artists and Utopia in Late Nineteenth Century”, Université de Franche-Comté, 01.09.–31.10.2023.
• “The Body Between Norm and Deviance in Contemporay Art and Visual Culture (19th–20th Centuries)”, Université de Franche-Comté, 01.11.–06.12.2023.
• “Methodological Introduction to Art History and Scientific Writing”, Université de Franche-Comté, 01.11.–06.12.2023.

Tristan Weddigen

• “Antwerpen, Brügge, Gent. Flandern von der Frühen Neuzeit bis heute“, excursion, University of Zurich, spring semester 2022.
• “Elements of Art History in a Global Context”, University of Zurich, spring and fall semester 2022.
• “Elements of Art History in a Global Context”, University of Zurich, spring semester 2023.
• “Lisbon and Porto: Transcultural Exchange in the Portuguese World”, excursion, University of Zurich, spring semester 2023.
• “Aktuelle Forschung zur Kunst der Neuzeit”, research colloquium, University of Zurich, spring semester 2023.
• “Elements of Art History in a Global Context”, University of Zurich, winter semester 2023.
• “Aktuelle Forschung zur Kunst der Neuzeit”, research colloquium, University of Zurich, winter semester 2023.
• “The History of the Art Market in Renaissance and Baroque Italy”, University of Zurich, 23.09.2023.
• “Die Rezeption von Heinrich Wölfflins Grundbegriffen in Lateinamerika”, University of Zurich, 25.10.2023.
• “What does AI do to Art History? Some Experiments in Art and Technology”, with DVS-Team, University of Zurich, 20.11.2023.
• “Elements of Art History in a Global Context”, University of Zurich, spring 2024.
• “Elements of Art History in a Global Context”, University of Zurich, fall 2024
• “Field Study Trip: Naples”, University of Zurich, spring 2024
• “Research Colloquium”, University of Zurich, spring 2024
• “Research Colloquium”, University of Zurich, fall 2024.

Erik Wegerhoff

• “The Poetics of Infrastructure”, seminar week (excursion) for ETH Zurich, Department of Architecture, Rome, 19.–23.03.2024.

Matthias Weiß

• “Grundkurs Ikonografie”, Paris-Lodron-Universität, Salzburg, 01.03.–30.06.2022.
• “Moderne Architektur in Salzburg – ein Architekturführer”, Paris-Lodron-Universität Salzburg, 01.03.–30.06.2022.
• “Seminar für Masterstudierende und Dissertant:innen”, Paris-Lodron-Universität Salzburg, 01.03.–30.06.2022.
• “Entangled Art Histories. Objekte – Narrative – Diskurse (Ringvorlesung)”, Paris-Lodron-Universität Salzburg, 01.10.2022–31.01.2023.
• “Moderne Architektur in Salzburg II”, Paris-Lodron-Universität Salzburg, 01.10.2022–31.01.2023.
• “Seminar für Masterstudierende und Dissertant:innen”, Paris-Lodron-Universität Salzburg, 01.10.2022–31.01.2023.
• “Moderne Architektur in Wien”, three-day excursion, 16.–18.06.2022.
• “Bayreuther Rokoko”, three-day excursion, 21.–23.10.2022.

Klaus Werner

• “Mapping Leosini. Adding Geographical Context to the Studies of Angelo Leosini”, Ocre (AQ), Summer School 2022 Digital Humanities, Università degli Studi dell’Aquila, Dipartimento di Scienze Umane, 28.06.2022.
• “Procedures for Geographical Aggregation of Textual and Graphical Resources from Institutional and Public Info Systems”, L’Aquila (AQ), DH.22 (Digital Humanities 2022), Università degli Studi dell’Aquila, Dipartimento di Scienze Umane, 26.10.2022.

Oliver Wunsch

• “Nineteenth-Century Art”, Boston College, fall 2023.
• “History of Scientific Illustration”, Boston College, fall 2023.
• “Art: Renaissance to Modern Times”, Boston College, spring 2023.
• “A History of Color”, Boston College, spring 2023.
• “Contested Monuments”, Boston College, spring 2023.

Vitale Zanchettin

•  “Heritage and Project; Rome Urban History and Architecture”, Università Iuav di Venezia, MA Architecture, Venice, summer semester 2024.
• “History of Architecture in Vatican”, Scuola delle arti e Mestieri della Fabbrica di San Pietro, Vatican, 01.2023.
• “History of architecture in Vatican”, Scuola delle arti e Mestieri della Fabbrica di San Pietro, summer semester 2024.

Ana María Zapata Guzmán

• “Introduction to Computer Vision for Visual Culture”, course, Universidad de los Andes, Bogotá, 05.08.–29.03.2024.