Lectures

Florian Abe

• “Kreuzweganlagen und ihre Kreuzwegbücher: Zwischen Darstellung und Beschreibung der Leiden Christi”, 6. Forum Kunst des Mittelalters “Sinne / Senses”, Johann–Wolfgang–Goethe–Universität, Frankfurt am Main, 28.09.–01.10.2022.

Alessandro Adamou

• with Elisabetta Scirocco and Ruggero Longo, “From Data to Model, and Viceversa”, The Future of the Virtual Past – New Directions and Shared Standards in the Reconstruction of the Medieval-Renaissance Built Environment, University of Cambridge, Cambridge, 27.06.2022.
• “Shout LOUD on a road trip to FAIRness”, summer school Digital Humanities for Art History, Università degli Studi dell’Aquila, L’Aquila, 29.06.2022.
•  “Knowledge Organisation and Integration of Heterogeneous Data in Art History”, MPG workshop NFDI@MPG, Schloss Ringberg, 20.04.2023.
• “International Institutions in the Digital Age”, summer research school DH-CH 2023: Data Science, Istituto Svizzero, Rome, 06.06.2023.
• “[KG]2: A WIP Holistic Knowledge Graph to support FAIR Art History research”, workshop paper, Open Science Days, MPDL, online, 29.01.2024.
• “Knowledge Graph Technologies in Digital Art History and the History of Science”, invited lecture, University of Lausanne, Lausanne, 19.03.2024.
• “Abilitare l’esplorazione della conoscenza nel patrimonio culturale attraverso Knowledge Graph e Linked Open Data”, conference paper, Confluenze Digitali: Tutela, valorizzazione, fruizione condivisa del patrimonio artistico aquilano, Università degli studi dell'Aquila, L'Aquila, 18.04.2024.
• “Semantic data curation”, conference keynote, Digital Transformation, Istituto Svizzero, Rome, 06.06.2024.
• “Formal Ontologies and Knowledge Engineering for Iconographic Memory”, conference roundtable, XXV World Congress of Philosophy, panel “Memory Images in Shaping Knowledge. Thinking at the Crossroads in the Land of Data”, Sapienza University of Rome, Rome, 06.08.2024.
• “Ruolo del Knowledge Graph nella mediazione tra il database aperto storico-artistico e la mostra digitale”, Digital Humanities: metodologie e scenari possibili per la ricerca, Università per Stranieri di Siena, 22.11.2024.
• “Organizing knowledge around human engagement with art and literature”, Revealing Connections: Leveraging Linked Open Data to Discover Knowledge through Research Space, Università di Bologna, 28.11.2024.

José Gabriel Alegría

• presentation of the art book Semesilam: the Eternal Sun. Collected artworks 2012–2017, Watkins Books, London 04.10.2024.

Elena Amerio

• “Building a Visual Mission. Artistic Strategies and Circulation of Jesuit Art and Artists in the Doctrina of Juli (XVI–XVII Century)”, presentation at 36th CIHA World Congress, Lyon, 25.06.2024.
• “To Find Greater Ease in Meditation: Bernardo Bitti, a ‘Visual Educator’ for Spiritual Practice in the Viceroyalty of Peru”, presentation at the symposium ‘Renovatio Mundi’: The Jesuits as Educators in History, Boston College, Boston, 11.06.2024.

Jason Armitage

• “A Priority Map for Vision-and-Language Navigation with Trajectory Plans and Feature-Location Cues”, IEEE/CVF Winter Conference on Applications of Computer Vision (WACV), online, 02.–07.01.2023.
• “Assessing the Evaluation of Image and Language Generation Methods”, From Hype to Reality, DSI, University of Zurich, Zurich, 20.04.2023.
• “Aligning Vision and Language in Embodied AI Tasks”, UZH Humanities Core Day, Zurich, 2023.
• “Aligning Vision and Language in Embodied AI Tasks”, HPC-CH Forum Event, University of Zurich, Zurich, 05.10.2023.
• “Embodied Cognition in Virtual Environments with Diachronic Analysis of Linguistic and Visual Inputs”, Gain or Pain “Artificial Intelligence in Art History”, 2023.

Chiara Audizi

• “Erratic Fragments and Sacred Space: Some Lucan Case Studies”, conference Aula micat medio clarificata suo. Rediscover, Trace, Rebuild Works and Monuments of Medieval Europe, Cagliari, 18.09.2023.

Harleen Kaur Bagga

• “Pomo granato aperto: The Waters of Urbano Monte’s World Map”, conference paper, Paper Worlds: Urbano Monte and the Global Renaissance, panel: Reorienting Knowledge: Monte’s Asian Dreams, David Rumsey Map Center, Stanford University, Stanford, California, 18.05.2024.

Jose Ballesteros Zapata

• “The Future of (Digital) Art History”, conference Digital Art History – Methods, Practices, Epistemologies IV, University of Zagreb, Zagreb, 03.–04.10.2022.
• “Decoding the Expression of Light”, study day DARIAH-CH, Università della Svizzera italiana, Mendrisio, 20.10.2022.
• “Dialectics of Light”, Visual Science of Art Conference, University of Cyprus, Nicosia, 24.–26.08.2023.
• “Dialectical Light: A Methodological Comparison”, symposium From Hype to Reality: Artificial Intelligence in the Study of Art and Culture, University of Zurich, Zurich, 20.–21.04.2023.

Valentina Balzarotti

• with Serena Quagliaroli, “La bottega raffaellesca e la sua eredità a Roma nel Cinquecento: antico e modelli decorative”, seminar Intorno a Giovanni da Udine. Circolazione di linguaggi e riferimenti all’antico, Università degli studi della Campania, Naples, 26.04.2022.

Tatjana Bartsch

• “Disegnare la Domus Aurea”, book presentation Dialoghi in Curia. Presentazione del volume ‘Nero’s Domus Aurea. Reconstruction and Reception of the Volta Dorata’, Curia Iulia, Rome, 20.12.2022.
• with Johannes Röll, “Die Fotothek der Bibliotheca Hertziana”, workshop Visualisierungsstrategien in den Altertumswissenschaften, Deutsches Archäologisches Institut, Rome, 14.04.2023.
• “Maarten van Heemskerck’s Roman Sketchbook in Restoration. Results from Material and Codicological Research”, expert meeting From the Mind to the Page: Navigating the Early Modern Sketchbook, Dutch University Institute for Art History, Florence, 25.–26.05.2023.
• “Playground and Repository: Maarten van Heemskerck’s Roman Sketchbook”, symposium Making, Collecting, and Understanding Dutch and Flemish Drawings, 1500–1800. The Peck Drawings Symposium, Rijksmuseum, Amsterdam, 01.–02.06.2023.
• “The Corpus Photographicum of Drawings (Corpus Gernsheim) as a Tool for Provenance Research”, workshop Provenance Research in Italy, Deutsches Studienzentrum, Venice, 25.09.2023.
• “Immaginario e antiquaria nei disegni di Maarten van Heemskerck”, talk, seminar Roma e il Rinascimento, Prof.ssa Francesca Mattei A/A 2023–2024, Università Roma Tre, Rome, 12.–13.01.2024.
• “‘Ich war wieder ganz entzückt von der Reichhaltigkeit.’ Zur Forschungsgeschichte der römischen Zeichnungen Maarten van Heemskercks”, evening lecture, Kunstgeschichtliche Gesellschaft zu Berlin, Bode-Museum, Berlin, 04.04.2024.
• “Ruinenfantasien. Maarten van Heemskercks römische Gemälde”, evening lecture, Kulturforum, Berlin, 07.05.2024.
• “Maarten van Heemskerck und die Anfänge der topografischen Romvedute”, keynote lecture at study day Die Lateran-Vedute Inv. H 2023/2 der Göttinger Kunstsammlung. Ein neues, herausragendes Bildzeugnis zum römischen Mittelalter, Georg-August-Universität Göttingen, Kunstgeschichtliches Seminar und Kunstsammlung, Göttingen, 19.–20.06.2024.
• “Drawing Antiquities with the Eyes of the Painter. Maarten van Heemskerck in Rome”, lecture, conference Creativity and Invention in Antiquarian Drawings, Ashmolean Museum, Oxford, 05.–06.09.2024.

Marina Barzon Silva

• “A AICA e o Debate Realismo e Abstração no Brasil”, colloquium Futuros da História da Arte, Comitê Brasileiro de História da Arte, Federal University of Rio de Janeiro and Modern Art Museum of Rio de Janeiro, Rio de Janeiro, 07.–12.11.2022.

Elisa Bastianello

• “Reti neurali e intelligenza artificiale per lo studio delle fonti storico-artistiche: l’esperienza della Bibliotheca Hertziana”, Gli incontri di Limes, Università di Pisa – Dipartimento di Civiltà e Forme del Sapere, Pisa, online, 23.03.2022.
• with Christine Grundig, “Heinrich Wölfflin – Gesammelte Werke: Digitale Edition”, international forum Kunstwissenschaftliche Editionen im digitalen Zeitalter at XXXVI. Deutscher Kunsthistorikertag, Universität Stuttgart, online, 23.03.2022.
• “‘Della Basilica di Vicenza Opera moderna non inferiore all’antiche romane’: Vicenza romana e palladiana negli scritti di Ortensio Zago (1654–1737)”, study day Le parole della periodizzazione della storia dell’arte: epoche, stili, maniere nei testi di guidistica e storiografia del Seicento e del Settecento, Università di Tor Vergata, Palazzo Barberini, Rome, 26.05.2022.
• “Immagine, testo e metatesto: il ruolo delle macchine neurali nelle nuove raccolte digitali della Bibliotheca Hertziana”, webinar Virtual Research Environments for Manuscript and Library Studies, Università degli Studi di Milano, online, 04.06.2022.
• “Digitalizzazione, trascrizione, citazione: le fonti testuali per le pubblicazioni digitali”, conference Fare per non sprecare: nei laboratori del riuso digitale, Sapienza Università di Roma, Rome, 10.06.2022.
• “Digitalizzazione, trascrizione, citazione: le fonti testuali per le pubblicazioni digitali”, lecture for MANT, Università degli studi di Roma “Tor Vergata”, online, 17.06.2022.
• “Leosini digitale: edizioni digitali alla Bibliotheca Hertziana”, summer school Digital Humanities, DSU Università degli studi dell’Aquila, L’Aquila, 28.06.2022.
• “Open Standards for Writing and Citing: How SciFlow Works Together with Top Reference Managers and Publishing Tools”, invited speaker at Masterclass for Sciflow GmbH, online, 01.07.2022.
• with Alessandro Adamou, “Referency: Harmonizing Citations in Transdisciplinary Scholarly Literature”, poster presentation at TPDL 2022 – The 26th International Conference on Theory and Practice of Digital Libraries, Università degli studi di Padova, Padova, 22.09.2022.
• “From Transkribus to TEI”, roundtable at Transkribus User Conference 22, University of Innsbruck, Innsbruck, 30.09.2022.
• “Dalla digitalizzazione all’edizione digitale: i progetti Digital Publishing della Bibliotheca Hertziana”, conference DH.22 Digital Humanities 2022, Università degli studi dell’Aquila, L’Aquila, 26.10.2022.
• “Tecnologie digitali per le fonti testuali: l’intelligenza artificiale per l’accesso ai testi”, Seminari di Archeologia Classica, Università degli Studi di Napoli Federico II, Naples, online, 04.11.2022.
• “From Humanities to Digital Humanities: How to Become a Digital Publications Manager”, Module #PRO, Université de Tours CESR, online, 10.11.2022.
• “Dall’immagine digitale al testo ricercabile: le tecnologie a servizio del Ligorio Digitale”, conference Pirro Ligorio e l’Italia. Antichità locali e cultura antiquaria, Università degli Studi di Napoli – DSU, Naples, 23.05.2023.
• “L’applicazione del riconoscimento testi neurale per la realizzazione di ristampe digitali”, conference La memoria digitale: forme del testo e organizzazione della conoscenza, Università di Siena, Siena, 06.06.2023.
• “Letteratura di viaggio e guide per la città digitale: trascrizioni e annotazioni semantiche”, conference Oltre lo sguardo. Interpretare e comprendere la città – 11th AISU Congress, Dipartimento di Architettura, Università di Ferrara, Ferrara, 14.09.2023.
• “Scholarly Publishing and Open Access for SSH: the Practices of the Bibliotheca Hertziana – Max Planck Institute for Art History”, 5th Open Science Ambassadors Meeting, organized by Max Planck Digital Library and PhDnet, Harnack-Haus, Berlin, 19.09.2023.
• with Christine Grundig, Reto Baumgartner, Sven Lucien Meier, “Heinrich Wölfflin – Gesammelte Werke (Digital Edition)”, poster presentation at conference Open Up Digital Editions, University of Zurich, Zurich, 24.–26.01.2024.
• “Smart Models and Formatting: How to Use Transkribus and «Smart» Models to get Formatting Informations out of a Document”, lightning talk, Transkribus User Conference 2024, University of Innsbruck, Innsbruck 15.–16.02.2024.
• “Integration of Transkribus: Bibliotheca Hertziana Digital Library”, poster presentation at Transkribus User Conference 2024, University of Innsbruck, Innsbruck 15.–16.02.2024.
• with Reto Baumgartner, “From Scan to Digital Edition: How to Use Transkribus in the Editorial Workflow”, workshop, Transkribus User Conference 2024, University of Innsbruck, Innsbruck 15.–16.02.2024.
• “Tecnologie per la trascrizione e l'annotazione dei documenti connesse a Wikidata: l'esempio del volume di Leosini”, conference Confluenze digitali. Tutela, valorizzazione, fruizione condivisa del patrimonio artistico aquilano, Università degli Studi dell’Aquila, DSU, L’Aquila, 18.04.2024.
• “PubLink: Editorial Workflow for Digital Scholarly Publications in the Humanities”, conference Hypertext 2024 – Creative Intelligence, Institute of Polish and Classical Philology, Adam Mickiewicz University, Collegium Maius, Poznan, 10.–13.09.2024.
• “Intelligenza artificiale e trascrizione automatica di testimonianze manoscritte” for the seminar cycle of the Laboratorio di Digital Humanities, invited lecture, Università degli Studi dell’Aquila Dipartimento di Scienze Umane, L’Aquila, 25.11.2024.

Giulia Beatrice

• “Giocolanti Oltremarini: immagini e memorie coloniali nella Sala dei Manichini”, conference Il Visibile Parlare. Giovanni Papini e le arti visive, Università IULM, Milan, 28.10.2022.
• “The Futurist Movement in Egypt. An Attempt of Transcultural Modernism?”, 8th Biennial Conference of the European Network for Avant-Garde and Modernism Studies “Globalizing the Avant-Garde”, NOVA University of Lisbon, 01.09.2022.
• “Ardengo Soffici’s Room of the Mannequins (1914): a Colonial Tale on the Eve of the War”, conference Staging Injustice Study Days, Center for Italian Modern Art, New York, 29.04.2022.
• Art as testimony? Bombing over Ethiopia in Futurist Painting, XX. Colloque suisse de la relève en histoire de l’art, Université de Genève, Geneva, 02.–03.11.2023.
• “Terror Comes from the Sky: Gas and Bombing over Ethiopia in Futurist Painting”, conference Ugly Modernity. Its Unseen Sides, University of York, online, 08.–09.06.2023.
• “Osvaldo Barbieri e le mostre futuriste in Libia sotto Italo Balbo”, conference Esposizioni e propaganda fascista all’estero: dagli anni del consenso allo Stato Totalitario (1929–1940), Università degli Studi Siena, Siena, 24.–25.05.2023.

Carmen Belmonte

• “I monumenti del colonialismo italiano. Un approccio decoloniale”, conference Eredita materiali e immateriali del colonialismo italiano: rimozione, riconoscimento, decolonizzazione, Università di Siena, Siena, 24.– 25.11.2022.
• “Colonialismo e fascismo: un patrimonio ‘difficile’ nell’Italia contemporanea”, study day Napoli – Balcani | 1940–2022 L’eredità materiale del colonialismo fascista alla Prima Mostra Triennale delle Terre Italiane d’Oltremare, Museo Madre, Naples, 24.06.2022.
• “Colonial Heritage in Italy: Displaced Monuments, Travelling Memories”, conference (Post-) Colonial Shaming Practices and Materiality of Degradation, Technische Universität Dresden, Dresden, 16.–18.06.2022.
• “Cultura visiva e colonialismo italiano”, Incontri SAET 2023 – Tradizione dell’antico, Scuola Normale Superiore, Pisa, 06.12.2023.
• “Monumenti e memorie coloniali in Italia”, Memorie coloniali e Nation building. Italia e Germania a confronto, Sapienza Università di Roma, Rome, 06.–07.10.2023.
• “I bozzetti di Ettore Ximenes per L’Illustrazione Italiana”, workshop on the collections of the former colonial museum within the conference Classici e colonialismo Italiano, Museo delle Civiltà, Rome, 24.06.2023.
• “Removal, Destruction, Preservation: Fascist-Era Heritage in Italy”, conference Destroy the Symbols? Iconoclasm and Post-Authoritarian Transition in 20th-Century Europe, Collegio Ghislieri, Pavia, 22.–23.06.2023.
• “Visualità e materialità del colonialismo italiano. Una prospettiva transdisciplinare”, lecture as part of the program Dottorato di ricerca in Storia, territorio e patrimonio culturale, Università di Roma Tre, Rome, 16.05.2023.
• “Spazi di memorie: i monumenti coloniali in Italia”, conference Identità plurali e alterità spaziali dell’italianità 1796–1943: territori, città, architetture, musei, Archivio Storico della Presidenza della Repubblica/École française de Rome, 26.–28.09.2024.
• “Decolonizing Italian Visual and Material Culture: un gruppo di ricerca”, conference Dal terzomondismo al postcolonialismo: immaginari visivi attorno a multiculturalismo, (anti)razzismo e neoprimitivismo in Italia, La Sapienza Università, Rome, 18.–20.09.2024.
• “Difficult Heritage in Italy: Where Are We Now and Where Are We Going?”, conference of the Society for Italian Studies Material Legacies of Fascism: Afterlives of Totalitaritarian Spaces, Royal Holloway, University of London, London, 19.–21.06.2024.
• “Monumenti e spazio pubblico”, lecture series Inhabited Dissonance. Bozen–Bolzano 1922–2024, Libera Università di Bolzano, Bolzano, 06.06.2024.
• “L’eredità del Fascismo nello spazio pubblico”, lecture series Accademie, Università di Roma Tre, Rome, 03.05.2024.
• “Monuments in Motion: Staging Fascist Imperialism”, Durham Italian Studies Seminar Series, Durham University, Durham 24.04.2024.

Alev Berberoğlu

• “Remembering Ottoman Istanbul Through Photographs: Elisa Zonaro and Street Photography”, conference The Fourth European Convention on Turkic, Ottoman and Turkish Studies “Turkologentag”, Universität Wien, Vienna, 21.09.2023.
• “From Naples to Ottoman Istanbul: A Photo Album in Sultan Abdülhamid II’s Collection”, conference Intersections: The City of Art Historians, Associazione Italiana di Storia Urbana (AISU), Università di Napoli Federico II, Naples, 30.05.2024.
• “Translated Images: Late Ottoman Perceptions of Naples”, conference The Middle East Studies Association (MESA) 58^th Annual Meeting, online, 15.11.2024.
• “Fotoğrafçı Elisa Zonaro'nun İzinde [In Search of Photographer Elisa Zonaro]”, Kazlıçeşme Sanat, Istanbul, 11.12.2024.

Valentine Bernasconi

• “Remonter le temps: nouvelles perceptions de la représentation picturale de la main à travers celle du chercheur”, Les Entretiens de la Fondation Maison Borel, VIIe édition, Autour de la notion de filiation artistique Dialogue avec Elizabeth Prettejohn, Université de Neuchâtel, Neuchâtel, 21.10.2022.
• “Augmenting Art History: A New Story of the Painted Hand”, study day DARIAH-CH, Università della Svizzera italiana, Mendrisio, 20.10.2022.
• “Imperfect Tools – When Uncertainties of Automated Recognition Reveal Pictorial Peculiarities”, symposium Unexpected Realities: How Uncertainty and Imperfection Influence Perception and Interpretation in Digital Visual Studies, VSAC 2022, Amsterdam, 24.–27.08.2022.
• “A New Gesture-Based Browsing Experience for Art Historical Research”, Digital Humanities Conference 2022, Tokyo, 25.–29.07.2022.
• “Seeing Differently. Computational and Historical Analysis of Hands and Gestures in Early Modern Time”, as part of the course Digitale Kunstgeschichte: Aktuelle Trends und experimentelle Anwendungen, University of Basel, 04.2022.
• “Understanding Body and Hand Gestures through the Lens of Computational Methods”, Body Posture and Art, University of Ghent, 05.2022.
• “Voir autrement. Aperçu du langage de la main dans la représentation picturale à travers l’Europe d’hier grâce aux technologies d’aujourd’hui”, seminar Fortunes et circulations des images en Europe, Centre IMAGO, Paris, 16.05.2022.
• “Changing Perceptions. Decoding Early Modern Painted Hand Gestures through Computer Vision”, international workshop Kommunikationstechniken im Wandel. Alternatives Schreiben, Lesen und Kommunizieren in der Vormoderne. Changing Communication Techniques, online, 04.05.2023.
• “The Reality Behind Working with Body Pose Estimation in Paintings: Another Truth”, From Hype to Reality: Artificial Intelligence in the Study of Art and Culture, Digital Society Initiative, University of Zurich, Zurich, 20.–21.04.2023.
• “Show me your Hand. Discussing Methodologies for the Analysis of Hands in Art History”, round table organized for I pomeriggi series, Istituto Svizzero, Rome, 17.01.2024.

Marieke von Bernstorff

• with Elisabeth Oy-Marra, Anja Brug, Ulrike Tarnow, Thedel von Wallmoden, "'Un semplice tradutore'? Giovan Pietro Bellori als Übersetzer und die Übertragung seiner Viten ins Deutsche", presentation of the Bellori Edition, Freie Universität Berlin, Italienzentrum, Berlin, 16.01.2024.

Francesca Borgo

• “L’immagine fragile”, invited lecture at I mercoledì di Santa Cristina. Incontri con l’Arte, Dipartimento delle Arti, Università di Bologna, 13.04.2022.
• “Wartime Mobility”, conference Art beyond Placeness: Narratives of Movement in the Early Modern Period, Norwegian Institute, Rome, 01.06.2023.
• “Campane di guerra: Leonardo e il paesaggio sonoro di Anghiari”, inaugural talk at CIRSCIM (Centro Internazionale di Ricerca sulla Civiltà Mercenaria), Anghiari, 24.06.2023.
• with Arturo Galansino and Dario Donetti, presentation of the catalogue Anish Kapoor: Untrue, Unreal, Palazzo Strozzi, Florence, 24.11.2023.
• “Writing Like Leonardo”, Saints Talk Series, University of St Andrews, online, 04.04.2023.
• “Introduction: Loss and Art History”, panel “Materialising Loss: Absence and Remaking in Art History”, 36th CIHA World Congress, Lyon, 27.06.2024.
• “Guardare l’acqua”, study day Nel segno di Leonardo: tra Firenze e Milano: Giornata congiunta di studio in occasione del centenario delle università di Firenze e Milano”, Aula Magna del Rettorato, Florence, 15.04.2024.
• “Leonardo, la scrittura allo specchio”, lecture given at Kulturama in Zurich, Zurich, 14.03.2024.

Adrian Bremenkamp

• Center, Morgan Library and Museum, Metropolitan Museum of Art, 11.–15.07.2022.
• “The True Cross in Rome and the Staging of Relics in Architecture and Urban Space: Santa Croce in Gerusalemme”, lecture at summer school From Global to Local: Conques at the Crossroads (9th–13th c.), CUNY Graduate Center, New York, 14.07.2022.
• “The Last Judgment Triptych for the Valencian City Hall Chapel: A Case of Translation?”, study day Cultural Crossroads. Artistic Encounters between the Low Countries and Spain, 15th–17th Centuries I. Flemish Paintings in Spain, Fondation Périer d’Ieteren, Brussels, 24.11.2023.
•  “San Gennaro vs. San Ludovico. Strategien dynastischer Legitimation und ortspezifischer Inszenierung bei frühchristlichen und mittelalterlichen Heiligen in Neapel”, Forum Kunstgeschichte Italiens 2023, Sektion 5: “Transkulturelle Manifestationen des Sakralen”, Universität Leipzig, Leipzig, 15.–18.03.2023.
• “Architecture, spolia and inscriptions of the Casa dei Crescenzi”, field seminar at Casa dei Crescenzi, Centro di Studi per la Storia dell’Architettura, Rome, 05.03.2023.
• Villa Vigoni Talks: New Edition and Translation of Pietro Summonte's Letter on Art in Naples (1524), workshop organization with Anna Magnago Lampugnani), Villa Vigoni – German-Italian Centre for the European Dialogue, Lake Como, 12.–15.02.2024.
• “Pietro Summonte e i pittori fiamminghi”, short presentation at workshop Neuedition und Übersetzung von Pietro Summontes Brief zur Kunst in Neapel (1524), Villa Vigoni – German-Italian Centre for the European Dialogue, Lake Como, 13.02.2024.

Chiara Capulli

• “Spatializing the 1525 Description of Florence: An Experiment in Collaborative Digital Research”, Renaissance Society of America Annual Meeting, Dublin, 02.04.2022.
• “San Donato a Scopeto: The Arts, Patrons and Afterlife of a Lost Church of Renaissance Florence”, 3rd & 4th Year PhD Postgraduate Symposium, Department of History of Art, Univerisity of Cambridge, 29.04.2022.
• with Fabrizio Nevola, “3D Workflows for Research, Interoperability and Engagement: From the Archive to the Museum”, conference The Future of the Virtual Past. New Directions and Shared Standards in the Reconstruction of the Medieval-Renaissance Built Environment, Jesus College, University of Cambridge, 27.06.2022.
• “The Stones of Scopeto: Materials for a Historical Narrative”, summer school The Historicity of the Humanities, Scuola Normale Superiore – Palazzone, Cortona, 22.09.2022.
• “Dislocazione e Riuso: Il Sarcofago della Beata Chiara Ubaldini”, workshop Enfront de l’objecte artistic. Condicions originals i funcions adquirides per les obres medieval, Universitat de Girona, Girona, 23.10.2023.
• “Digital Tools for the Understanding of the Lost Urban Fabric: The Case Study of the 1529 Guasto of Florence”, workshop Past and Present Representations of Historical Urban Spaces (Middle Ages – Early Modern Times), CAAS – Center for Advanced Academic Studies University of Zagreb, Dubrovnik, 21.09.2023.
• “The Politics of Stones: Reinstating a Religious Community in Florence after the 1529 Guasto”, session “Renaissance Care I” at Annual Meeting of the Renaissance Society of America, San Juan, Puerto Rico, 11.03.2023.

Eva Cetinić

• “The Myth of Culturally Agnostic AI Models”, short paper and presentation at workshop NeurIPS 2022 Workshop Cultures of AI and AI for Culture, 09.12.2022.
• “AI & Art: From Art Historical Challenges to Computational Methods, and Back”, invited talk at symposium Human vision/Computer vision: Making Sense of Art, Loughborough University, 24.–25.11.2022.
• “Multimodal Models as Cultural Snapshots”, invited talk at conference Art and Algorithms, Aachen, 18.11.2022.
• “Multimodal Deep Learning in Digital Visual Studies”, poster at study day DARIAH-CH, Mendrisio, 20.10.2022.
• “Digital Art History Recapitulates Art History?”, presentation at conference Digital Art History – Methods, Practices, Epistemologies IV, Zagreb, 03.–04.10.2022.
• “Through the doors of multimodal perspectives: Deep learning and the kaleidoscopic embeddings of culture”, Visual Science of Art Conference VSAC 2022, Amsterdam, 25.08.2022.

• “Multimodal Deep Learning Meets Digital Art History”, virtual attendance and paper at panel CLIP and beyond: Multimodal and Explainable Machine Learning in the Digital Humanities at the conference DH2022, Tokyo, 29.07.2022.
• “Beyond Similarity: From Stylistic Concepts to Computational Metrics”, invited talk at conference FAPER 2022, Lecce, online, 23.05.2022.
• “Introduction to ImageGraph”, invited lecture in the UZH course Exploring Digital Visual Studies, University of Zurich, Zurich, 18.05.2022.

Elenio Cicchini

• “Il mondo virtuale e l’identità giovanile. Per una revisione critica”, teaching session for training workers, Cooperativa Sociale Servizi Associati, Spinea, 21.01.2022.
• “Napoli, la città porosa”, event Capolinea. Fermata Napoli, Isernia, 29.08.2022.
• “Quale futuro per il dialetto?”, lecture as part of the event Lucecabelle. Luci sul dialetto, Isernia, 30.08.2023.
• “Fuga dal mondo e pittura. Il gesto politico di Charles Moulin”, conference Tracce di Luce. Alla scoperta di Charles Lucien Moulin, Castelnuovo al Volturno, 10.09.2023.
• “Malerei als Wissenschaft der Geste”, conference Mit Erfahrungen im Ausland: Aktuelle Forschungen der Kunstgeschichte, Kunstwissenschaftliche Gesellschaft und Kunstgeschichtliches Institut der Albert-Ludwigs-Universität Freiburg in cooperation with Studium Generale, Freiburg i. Brsg., 30.11.2023.
• “Man has no hands“. Methodological Problems of a Philosophy of Gestures”, roundtable Show me your hand!, Istituto Svizzero, Rome, 17.01.2024.
• “‘Ars imitatur naturam’. La nozione di imitazione nella prima età moderna”, workshop Nuova edizione e traduzione della lettera di Pietro Summonte sull’arte a Napoli (1524) / Neuedition und Übersetzung von Pietro Summontes Brief zur Kunst in Neapel (1524), DFG – Deutsche Forschungsgemeinschaft, Villa Vigoni – Centro italo-tedesco per il dialogo europeo, Lake Como, 14.02.2024.
• “La poesia di Franca Mancinelli”, dialogue with the author, contemporary poetry festival Fatti viva, Isernia, 09.05.2024.
• “Thauma. Il teatro delle marionette come paradigma filosofico”, conference Pinocchio: A Global Puppet International Symposium, National Carlo Collodi Foundation with the Ferrucci Institute for Italian Experience and Research of Chapman University and The University of Iowa, Collodi, 01.06.2024.
• film presentation Bella e perduta di Pietro Marcello, rassegna Capolinea: fermata Terra di Lavoro, Isernia, 29.08.2024.
• presentation of the book Il nome e la voce. Per una filosofia dell’inno di Nicoletta Di Vita, dialogue with the author, festival Cabudanne de sos Poetas, Seneghe, 09.09.2024.

Alessio Ciannarella

• “Visitare Roma in funzione del tempo: le guide divise in giornate tra Sei e Settecento”, conference paper, La città degli storici dell'arte, panel “Immagini di città dalla fine dell'Antico Regime alla I Guerra Mondiale”, AISU, Università di Napoli Federico II, Naples, 30.09.2024.
• “Roma capitale universale delle arti. Le guide come strumento di promozione dell’immagine della città”, invited lecture, Unitelma – Sapienza Università di Roma, online, 04.09.2024.

Claire van Cleave

• “Presentazione e analisi del libro degli atti del Convegno Internazionale sul Michelangelo e Vittoria Colonna a Villa Finlay in Maggio 2019”, Archivio dello Stato di Napoli, Naples, 25.10.2022.

Camilla Colzani

• “Dalla natura alla carta: disegni di paesaggio di Federico Barocci”, conference Nuovi studi sul disegno di paesaggio: materialità, esperienza, pratica, Fondazione Cini, Venice, 14.–15.03.2024.
• “Documenti Barocceschi, nuove evidenze e nuovi problemi”, summer school Federico Barocci da Urbino all’Europa, Fondazione Federico Zeri, Urbino, 31.08.–06.09.2024.

Matheus Corassa Da Silva

• “Un nouvel Alexandre? A construção do corpo político de Luís XIV na Histoire d’Alexandre (c. 1665–1673) de Charles Le Brun (1619–1690)”, VII Encontro de Pesquisas em História da Arte Artes em Movimento: conexões & possibilidades, Federal University of São Paulo (Unifesp), Guarulhos, 06.12.2022.
• “Um corpo que ascende: a decoração da Escalier des Ambassadeurs e a representação holística do corpo político de Luís XIV (1638–1715) por Charles Le Brun (1619–1690)”, XVII Encontro de História da Arte da Unicamp “Sob Ataque: preservação e destruição de imagens na História da Arte”, Campinas State University (Unicamp), Campinas, 11.10.2023.

Viviana Costagliola

• “An Italian Gaze on the Southern Question. The Representation of Southern Italy in the Monthly Review of the Italian Touring Club (1895–1915)”, study day Staging Injustice: Italian Art 1880–1917, Center for Italian Modern Art, New York, 30.04.2022.
• “‘Agent of blindness’: Travel Guides and Photography of Southern Italy (1869–1927)”, Italienzentrum, Freie Universität, Berlin, 04.07.2022.
• “Photomontages of Italian Cities in the Italian Touring Club’s Monthly Review (1895–1915)”, international interdisciplinary research colloquium for Ph.D. candidates and post-docs Media Relations of Photography, Deutsches Dokumentationszentrum für Kunstgeschichte – Bildarchiv Foto Marburg, Marburg, 22.07.2022.
• “L’impatto della rete ferroviaria italiana sulle guide di viaggio e la produzione fotografica del Paese dopo l’Unità”, conference La rotaia e il treno. Due secoli di sviluppo, Fondazione Filippo Turati, Università degli Studi di Siena, Fondazione FS Italiane, Pistoia, 25.11.2022.
• “Nothing Will Remain But Photographs”: Photomechanical Reproductions of the Italian South’s Heritage in Napoli Nobilissima Magazine (1892–1907)”, conference Art within Reach: Photomechanical Reproductions of Works of Art from Print to Digital, Institute of Art History of the Czech Academy of Sciences, Prague, 05.–06.12.2023.

Hugh Cullimore

• “The Afterlives of Rome’s Obelisks”, international symposium Mnemosyne: Forgetting, Remembering, and Rediscovering Classical Antiquity, Warburg Institute, London, 04.–05.05.2023.
• “Egyptian Inspirations of the Emblematic Genre”, conference Canadian Society for Renaissance Studies Annual Conference, York University, 27.–29.05.2023.
• “Southeast Asian Weaponry in Dutch Old Master Paintings”, paper at the COST-Action summer school Islamic Legacy: East, West, North, South of the Mediterranean (1350–1750), University of Stockholm, Stockholm, 06.–09.06.2023.
• “Bernini’s Obelisks”, conference Echoes of Antiquity, University of Warsaw, Warsaw, 15.–16.06.2023.

Regina Deckers

• “Preparation and Represention of Chocolate in Early Modern Literature and Art”, paper for panel Material and Meaning. Representing Food in Early Modern Art and Literature II at Renaissance Society of America Annual Meeting, Dublin, 02.04.2022.
• “Antonio Latini als Repräsentant höfischer Küche im frühneuzeitlichen Neapel”, 2nd Conference of Cooking Culture 2023: Vom Keil zum Buch zum Blog. Das Kochbuch. Form und Funktion einer Textgattung, Kochkulturmuseum (Museum of Cooking Culture), Krahuletz-Museum, Eggenburg (Niederösterreich), 14.–16.04.2023.

Lara Demori

• “L’Influenza della fantascienza americana sul Movimento Arte Nucleare”, conference Narrazioni Atlantiche e Arti Visive 1949–1972, Università di Roma Tre e Università per stranieri di Perugia, online, 01.12.2022.
• “Giuseppe Penone Drawings”, conference Giuseppe Penone and the Interconnection with Nature, Philadelphia Museum of Art, 10.11.2022.
• “Sneaky Peeks: Women in the Bedroom”, International Annual Conference of Women in the Arts, University of Arkansas Rome Center, 21.10.2022.
• with Christine Poggi, “Giuseppe Penone at the Philadelphia Museum of Art”, Penn Italian Studies, University of Pennsylvania, 23.09.2022.
• “Nuove Storie dell’arte: Alberto Greco, Vivo Dito e il Teatro Laboratorio”, conferece Altre storie dell’arte italiana nell’era globale, Museo Macte, Termoli, 19.02.2023.
• “Diasporic Narratives Across Italy and Latin America 1960–1980”, conference Relational Subjects, Objects, Institutions. Artistic Convergencies between Europe and Latin America 1960–1980, University of Amsterdam, 08.–09.06.2023.
• “Incontri transnazionali tra Italia e America Latina”, conference Le vie aperte tra America Latina e Italia. Identità culturali, prospettive attuali, IILA (Istituto Italo-Latino Americano), Rome, 20.12.2023.
• “L'arte performativa. La relazione tra arte e corpo negli anni '60”, lecture, Università di Roma Tre, Faculty of Architecture, Rome, 15.03.2024.
• “Artivismo Materno. La rappresentazione della maternità nell'arte latinoamericana contemporanea”, conference paper, Convegno Internazionale Storia dell'arte e femminismo, Università La Sapienza di Roma, Rome, 19.02.2024.
• “Disobedient Bodies. The Representation of Pregnancy in Latin American Art (1970s–1980s). The Case Study of Johanna Hamann”, conference paper, Transregionale Forum Studien – Lima, MALI (The Lima Art Museum), Lima, 09.05.2024.

Anna Aline Mehlman Dumont

• “Unfolding a Velvet Mystery: A Flawed Altar Frontal, Material Investigation, and Social Histories of Workshop Production,” symposium at COSI Colloquium: Fold, Bend, Flip – Museum Objects in Motion, Art Institute of Chicago, Chicago, 19.05.2023.
• “Imperlaperle e merlettaie: Women Workers at the Point of the Needle in Late 19th-Century Venice”, virtual symposium Picturing Women at Work in the Nineteenth Century, Cleveland Museum of Art, Cleveland, 16.–17.11.2023.

Sybille Ebert-Schifferer

• “Guido Reni – der Anti-Caravaggio?”, Zentralinstitut für Kunstgeschichte, Munich, 30.11.2022.

Benjamin Fellmann

• “Paris, le Palais de Tokyo et l’invention de la ‘machine à exposer’. Passé et présent des politiques de l’art contemporain”, opening lecture for the long-term exhibition and project Le Grand désenvoûtement, Palais de Tokyo, Paris, 09.12.2022.
• “Gelebte Dialektik und Nachhall des Augenblicks. Kunst und Wahrnehmung in Walter Benjamins letzter Publikation”, symposium Das Gute, das Schöne und die Kultur, Warburg-Haus, Hamburg, 17.–18.06.2022.
• “Pier Paolo Pasolini en art contemporain. Politiques de pratiques artistiques”, lecture at Deutsches Forum für Kunstgeschichte, Paris, 23.05.2022.

Elena Filippi

• “Europa, i suoi boschi, e i tormenti della traduzione: appunti sulla dialettica Nord/Sud intorno al 1500”, conference Immaginazione Tecnica Responsabilità. Rinascimento e nuovi umanesimi, Centro Culturale “Pier Giorgio Frassati”, Turin, 10.06.2022.
• “Vigilare sul linguaggio per attivare l’immagine. Intorno al De pictura § 53”, conference La pensée et l’ouvre de Leon Battista Alberti, Université de la Picardie-Jules Verne, Amiens, 02.06.2023.

Annika Finne

• “The Dimensionality of Overpaint Applied to Deities Initially Painted by an Artist-Saint”, paper at session Blurring the Sacred and the Secular in Late Medieval Visual Culture at International Congress of Medieval Studies in Kalamazoo, Kalamazoo, Michigan, 05.2024.

Sietske Fransen

• “The Quest for the Smallest Particle: Mechanical Views amongst Seventeenth-Century Microscopists”, keynote lecture at conference From Automata to Transhumans: Debating Human Nature and its Limitations, 1600–2000, Domus Comeliana, Pisa, 21.–22.4.2022.
• “Contested Observations: Seventeenth-Century Microscopy and the Challenge to See the Same”, keynote lecture at Contested Expertise: Trust in Science and Technology – International Conference of the Belgian-Dutch Society for the History of Science and Universities (GEWINA), Woudschoten, 17.–18.6.2022.
• “Reading Images – Understanding Texts – Replicating Experiments”, Antoni van Leeuwenhoek (1632–1723) and His Impact on the History of Microscopy, The Royal Society, London, 14.–15.09.2023.
• “How to See the Invisible: New Instruments, Observation Techniques, and the Imagination in Seventeenth Microscopy”, lecture and workshop, VUB Brussels, 10.–11.10.2023.
• “The Re-Use and Copying of Images in Seventeenth-Century Microscopy”, seminar paper, colloquia CLIO Imagines, Università degli Studi di Milano, Milan, 26.02.2024.
• “Drawing to See the Invisible”, conference Renaissance Society of America, Chicago, 21.–23.03.2024.
• “Science and Medicine in Seventeenth-Century Brussels: The Van Helmonts in Context”, keynote lecture at conference Scientiae, Brussels, 11.–14.06.2024.

Barbara Furlotti

• “Giulio Romano a Madrid: un viaggio senza conseguenze?”, paper at the conference Del Regalo a la Almoneda: política, arte y cultura entre Mantua y la Monarquía Hispánica en la Edad Moderna, Madrid, Facultad de Geografía e Historia de la Universidad Complutense de Madrid y el Museo Nacional del Prado, 11.–12.04.2024.

Milena Gallipoli

• "Dos modelos de consumo de la Antigüedad clásica en yeso: los casos de compra de calcos de Alberto
• Mackenna Subercaseaux (Santiago de Chile) y Eduardo Schiaffino (Buenos Aires)", colloquium Tras la estela de Winckelmann. El Neoclasicismo en Iberoamérica, entre la Arqueología y la Historia del Arte, Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de México and Winckelmann Gesellschaft, Ciudad de México, online, 24.10.2024.
• "De recursos pedagógicos a objetos museales: la confección del catálogo razonado de calcos del Museo de la Cárcova (Buenos Aires)", conference Conversatorio sobre Gipsotecas en América Latina, Academia de San Carlos, Ciudad de México, online, 23.10.2024.

Roberta Garieri

• “Costellazioni transatlantiche: arti visive e reti di solidarietà tra Cile e Italia (1973–1977)”, workshop Le vie aperte tra America Latina e Italia. Identità cultu-rali e prospettive attuali, Organizzazione internazionale Italo-Latino Americana, Rome, 20.12.2023.
• “Por la vida. Réclamer le corps dans les pratiques artistiques et activistes chiliennes (1980–1990)”, workshop Passés-Présents. Mémoires, traces et trauma de la dictature dans les arts au Chili, Marseille, 14.–15.09.2023.
• “Transatlantic Constellations. Visual Arts and Solidarity Networks between Chile and Italy”, graduate workshop Relational subjects, objects and institutions: Artistic Convergences between Latin America and Europe in the Postwar, University of Amsterdam, 07.06.2023.
• “Corps de mémoires dans les pratiques artistiques et activistes au Chili (1980–2020)”, international congress Archive vitale de la révolte. Esthétiques dissidentes de l’Octubre Chileno, Université Aix-Marseille, Université de Grenoble-Alpes, 18.–24.01.2023.

Lucía García de Jalón Oyarzun

• “Code Poetry and the Production of Minor Architecture in Coded Environments”, paper presented at the panel Poetry Designing Architecture: A Global Exploration of Structures Arising from Poetry at EAHN (European Architectural History Network) International Conference 2022, Madrid, 15.06.2022.
• “The Haptic Quality of Urban Sensing: From the Nudge to the Algorithmic Touch Manifold”, paper presented at the panel Informated Environments at RAI2022: Anthropology, AI and the Future of Human Society Conference, London, 08.06.2022.
• “Del camino al circuito: semióticas de la Carretera”, guest lecture at the summer course Más allá de la road movie: viajes, cuerpo, intimidad, Círculo de Bellas Artes / Universidad Carlos III, 06.2022.
• with Darío Negueruela, “Seeing like a City: el papel de las imágenes en red en la construcción de inteligencias urbanas”, talk for the panel La influencia de la digitalización en las formas de inteligencia urbana at III Congreso de la Asociación Iberoamericana de Historia Urbana. Repensar la ciudad iberoamericana. Construir el pasado y diseñar el futuro, Madrid, 22.–25.11.2022.

Giorgia Gastaldon

• “Author or subject? Italian Women Artists’ Self-Representation in Photographic Portraits in the 1960s and 1970s”, online conference Real Women and Imagined Femininity: Images of Womanhood in Italy from the Middle Ages to the present”, University College Dublin and University of Toronto, 03.–06.05.2022.
• “Carla Accardi: astrazione come femminismo”, conference Astratte. Nuove ricerche sull’astrazione delle donne tra avanguardia e neoavanguardia in Italia, Università Cattolica del Sacro Cuore, Milan, 04.–05.05.2023.
• “Women and abstraction: a possible gender history”, seminar Actualité de la recherche, Université de Genève, Ginevra, 02.10.2024.
• “‘Io sono nato qua’: sguardi identitari e coloniali nella pittura di Mario Schifano”, conference Dal terzomondismo al postcolonialismo. Immaginari visivi attorno a multiculturalismo, (anti)razzismo e neoprimitivismo in Italia (1979–2009), Sapienza Università di Roma, Rome, 18.–20.09.2024.
• “Weaving and stitching: female and feminist practices in Italian abstract art in the 1970s”, international study day Now we have seen. Women and Art in the Seventies in Italy, Magazzino Italian Art, Cold Spring, 27.04.2024.
• “Female and Feminist Practices in Italian Abstract Art in the 1970s”, invited lecture, Tufts University, Boston, 26.04.2024.
• “‘Penso che l’astrazione sia stata favorevole per me in quanto donna’: strategie femministe nella pittura astratta degli anni Settanta di Carla Accardi”, international study day Un modo altro di essere al mondo. Carla Accardi e il femminismo, Palazzo delle Esposizioni, Rome, 10.04.2024.
• “Futurismo tra misoginia ed emancipazione: l’influenza sulle vicende di Carla Badiali, astrattista a Como”, conference Donna arte società. Pratiche estetiche femministe dalla metà dell’Ottocento a oggi, Università degli Studi dell’Insubria, Varese, 07.–08.03.2024.
• “Il MIAC di Firenze e il Museo progressivo di Livorno: appunti per un confronto sul contemporaneo in Toscana”, conference Lara-Vinca Masini. La memoria del futuro, Fondazione Cassa di Risparmio di Firenze e Centro Pecci di Prato, 22.–23.01.2024.

Malvina Giordana

• with Laura Cesaro, “Un’associazione ‘fuori norma.’ L’A.D.C. tra cultura del lavoro e organizzazione della produzione”, XXVIII Convegno Internazionale di Studi Cinematografici - Pratiche produttive del cinema italiano 1949–1976. L’eccezione e la regola, Roma Tre University, Rome, 28.–29.11.2022.
• “Panoramiche a colori degli anni Cinquanta. Il Meridione italiano attraverso il paesaggio”, conference A sud delle immagini. Cinema, media e paesaggio meridiano, Università della Calabria – Rende, 29.11.–01.12.2023.
• “‘Ci sarà soltanto il paesaggio’. I Sassi di Matera come teatro del dopoguerra ne La Lupa di Alberto Lattuada,” CIRICE 2023, X International Conference – Teatri di guerra: La mise-en-scéne cinematografica dello spazio urbano come fronte di guerra, Naples, 08.–10.06.2023.
• “All’origine dello sguardo turistico. Il paesaggio di Matera nei primi anni Cinquanta tra interesse pubblico e privato”, conference Le vie del Sud. Transiti e confini nel cinema meridiano (1948–1968), Università degli Studi “Suor Orsola Benincasa”, Naples, 08.–09.06.2023.
• “Teoria e prassi dell’intervista tra production studies, scienze sociali e storia orale”, workshop Metodologie e spazi della ricerca sui media, Università degli Studi LINK, Rome, 21.11.2023.
• “Quale lavoro? Adua, le altre e il cinema italiano tra gli anni Cinquanta e Sessanta”, study day Donne e lavoro: riconfigurazioni di una relazione narrativa, OBERT (Observatoire Européen des Récits du Travail), Aix-en-Provence, 10.–11.06.2024.
• with Elio Ugenti, “Scenari produttivi del cinema in Italia tra gli anni Cinquanta e gli anni Settanta”, conference American Association for Italian Studies, Sant’Anna Institute, Sorrento, 06.–09.06.2024.

Jana Graul

• “Licht- und Schattenseiten der Nachtarbeit: Taddeo Zuccaris nächtliche Kritzeleien im Lebenszyklus des Federico Zuccari”, matinee study for the exhibition Gribouillage / Scarabocchio. Da Leonardo da Vinci a Cy Twombly, Villa Medici, Rome, 17.05.2022.

Torben Hanhart

• “A Maternal Godhead. Early Modern Images of the Trinity”, conference Perspectives on Early Modern Art. Current Research at Swiss Universities, Bern, 10.–11.11.2022.

Hou Hanru

• “Curating Under Political Pressure,” symposium at Steirischerherbst Festival, Graz, 10.02.2023.
• round table Museums of Tomorrow, De Young Museum, San Francisco, 16.–22.04.2023.
• round table Dekolonial Festival, Berlin, 14.–17.09.2023.
• round table J’ai une famille, 10 artistes d’avant-garde chinois en France, Musée national de l’histoire d’immigration, Paris, 19.10.2023.
• “J’ai une famille, 10 artistes d’avant-garde chinois en France”, Asia Now, Paris, 21.10.2023.
• Westbund Public Art Forum, Shanghai, 10.11.2023.

Graylin Harrison

• “Between Landscape and Hellscape: Cultures of Volcanism in Early Modern Naples”, conference Renaissance Society of America (RSA), online, 2022.
• “To Have and to Heal: A Cultural History of Wax”, workshop Visual Cultures - Consortium for the History of Science, Technology and Medicine, 15.04.2022.
• “Purgatory and the Underground in Early Modern Naples”, Center for Medieval and Early Modern Studies, Stanford University, 23.02.2022.

Philine Helas

• “Wings as Medicine, c. 1400–1600”, paper on the panel Wings and Feathers in Early Modern Art and Thought: Meanings. Media. Materiality at conference Renaissance Society of America 68th Annual Meeting, Dublin, 01.04.2022.
• with Jeanette Kohl, “Silent Eloquence. The Salvator Mundi as Bust”, conference Leonardo da Vinci’s Salvator Mundi Revisited – Personal Style, Workshop Style, Global Brand?, Universität Leipzig, 13.–15.10.2022.
• “Tod auf dem Scheiterhaufen. Zur Geschichte der Darstellung von Hexenverbrennungen”, lecture at Staatliche Akademie der Bildenden Künste Karlsruhe, 24.01.2023.
• “Arzt, Apotheker, Chirurg und Priester im Ospedale Santa Maria della Scala in Siena 1440”, conference Italientag 2023: Caritas – Kulturen der Fürsorge / Caritas – Culture dell’assistenza, Universität Kassel, 27.06.2023.
• with Anne Dunlop, "Inflammable, (In)animate: Asbestos Pictured and Imagined", lecture, 36th CIHA World Congress, Lyon, 25.06.2024.

Semra Horuz

• “In Conversation with Late Ottoman Women Travelers on ‘…[T]he Mirage of the West, to Which All Orientals are Attracted!’”, Listening in Conference 2023: Conversations on Architectures, Cities and Landscapes 1700–1900, ETH, Zurich, 15.09.2023.
• “Picturing Mobility, Modernity, and History: Visuality in Late Ottoman Travelogues on Europe”, Virtual Islamic Art History Seminar Series, 19.05.2023.
• “Ottoman Tour d’Europe: Architecture, Urbanism, and Late Ottoman Travelogues”, Spring 2023 Lectures in the Aga Khan Program for Islamic Architecture, Massachusetts Institute of Technology, Cambridge, MA, 10.04.2023.
• “Interiors of Islam”, guest lecturer for the course History of Interiors, Virginia Tech. University, School of Design, 12.10.2023.
• "Ottoman Tour d’Europe: Architecture, Urbanism, and Late Ottoman Travelogues", Bilkent University Faculty of Art, Design, and Architecture IAED Seminars, Ankara, 07.01.2024.

Philipp Hubert

• “Villa Augusta, villa Flaminia e la collezione d’arte – la casa come specchio dell’architetto?”, conference Il Vittoriano e l’opera di Armando Brasini, VIVE – Vittoriano e Palazzo Venezia, Rome, 21.–22.11.2023.
• “Armando Brasini. Bauen nach inszenatorischen Grundsätzen”, young scholars workshop Architekturgeschichte: Bauen im italienischen Faschismus. Akteure, Medien, Konzepte, Freie Universität Berlin, Berlin, 14.07.2023.

Andrea von Hülsen-Esch

• “Zeit und Alter”, Festival der Philosophie, Hannover, 26.05.2023.
• “Und am Ende steht das Alter. Lebensrhythmen und Altersstufen in Mittelalter und Renaissance”, lecture series accompanying the exhibition Die Ordnung der Dinge. Graphische Serien erklären die Welt, Coburg, Museum Veste Coburg, 06.10.2023.
• “Die Bibliothek der AGA (Association Générale d’Amitié Éstudiantines) in Saarbrücken – ein Kernstück der deutsch-französischen Beziehungen und ein Grundstein des europäischen Gedankens”, Deutsch-Französische Hochschule (DFH), Saarbrücken, 08.12.2023.

Elisabeth Kieven

• “Vanvitelli e il concorso per la facciata della basilica di San Giovanni in Laterano”, conference Celebrazioni Vanvitelliane 1773–2023, Accademia Nazionale di San Luca e Università degli Studi Federico II di Napoli, Rome, 20.11.2023.
• “Fischer von Erlach und Juvarra: Zeichnungen im Vergleich”, conference Hofarchitekten in Europa um 1700, Österreichische Akademie der Wissenschaften and Universität Münster, Wien Museum, Vienna, 30.11.–02.12.2023.

Alina Kondratiuk

• “Early Modern Role of the Kyiv-Pechersk Lavra Painting School in the Formation of Ukrainian National Art”, workshop Endangered Monuments – A series of lectures on Virtual Conversations on History, Art, and Cultural Heritage: From Kyivan Rus’ to Modern Ukraine, Dumbarton Oaks, online, 28.07.2022.
• “Actual Issues of Terminology in the Study of the Early Modern Ukrainian Monuments of Art”, Tenth International Scientific Conference – The Black Sea Region, Crimea, Rus in History and Culture, National Preserve “Sophia of Kyiv”, Kyiv, online, 20.–21.10.2022.
• “To the Issue of the Style of the Monumental Painting of the Church of the Savior at Berestove of Peter Mohyla’s Epoch”, All-Ukrainian Scientific Conference and Practical Conference – New Studies of Culture and Art: Searches, Problems, Prospects, National Academy of Managerial Staff of Culture and Arts, Kyiv, online, 18.05.2023.
• “Current Issues of Terminology in Ukrainian Art History”, Center of Continuous Cultural and Artistic Education of the Ministry of Culture of Ukraine, National Academy of Managerial Staff of Culture and Arts, Kyiv, online, 13.07.2023.
• “Visual Symbolism in Ukrainian Art of the 17th–18th Centuries”, Center of Continuous Cultural and Artistic Education of the Ministry of Culture of Ukraine, National Academy of Managerial Staff of Culture and Arts, online, 13.07.2023.
• “Heraldic Panegyrics of Ukrainian Baroque: Transfer of Models from West to East”, XII International Scientific Conference “READING IN ST. SOFIA” , National Preserve “Sophia of Kyiv”, Kyiv, online, 29.09.2023.
• “Emblematic Images in the Kyiv-Pechersk Lavra Editions and Murals of the First Part of the 18th Century: To the Question of European Influences”, Second Conference of the Ukrainian Society for Eighteenth-Century Studies, Korolenko National Pedagogical University, Poltava, online, 27.10.2023.
• “Programmatic ‘Archaism’ as a Characteristic Feature of the Monumental Ensemble of the Church of the Savior at Berestove”, VII All-Ukrainian Scientific Conference “Culture and Art: Modern Scientific Dimension”, National Academy of Managerial Staff of Culture and Arts, Kyiv, online, 02.11.2023.
• “Problems of the Terminology of Ukrainian Fine Art of the Early Modern Era”, Center of Continuous Cultural and Artistic Education of the Ministry of Culture of Ukraine, National Academy of Managerial Staff of Culture and Arts, Kyiv, online, 08.11.2023.
• “Symbolic and Allegorical Imagery of the Ukrainian Baroque”, Center of Continuous Cultural and Artistic Education of the Ministry of Culture of Ukraine, National Academy of Managerial Staff of Culture and Arts, Kyiv, online, 08.11.2023.
• “Stylistic Analogies of the Paintings of the Church of the Savior at Berestove (1643–1644): On the Sources of Artistic Tradition”, IV All-Ukrainian Scientific and Practical Conference “Cultural And Art Studies Of The XXI Century: Scientific-Practical Partnership, National Academy of Managerial Staff of Culture and Arts, Kyiv, online, 09.11.2023.
• “’Western’ and ‘Eastern’ in the Monumental Ensemble of the Church of the Savior on Berestov in the 1740s of the 17th Century: Remarks on the Style of Wall Painting", conference In Search of New Meanings of the Multicultural World: Post-War Dialogue of Cultures, Kyiv, online, 16.05.2024.
• “Emblematics in Ukrainian Religious Art of the Early Modern Period: Research Issues”, conference Church-Science-Society, Kyiv, online, 23.05.2024.
• “The Idea of Kyiv as a New Jerusalem in the Murals of the Church of the Savior at Berestove of the 40s of the 17^th Century”, 17^th International Conference in Memory of Prof. Vilen S. Horskyi: Colloquium medieval: The Intellectual History of Ukraine and Europe in the Middle Ages and Early Modern Period, Kyiv, online, 06.06.2024.

Susanne Kubersky-Piredda

• “Collegi, cardinali e cultura visive durante il pontificato di Gregorio XIII”, symposium L’Europa della Porpora, Università Roma Tre / Fondazione Camillo Caetani, Rome, 16.03.2023.
• “Foreigners in Early Modern Rome: Reconsidering Concepts of Nationhood and Collective Identity”, invited speaker, symposium Identity of Art, Department of Art History, Masaryk University, Brno, 30.05.2023.
• “Foreigners in Early Modern Rome: Reconsidering Concepts of Nationhood and Collective Identity”, invited speaker, conference series of the Master Universitario en Investigación en Historia del Arte, UNED, Madrid, 29.11.2023.
• “The Art Market in Quattrocento in Florence”, paper given during the workshop The Art Market. Europe 1500–1900, Garden Palace Liechtenstein, Vienna, 01.–02.03.2024.

Lesia Kulchynska

• “Can an Image be a Weapon?”, presentation at the online panel Images of War / War of Images: Politics of Visuality during Russian Invasion in Ukraine at the ASEEES Convention, 13.10.2022.
• “What (Else) Can Be Done? A Conversation on Art, Ecology, Disinformation and More in the Context of the Russian War in Ukraine”, panel discussion at the Art Fair ArtVilnius’22, Vilnius, 09.10.2022.
• “Radically Different Society: Ukrainian Art in the Light of Revolution, in the Shadow of War”, lecture at Kandinsky Library, MNAM/Centre Georges-Pompidou, Paris, 08.09.2022.
• “State of Emergence. Artistic Practices of Navigating the Collapse”, paper at the online panel discussion How War Shapes Ukrainian Art and Decoloniality, Fulbright Ukraine, 08.09.2022.
• “The War for Attention”, Ukrainians on Ukraine Part II, conversation at BrooklynRail, New York, online, 26.05.2022.
• “The Perspective of Women in War Narratives”, presentation at the round table Conversations for Ukraine, Mexico, online, 20.05.2022.
• “Death and Revival in Ukrainian Art”, lecture for Pechersk School International Kyiv, online, 19.04.2022.
• “Living through the End of Times: Apocalyptic Narratives in Ukrainian Contemporary Art”, 2022 Interdisciplinary Dialogue Project: Recovery. Traces of Chernobyl, MacEwan University, 16.03.2022.
• “Regarding Your Own Pain”, lecture for Her Gaze project, Goethe-Institut Ukraine and Feminist Workshop, online, 19.08.2023.
• “Radically Different Society: Ukrainian Art in the Light of Revolution, in the Shadow of War”, lecture at Goethe Institute, Rome, 14.03.2023.
• “How an Image Matters”, panel discussion at transmediale, Berlin, 02.02.2023.
• “Limits of Witnessing and the Role of Art During the Networked War”, invited presentation at the conference Understanding 1989: War vs Revolution at the Piotr Piotrowski Center for Research on East-Central European Art, Poznan, 06.2024.
• “Image Production Industry of War”, guest lecture at The War, Terrorism, and Violence in Visual Culture, class for MA students at the Department of Media and Communication Studies at John Cabot University, Rome 04.2024.
• “Ukrainian Contemporary Art in 2000–2010”, lecture for the Invisible University for Ukraine at CEU, online, 12.2024.

Nora S. Lambert

• “A Manuscript on the Move: The Kitāb al-Hāwī between Tunisia and Naples,” invited speaker at workshop The Habsburgs in Tunis, Villa I Tatti, Harvard University Center for Italian Renaissance Studies, 07.–11.06.2023.

Pietro Liuzzo

• “On XML and Relational Databases: Alternative or Complementary Solutions?”, round table University of Oslo, Oslo, 14.10.2022.
• “Der Übergang zu einer IIIF-basierten Infrastruktur für die Fotothek (Bibliotheca Hertziana)”, Herbsttreffen der Arbeitsgemeinschaft kunsthistorischer Bildarchive und Fototheken (AKBF), Zentralinstitut für Kunstgeschichte, Munich, 11.11.2022.
• “Staccioli Digital Archive”, invited presentation at Scuola di Design, Politecnico, Milan, 10.04.2024.
• “Fotothek BHMPI Data Status”, presented at Pharos Metadata Working Group meeting, online, 17.05.2024.
• “The Digitization Project of the Fotothek at BHMPI”, invited presentation at HPC-Cloud Workshop meeting, Garching, 11.09.2024.

Ruggero Longo

• “Dall’Islam all’Italia. Episteme e ricezione dell’ornamento geometrico nel Medioevo”, workshop Arte islamica in Italia: dai manufatti alla loro ricezione, Dipartimento di Storia, Culture e Civiltà, Università di Bologna, 12.12.2023.
• with Elisabetta Scirocco, “Lost Spaces, Fragmentary Objects: Methodological Challenges and Digital Approaches for the Reconstruction of Medieval Liturgical Installations”, ‘Rekonstruktivismen’. Ringvorlesung des Instituts für Kunst- und Bildgeschichte, Humboldt Universität zu Berlin, 29.11.2023.
• “Decorazione e ornamento nel medioevo mediterraneo. Uno sguardo dalla Sicilia normanna”, workshop Attraverso il Mediterraneo (XII–XIV sec.) Mobilità di artisti / circolazione di opere, Università della Tuscia, Dipartimento di Studi Linguistico-Letterari, Storico-Filosofici e Giuridici, Viterbo, 18.05.2023.
• with Elisabetta Scirocco, “From Fragments to Models. Archaeometric Approach and Digital Tools within the Mapping Sacred Spaces Project Methodology”, research forum Digital Turn. The Potential of Informatics for the Reconstruction and Visualization of Space, Objects, and Monuments in Archaeology and Art History, Istituto Svizzero di Roma – BHMPI, 17.03.2023.
• “I sentieri dello spirito. Gli insediamenti benedettini in Italia patrimonio dell’umanità”, conference I sentieri dello spirito. Il monachesimo benedettino alle origini dell’Europa, Fondazione Treccani Cultura and supported by Ministero della Cultura, Istituto Treccani, Rome, 07.03.2023.

Anna Magnago Lampugnani

• “Chi e cosa manca? Sulle omissioni di Pietro Summonte”, conference paper, Neuedition und Übersetzung von Pietro Summontes Brief zur Kunst in Neapel (1524), Villa Vigoni, Menaggio, 14.02.2024.
• “Das Grabmal von Pedro de Toledo in Neapel – Künstlerische Capricci und ästhetischer Überschuss”, conference paper, Abschlusstagung SFB “Episteme in Bewegung”, FU Berlin, Berlin, 07.06.2024.
• Villa Vigoni Talks: New Edition and Translation of Pietro Summonte's Letter on Art in Naples (1524), workshop organization with Adrian Bremenkamp), Villa Vigoni – German-Italian Centre for the European Dialogue, Lake Como, 12.–15.02.2024.

Juan Carlos Garzon Mantilla

• “Tiahuanaco/Ruins”, workshop Census, Institut für Kunst- und Bildgeschichte, Humboldt Universität zu Berlin, Berlin, 15.02.2023.
• “Pacaritambo/Genealogies”, Early Modern Colloquium, Institut für Kunst- und Bildgeschichte, Humboldt Universität zu Berlin, Berlin, 02.02.2023.

Fernanda Marinho

• “Destini mediterranei di un Brasile autoctono. La cultura materiale indigena brasiliana in Italia”, conference Le vie aperte tra America Latina e Italia. Identità culturali e prospettive attuali, Organizzazione Internazionale Italo Latino Americana (IILA), Rome, 20.12.2023.

Caterina Martinelli

• “Scolpire i luoghi. L’arte ambientale di Mauro Staccioli”, conference Conferenze d’arte e archeologia, Pinacoteca Civica, Volterra, 05.09.2024.

Salvatore Martinelli

• “Der Drachenkomet der ‚Nuova figura’: Kometendiskurs des 16. Jahrhundert im italienischen Kulturraum”, Kolloquium zur Mittelalterliche Geschichte, Universität Kassel, Kassel, 22.06.2022.
• “Mapping the Weather. Scientific Memory and Alteration in 16th Century Naples”, The Place of Memory and the Memory of Place, St. Anne’s College, University of Oxford, 17.06.2022.

Golo Maurer

• “Heimreisen. Goethe, Italien und die Suche der Deutschen nach sich selbst”, book presentation, Villa Massimo, Rome, 24.11.2021.
• “Heimreisen. Goethe, Italien und die Suche der Deutschen nach sich selbst”, evening lecture, Klassik Stiftung Weimar (Herzogin Anna Amalia Bibliothek), Weimar, 06.04.2022.

• “Stadtflucht und Landnahme. Olevano zwischen Malerkolonie und Kolonialmalerei”, conference Olevano Romano. Misurare un mito – Vermessung eines Mythos, Villa Massimo and Bibliotheca Hertziana, Rome, 25.–27.05.2022.
• “Heimreisen. Goethe, Italien und die Suche der Deutschen nach sich selbst”, (Abendvortrag), Freies Deutsches Hochstift – Frankfurter Goethehaus, Frankfurt am Main, 21.09.2022.
• “Palazzo Caffarelli – La presenza tedesca sul Campidoglio”, Roma Storia Festival, Rome, 29.09.2023.
• “Italienische Reise”, conversation with Stefano Svastano, The Moby Dick Festival “Detour”, Terranuova Bracciolini, 27.05.2023.

Tanja Michalsky         

• “Neapel unter den habsburgischen Vizekönigen. Raum und Geschichte in der Ansicht Neapels von Alessandro Barratta (1627/1670)”, conference Herrschaft Kartieren. Schriftbildliche Darstellungen der Habsburgischen Lande im Zeitalter des Humanismus, Österreichische Akademie der Wissenschaften, 28.01.2022.
• “(Ge)Schichten und Räume einer Stadt. Neapel im Buch und auf der Karte”, network Topografische Bildmedien, online, 18.02.2022.
• “Diachronic Neighbourhoods. Challenges of Mapping the History of Naples”, workshop Mapping Uncertainty. Early Modern Global Cartography, 21st Century Discussions, KNIR, Amsterdam, 11.–12.05.2022.
• “Zur Visualisierung von Relationen”, conference Netzwerke zwischen Mittelalter und Moderne. Kolloquium für Andrea von Hülsen-Esch, Museum Schnütgen, Köln, 24.–25.06.2022.
• introductory lecture for a visit to Santa Maria del Parto und Jacopo Sannazaros Mausoleum, 33° Seminario internazionale di Storia dell’Architettura. Napoli e il Rinascimento”, Naples, 20.05.2022.
• round table, presentation of the book Confraternities in Southern Italy: Art, Politics and Religion (1100–1800), ed. David D’Andrea and Salvatore Marino, Gallerie d’Italia, Naples, 08.06.2022.
• moderation at the VI. Forum Kunst des Mittelalters “Sinne / Senses”, Deutscher Verein für Kunstwissenschaft e.V., Frankfurt am Main, 29.09.2022.
• moderation at the conference Sigillografia femminile nell’Europa mediterranea angioina e catalano-aragonese, Società Nazionale di Scienze, Lettere e Arti in Napoli, 18.11.2022.
• “‘Unser Bruegel malte viele Dinge, die eigentlich nicht gemalt werden können’ (Abraham Ortelius, 1574). Überlegungen zur kinästhetischen ‘Natur’ von Pieter Bruegels Bildern”, workshop Bruegel reloaded. Bruegel-Rezeption in Literatur, Film und Darstellender Kunst des 20. und 21. Jahrhunderts, University of Vienna, 11.01.2023.
• round table “Aktuelle Tendenzen der kunsthistorischen Italienforschung”, workshop Italienforum der Kunstgeschichte, Deutscher Verband für Kunstgeschichte, Leipzig, 16.03.2023.
• “Neapel im Mittelalter. Kunsthistorische Modelle zum Verständnis eines Stadtbildes”, lecture in the series Neue Perspektiven in der kunsthistorischen Mittelalterforschung, University of Stuttgart, Stuttgart, 29.06.2023.

• “Diachronic Neighborhoods. On the Digital Reconstruction of Historical Space”, workshop Space – Raum – Topos. Anachronisms and Material Culture, University of California, 24.08.2023.
• round table Visions from Above: Recent Discourses on the Cinematic Construction of Cityscapes, Villa Vigoni, 31.08.–03.09.2023.
• “Palimpsest Neapel — Führung zum mittelalterlichen Zentrum Neapels”, workshop Vergangenheit und Zukunft der Europäischen Kultur am Beispiel Neapels, Adenauer Stiftung, 03.11.2023.
• “Valencia – Palma de Mallorca – Naples: Mediterranean Centers of Cultural Transfer”, field seminar, Universität Düsseldorf, Naples, 25.–27.02.2024.
• presentation of the book A Companion to the Renaissance in Southern Italy (1350–1600) di Bianca De Divitiis (2023), roundtable, Naples, 26.02.2024.
• “VeLoCi – The Vesuvian Lost Cities before the ‘Discovery’. Sources, Experience, Imagery in Early Modern Period”, workshop and roundtable, Università degli studi della Campania, Aversa, 16.04.2024.
• “Le mani sulla città”, workshop Architektur – Film – Klang, Universität Graz, 24.05.2024.

Leendert van der Miesen

• “La Musique est une par toute la terre!”: Musical Unity and Global Imagination in 17th- and 18th-Century France”, conference Musik und die Ordnung der Welt von der Antike bis zum 19. Jahrhundert, Musik Hochschule Lübeck in Kooperation mit der Christian-Albrechts-Universität zu Kiel und der University of South Florida, 15.11.2022.
• “Antoine de Laincel’s Account Book and the Scholarly Interest in Deaf Communication in Seventeenth-Century France”, Deaf History Symposium, Nederlandse Organisatie voor Wetenschappelijk Onderzoek u. Hong Kong Baptist University, Venice, 07.07.2022.
• “An Antiquarian and a Song: Circling Around Music in Seventeenth-Century Marseille”, Amsterdam Colloquium in Music Studies, University of Amsterdam, 14.12.2023.
• “Sound between Water and Light: Images and Experiments in Early Acoustics, 1660–1718”, conference Scientiae, Institute of Philosophy at the Czech Academy of Sciences and Faculty of Arts, Charles University, Prague, 10.06.2023.
• “The Greatest and Smallest Minim: Marin Mersenne (1588–1648) and Fluctuating Fame”, workshop Scholarly Fame and Celebrity. A Transhistorical Perspective, Royal Netherlands Institute Rome (KNIR), Rome, 23.03.2023.
• “‘Eine getreue Abschrift der Stimme der Natur’. Musiknotation, Transkription und Natur, 1600–1900”, conference Jahrestagung der Gesellschaft der Musikforschung, University of Cologne/ Hochschule für Musik und Tanz Köln, Cologne, 11.11.2024.
• “A Parrot Singing Flemish in Rome: Music, Animals and Natural History in Early Seventeenth-Century Italy”, conference International Medieval and Renaissance Music Conference, Granada, 08.07.2024.
• with Matthijs Jonker, “Even an Inhabitant of Upper Germany Can Understand Him Easily: a Polyglot Parrot in 17th-Century Rome”, workshop Knowledge and Confusion about Exotic Animals in the European Renaissance, Royal Dutch Institute, Rome, 29.05.2024.

Ariella Minden

• “As if by hand. Medial Reflections in Italian Printmaking, 1500–1530”, invited lecture, University of Toronto, Toronto, 07.03.2024.
• invited respondent, conference Objects. Between Absorption and Isolation, panel “Overwriting Attributes”, KHI Florenz, Florence, 19.10.2024.

Roberta Minnucci

• “Out of Focus: Anna Piva’s Creative Contribution to the Work of Giulio Paolini”, workshop Couples and Artistic Collaboration in Modern Italy, American Academy in Rome, Rome, 30.11.2023.
• “Sculptural Reinterpretation of Scrap Metal: Robert Rauschenberg and the Neapolitan Gluts”, lecture, panel “Junk Appropriation in Global Art Context”, 36th CIHA World Congress, Lyon, 26.06.2024.

Yevheniia Moliar

• “Ukrainian Soviet Monumental Art as a Part of Cultural Identity of Ukraine”, lecture for the series Cities of Ukraine. Following the Shade of Russian Bombs, Museum of Modern Art in Warsaw, online, 06.05.2022.
• “Preserving Soviet Mosaics in Ukraine”, Technische Universität Berlin, 10.06.2022.
• “Experimental Ceramic Laboratory of Nina Fedorova: Rethinking Ukrainian Folk Art for Soviet Architecture”, Architecture at Work: institutional Landscapes of Socialist Design and Construction, Weimar, 14.–16.09.2022.
• “Looking at the Images of Iron Soldiers”, ASEEES 54th Annual Convention, 13.10.2022.
• “Conversation about Alla Horska’s (1929–1970) Legacy in Art and Politics, project Women at War, New York, 06.07.2022.
• “The Art Project ‘Yellow Line’ (2018–2020) as an Example of the Discovery and Museification of the Non-Obvious Cultural Heritage of the Soviet Period in the Eastern Regions of Ukraine”, virtual conference Beyond the Post Soviet, online, 25.03.2023.

Rossella Monopoli

• “The Multimedia Workshop of Satunino Gatti in L’Aquila: Considerations on the Unifying Means of Disegno”, conference Artist’s Workshop Practice in the Renaissance, Netherland University Institute for Art History, Florence, 20.–21.09.2023.

Tommaso Morawski

• “Mappe della ragione. Cosa significa orientarsi nel pensiero?”, conference Immaginari cartografici. Riconfigurazioni teoriche dello spazio, Università degli Studi di Bergamo, Bergamo, 03.–05.06.2024.
• “Landscaping Earth: Notes on the Astronautical Revolution of Landscape”, conference DGAE Congress Medien der Künste/Künste der Medien, Fribourg, 09.–12.09.2024.

Linda Müller

•  “Drawings, Courtroom Practices, and Juridical Decision-Making at the Edges of the Spanish Empire“, conference Objects of Law in Medieval and Early Modern Worlds”, Institut für Kunstgeschichte, University of Bern, Bern, 29.–30.08.2024.
• “On the Colonial-Legal Intricacies of Paper, Ink, and Watercolor”, 36th CIHA World Congress, panel “Decolonizing Materials”, Lyon, 23.–28.06.2024.
• “Early Modern Paper-Based Visio-Legal Decision-Making and its Countercultures”, conference In the Thick of Images: Law, History and the Visual, panel “Media Specificity and Legal Meaning in the Middle Ages and Early Modern Period”, Institute for Interdisciplinary Legal Studies, University of Lucerne, Lucerne, 10.–11.06.2024.
• “Images and Courtroom Practices in Spanish Milan and Colonial Mexico City, ca. 1600”, Transregional Academy on Latin American Art V: Contesting Objects: Sites, Narratives, Contexts, Lima, 04.–12.05.2024.
•  “‘Seized from His Pocket:’ The Drawing and Trial of Sugarcane Farmer Francisco de Campos da Silva from Rio de Janeiro”, 17^th Harvard–Princeton Graduate Conference in Early Modern History, Harvard University, Cambridge, MA, 09.–10.02.2024.

Giulia Murace

• “Campagna Romana e Pampa Argentina: relazioni visive e sentimentali di inizio Novecento”, Incontri in biblioteca “Le vie aperte tra America Latina e Italia. Identità culturali e prospettive attuali”, IILA (Organizzazione Internazionale Italo-Latino Americana), Rome, 20.12.2023.

Aleksander Musiał

• “Tracing Vapours: António Nunes Ribeiro Sanches’s Treatise on Ruthenian Baths between Paris and Saint Petersburg”, conference Images and Institutions: the Visual Culture of Early Modern Scientific Societies, Accademia dei Lincei, Rome, 14.09.2022.
• “Springs of Decay: Architectural Lability and Automatization of Pleasure inside Pińczów Bathhouse, ca. 1610”, conference From Automata to Transhumans Debating Human Nature and its Limitations”, Centro Comel, Pisa, 22.04.2022.
• “Paper Archaeology and Grotesque Orientalizaton inside the ‘Pompeian’ Room of Łańcut Castle’s Chinese Apartment, ca. 1793–1800”, Renaissance Society of America Annual Meeting, Dublin, 30.03.2022.

Darío Negueruela del Castillo

• with Eva Cetinic, “Through the Doors of Multimodal Perspectives: Deep Learning and the Kaleidoscopic Embeddings of Culture”, Visual Science of Art Conference 2022, Amsterdam, 25.08.2022.
• “The Reverse Gaze of Satellite Exploration. The Reconstituted Face of the Earth”, symposium Aerial Spatial Revolution in Architecture and Urbanism, Accademia di Architettura di Mendrisio, Università della Svizzera Italiana, Ticino, 21.05.2022.
• “Magic and Desire: Radical Embodied Knowledge in Hypnerotomachia Poliphili”, Magical Architecture at Seventh International Conference of the European Architectural History Network (EAHN 2022), Board of Architects COAM, Madrid, 16.06.2022.
• with Eva Cetinic, “Multimodal Deep Learning in Digital Visual Studies”, Mendrisio, 20.10.2022.
• with Lucía García de Jalón Oyarzun, “Seeing like a City: el papel de las imágenes en red en la construcción de inteligencias urbanas”, panel La influencia de la digitalización en las formas de inteligencia urbana at III Congreso de la Asociación Iberoamericana de Historia Urbana. Repensar la ciudad iberoamericana. Construir el pasado y diseñar el futuro, Madrid, 22.–25.11.2022.
• with Iacopo Neri, “Mimetic Dreams. The Cultural Significance of Multimodal Machine Learning Models Beyond Apophenia”, symposium From Hype to Reality: Artificial Intelligence in the Study of Art and Culture, Digital Society Initiative, University of Zurich, Zurich, 20.–21.04.2023.
• with Iacopo Neri and José Ballesteros Zapata, “Re-imagining Absences in Digital Doubles for Mapping Historical Urban Ephemeral Phenomena”, Conference of the Association for Computers and the Humanities, online, 29.06.–01.07.2023.
• with Ludovica Schaerf, Pepe Ballesteros, Iacopo Neri and Valentine Bernasconi, “Towards AI Art Curation: Re-imagining the City of Helsinki in Occasion of its Biennial”, CVPR’s workshop Ethical Considerations in Creative Applications of Computer Vision (EC3V), 18.06.2023.
• with Iacopo Neri and José Ballesteros Zapata, “Urban Gist. Addressing the Artificial Encoding of Cities in Multimodal Machine Learning Models”, Royal Geographical Society (with IBG) Annual International Conference: “Making Machine Learning Worlds Session”, 01.09.2023.
• with Iacopo Neri, “CLiP and the City Addressing the Artificial Encoding of Cities in Multimodal Machine Learning Models”, International Strand Conference 2023: AI Session, Belgrade, 04.–08.12.2023.
• with Iacopo Neri, “World Gist”, Royal Geographical Society Annual International Conference”, London, 27.–30.08.2024.
• with Iacopo Neri, “Mimesis and Machinic Agency: An Exploration of Autonomous Image-Text Loops”, conference xCoAx 2024, Fabrica, Treviso, 10.–12.07.2024.

Iacopo Neri

• “Digital Twins/Doubles: Geographical Models to Plan Cities through Data and Narratives”, Digital Visual Studies, University of Zurich, Zurich, 2022.

• with Darío Negueruela del Castillo, “Mimetic Dreams. The Cultural Significance of Multimodal Machine Learning Models Beyond Apophenia”, symposium From Hype to Reality: Artificial Intelligence in the Study of Art and Culture, Digital Society Initiative, University of Zurich, Zurich, 20.–21.04.2023.
• with Darío Negueruela del Castillo and José Ballesteros Zapata, “Re-imagining Absences in Digital Doubles for Mapping Historical Urban Ephemeral Phenomena”, Conference of the Association for Computers and the Humanities, online, 29.06.– 01.07.2023.
• with Darío Negueruela del Castillo, Ludovica Schaerf, Pepe Ballesteros, and Valentine Bernasconi, “Towards AI Art Curation: Re-imagining the City of Helsinki in Occasion of its Biennial”, workshop Ethical Considerations in Creative Applications of Computer Vision (EC3V), 18.06.2023.
• with Darío Negueruela del Castillo and José Ballesteros Zapata, “Urban Gist. Addressing the Artificial Encoding of Cities in Multimodal Machine Learning Models”, Royal Geographical Society (with IBG) Annual International Conference: “Making Machine Learning Worlds Session”, 01.09.2023.
• with Darío Negueruela del Castillo, “CLiP and the City addressing the Artificial Encoding of Cities in Multimodal Machine Learning Models”, International Strand Conference 2023: AI Session, Belgrade, 04.–08.12.2023.
• with Darío Negueruela del Castillo, “World Gist”, Royal Geographical Society Annual International Conference”, London, 27.–30.08.2024.
• with Darío Negueruela del Castillo, “Mimesis and Machinic Agency: An Exploration of Autonomous Image-Text Loops”, conference xCoAx 2024, Fabrica, Treviso, 10.–12.07.2024.

Duccio Nobili

• “‘Concettuale’, ‘minimalista’, ‘neo-costruttivista’. La galleria Stendhal e un’identità per la scultura italiana degli anni Settanta”, Da Bisanzio al Novecento. Per Italo Furlan, Fondazione Ado Furlan, Spilimbergo, 29.05.2023.
• “Some Shades of Red: Albe Steiner and the Legacy of Constructivism”, symposium Italian Poster Study Days, Center for Italian Modern Arts, New York, 05.05.2023.
• Anachronism, Material and Memory: Luciano Fabro and the Ghost of Sculpture”, 36th CIHA World Congress, Lyon, 23.–28.06.2024.
• “Est-ce le photographe qui fait le sculpteur ? Autour d’une iconographie du sculpteur entre les années 1960 et 1970”, conference Critiques, acheteurs, mécènes: est-ce le regardeur qui fait la sculpture?, Musée Rodin, Paris, 31.05.2024.

Alejandro Nodarse

• “Voca, Voca Marenare: Salvator Rosa and the Fishermen’s Songs”, conference Soundscapes in Naples: From the Medieval to the Early Modern, Center for the Art and Architectural History of Port Cities “La Capraia”, Naples, 10.06.2023.
• “Goya’s Remedy (‘Remedio’): On Print as Fragment” and “Goya’s Nothings (‘Nadas’): On the Destructive Capacities of Print”, presentation for the conference Historical Fragments: Making, Breaking and Remaking, University of Edinburgh, Edinburgh, 19.05.2023.

Eduardo Jorge de Oliveira

• “The Modern Effect of Anthropophagy: From Ritual to Manifesto”, conference The Road Ahead Brazil 100/200: Reflections on the Legacies of the Week of Modern Art and the Bicentennial of Independence, Yale University, New Haven, 23.–24.09.2022.
• “Defeating Myths with Documents: The Materiality of Oswald de Andrade’s garçonière Diaries – 1918”, conference The Materiality of Modernisms, Instituto de História da Arte – IHA/Nova FCSH/ Centre of European Modernisms Studies (Perugia). Universidade Nova de Lisboa, Lisbon, 15.–17.12.2022.

Oleksandra Osadcha

• round table “Esthics / Aesthetics: The Limits of Permitted in the Imagery of the Kharkiv School of Photography”, Human Rights and Art: Points of Contact, Kharkiv State Academy of Culture, Kharkiv, 20.05.2022.
• “Landscape as Symptom: From the Post-Soviet Visuality to the War-Torn Cityscapes of Ukraine”, panel Images of War / War of Images: Politics of Visuality during Russian Invasion in Ukraine at 2022, Association for Slavic, East European, and Eurasian Studies, Virtual Convention, 12.10.2022.
• “Ukrainian Dreamers: Kharkiv School of Photography”, exhibition opening, Kommunale Galerie, Berlin, 05.03.2024.

Alice Ottazzi

• ‘“Le velouté’: Material and Visual Convergences Between Pastel and Mezzotint”, study course Drawings in Theory and Practice. Connoisseurship – Collecting – Curatorial Practice, University of Vienna/Albertina Museum, Vienna, 25.–29.07.2022.
• with Juliette Debrie ,“Dire l’or: des traités artistiques aux études techniques et optiques” session at 36th CIHA World Congress, Lyon, 26.06.2024.

Cigdem Özel

• “Mourning for Marie Antoinette: A Miniature Portrait Series of Maria Carolina and her Family by Eduard Ströhling (1766–1828)”, conference Gender, Society, and Networks between 1750 and 1820: Maria Carolina of Naples-Sicily, a Prism of her Times?, Universität Innsbruck, Innsbruck, 08.–09.09.2022.

Dimitri Ozerkov

• “Vincenzo Brenna and Translatio Romae”, ISA lecture at Accademia di architettura, Mendrisio, 26.04.2023.
• “Vincenzo Brenna’s ‘Translatio Romae’”, seminar at I Tatti, Florence, 07.12.2023.

Costanza Paolillo

• “How Michelangelo Can Sell Film Stocks. Fine Arts, Marketing Strategies, and Rising Consumer Culture in Postwar Italy”, colloquium Scientific and Technological Imaginaries in Italian Literature and Culture, University of Oxford, University of Warwick, Taylorian Institution Library, Oxford, 02.12.2023.
• Paradise Gatekeepers. Mass Tourism, Social Space, and Landscape Preservation in Ravello, Amalfi Coast”, conference Urban Research Day, organized by New York University Urban Initiative, New York, 06.03.2024.
• “Venus at the Stake. Overreacting to the 2023 Fire of Michelangelo Pistoletto’s Monumental Venus of the Rugs in Naples”, conference 2024 Northeast Modern Language Association, Boston, 07.–10.03.2024.
• “Global Heritage and Local Politics. Media Reactions to Social Inclusion Programs at Museo Egizio (Torino)”, conference American Association for Italian Studies, Sant’Anna Institute, Sorrento, 06.–09.06.2024.
• “A Monumental Paradox. The Livorno 'Four Moors' between Local Identity and Mediterranean Migrations”, conference 30th European Archeology Association Annual Meeting, Università La Sapienza, Rome, 28.–30.08.2024.

Sara Petrilli-Jones

• with Alejandro Nodarse, “Poetry after Painting: Giambattista Marino on Peter Paul Rubens’ Hero and Leander”, public gallery talk, Yale University Art Gallery, New Haven, online, 01.02.2023.
• with Dread Scott, “Heritage, or: History in the Present Tense”, closed lecture and conversation, American Academy in Rome, 11.12.2023.
• with Lucrezia Cipitelli, Lorenzo Casini, and Mark Thatcher, “Preserving the Past, Restoring the Future”, public panel, LUISS Guido Carli, Rome, 12.12.2023.

Wenyi Qian

• “Paper, Scissors, Stone: Modular Imagination and the Ornament in Motion in Late Sixteenth-Century Inlaid Table Designs”, Early Modern Interdisciplinary Graduate Forum, Center for Reformation and Renaissance Studies, Toronto, 21.11.2023.
• “Fissures on the Sea: Towards a Political Ecology of Abrasion in Early Modern Hardstone Inlay”, Works in Progress Series, Department of Art History, University of Toronto, 17.11.2023.
• “Figuring a Political Ecology of Making: Sighting Facture in the Livorno Port Tabletop at the Uffizi”, Sixteenth Century Society Conference, Baltimore, 26.–29.10.2023.
• “Sand, Water, Stone: Ecology, Time, and Politics of Technique in Early Modern Hardstone Inlay”, 49th Annual Cleveland Graduate Symposium: “Surface Tension: Water, Waterways, and Art”, Cleveland, 13.10.2023.
• “Translucency, Heat and Chromatic Manipulation between Jewellery-Making and Hardstone Inlay, c. 1600s”, Intensity and the Grades of Nature: Heat, Colour and Sound in the Premodern Cosmos, Center for the Study of Medicine and the Body in the Renaissance, Pisa, 11.–14.07.2023.
• “Abrasive Matters: Smeriglio and the Entangled Labour of Pietre Dure Craftsmanship”, Shaped by Greed: Reflections and Impacts of Environmental Exploitation in European Visual Cultures 1200–1900, Masaryk University, Brno, June 08.–09.06.2023.
• “The Artisan’s Share: The Craft of Modular Imagination in Late Cinquecento Drawn Designs of Hardstone Inlaid Tables”, Craft History Workshop, online, 18.05.2023.

Kristen Racaniello

• “How the Majesty of Sainte Foy Ruptures and Reifies Gender Expectations”, Conques at the Crossroads of Histories: Interdisciplinary Perspectives, Conques Symposium, Conques, 12.10.2023.
• “Forging Imaginary Journeys: Iconographic Script on the Arca Santa of Oviedo’’, paper for the American Academy of Research Historians of Medieval Spain sponsored panel at Relics and Reliquaries in Iberia, c. 1000–1400: Stories, Places, and Identities at International Medieval Congress: “Networks and Entanglements”, Leeds, 03.07.2023.
• “Sculpting Race: Santiago Matamoros, Mataindios and Mataespañois Processions”, paper for the panel Movement & Activation: Social Sculpture in the Middle Ages at 58th International Congress on Medieval Studies, Western Michigan University, Kalamazoo, 13.05.2023.
• “Bottled Spirit: Breathing and Olfactory Memory in Pilgrim’s Flasks”, Consortium Medievalists’ Symposium: “Sensory Experiences Across Medieval Communities”, Fordham University, New York, 06.05.2023.
• “Staging Material Narratives: (Re)Constructing Shrines’ Elusive Materials in the Long Twelfth Century”, Atelier Doctoral Centre Dominique-Vivant Denon, Louvre, Paris, 07.03.2023.
• “The ‘Boom’ of Absent Material: Textiles, Sound, and Archival Silence in the contemporary reception of medieval sacred spaces”, panel “Dressing Bodies, Dressing Spaces”, 36th CIHA World Congress, Lyon, 25.06.2024.
• “Pluri-Gender Majesties: Shrines Constructed Betwixt Genders”, 23rd Vagantes Conference on Medieval Studies, Northwestern University, Evanston, Illinois, 23.03.2024.

Martin Raspe

• “Die Ausmalung der Cappella Cybo-Soderini in Santa Maria del Popolo in Rom: Pieter van Lint und Pietro Paolo Drei”, conference Peter van Lint, Martin-von-Wagner-Museum, Würzburg, 12.–13.10.2022.
• “Dal piccolo al grande. Borromini e l’architettonica della natura”, lecture series Pillole Borrominiane, Università di Camerino, 01.02.2023.
• “Da Lineamenta alle Digital Humanities Sciences”, conference Digital Humanities – Stato dell’arte, prospettive e limiti dell’informatica applicata alla Storia dell’Architettura e della Città, Sapienza Università di Roma, Dipartimento di Storia, Disegno e Restauro dell’Architettura, Rome, 16.04.2024.
• “Natura e Architettura”, conference Roma Barocca. Studi in onore di Paolo Portoghesi, Accademia di San Luca, Rome, 31.05.2024.

Elisabetta Rattalino

• “Monumenti in movimento nella nuova Bolzano italiana. Il caso di Druso Maggiore”, conference paper, Identità plurali e alterità spaziali dell’italianità 1796–1943: territori, città, architetture, musei, panel “Spazio pubblico e monumenti in Italia”, Fondazione Giorgio Cini, Venice, 28.03.2024.

Ana Redondo Plaza

• “Pavel Muratov: mettere in dubbio lo sguardo”, conference L’arte dello scrivere tra autobiografia e narrazione. Esercizi di prosa e in versi di storici dell’arte, letterati e storici, Dipartimento di Studi Storici dell’Università di Torino, Turin, 17.–18.10.2022.

Katherine Reinhart

• “‘Exceedingly Accurate as well as Skillfully Engraven in Copper’: The Role of Images in Early Modern Scientific Books”, American Historial Association Virtual Annual Conference, online, 22.02.2022.
• “Drafting Natural Philosophy: The Royal Society’s Visual Letters”, invited presentation at the workshop Manchester Visual Letters Online, 23.02.2022.
• “Art & Empire: Scientific Societies in the Global Early Modern World”, presented at the Renaissance Society of America Annual Conference, Dublin, 30.03.2022.
• “Science and Statecraft: On the Epistemic and Political Functions of Images in the Académie royale des sciences”, symposium Images and Institutions: The Visual Culture of Early Modern Scientific Societies, Rome, 16.09.2022.
• “Painting Plants, Engraving Gloire”, invited lecture at the conference The Power of Flowers: 1500–1750, University of Ghent, 06.2023.
• “Sic Itur Ad Astra: The Politics of Architecture and the Construction of the Paris Observatory”, invited leture, Institute for Advanced Studies in the Humanities, Binghamton University, Binghamton, NY, 04.2024.
• “Big Books & Early Scientific Societies”, presentation at round table “Rethinking Large Illustated Books in Premodern Europe, Or Material and Medialogical Reflections on Books as Agents of the ‘New Sciences’, 1500–1800”, Scientiae Annual Conference, Brussels, 06.2024.

Seraina Renz

• “‘The Artist Barks, but the Train Keeps Going.’ Inoffizielle Kunst in Osteuropa während des verlängerten Kalten Krieges”, guest lecture for the series Kunst, Kultur und Kalter Krieg, Université de Fribourg, Fribourg, 14.12.2022.
• “Ilija Šoškićs Grenzüberschreitungen: ein Künstler der minimalen Gesten zwischen Belgrad und Rom”, lecture for the exhibition BANG BANG – translokale Performance Geschichte:n, Tinguely Museum, Basel, 02.07.2022.
• “Kunst als Entscheidung – Individualität und Sozialität in der Performancekunst Mitteleuropas”, lecture for the module Performance Art Context, Hochschule der Künste, Bern, 19.01.2022.
• “Performing Individual and Collective Ethics of Resistance. The Body of the Yugoslav Monument”, transdisciplinary workshop Rethinking the (Post-)Socialist Body, Kunsthistorisches Institut in Florenz – Max-Planck-Institute, Florence, 28.–30.09.2023.

Dario Rodighiero

• “Artificial Intelligence for Cultural Heritage”, Scuola IMT Alti Studi Lucca, Lucca, 27.04.2022.
• “A Comparative Study of Methods for Art History Digital Collections”, Kunsthistorisches Institut in Florenz, Florence, 14.04.2022.
• “Images Today: Archives, Identities, and Algorithms”, Université de Liège, Liège, 03.2022.
• “Weather Map”, Critical Lab Spring Summer School, Excellence Cluster Temporal Communities: Doing Literature in a Global Perspective in cooperation with the Einstein Forum’s Scales of Temporality, Ada Lovelace Center for Digital Humanities at Free University, Berlin, and London Arts and Humanities Partnership, online, 03.2023.
• “Peirce Interprets Peirce”, Fra Humanomics Til Comics: Frederik Stjernfelt tenure 25th Anniversary, Aalborg Universitet, Copenhagen, 21.04.2023.
• “Rethinking Network Visualizations for Scientific and Cultural Organizations”, TANTlab, Department of Culture and Learning, Aalborg Universitet, Copenhagen, 21.04.2023.
• “Surprise Machines: Revealing Harvard Art Museums’ Image Collection”, Numesthesia. Digitally Capturing the Senses, Faculty of Humanities, Utrecht University, Utrecht 12.05.2023.
• “Mapping Affinities: Democratizing Data Visualization”, Humlab, Department of Culture and Media Studies, Umeå University, Umeå, 17.05.2023.
• “A Latourian Trajectory From Digital Design to Science and Technology Studies”, excellence cluster Temporal Communities: Doing Literature in a Global Perspective, Freie Universität Berlin, Berlin, 17.07.2023.
• “Sguardi Inediti: L’Intelligenza Artificiale applicata all’archivio dei Musei d’Arte di Harvard”, Archivi dei disegni di architettura: fruizioni contemporanee, Faculty of Architecture, Sapienza University of Rome, Rome, 16.11.2023.
• “Key-Study: Choreographic Interfaces & Curatorial A(i)Gents”, PER-FORMING SPACES, Faculty of Design and Art, Free University Bozen/Bolzano, Bolzano, 30.11.2023.
• “The Evolving Nature of Knowledge”, Institut für Theaterwissenschaft, Freie Universität Berlin, Berlin, 07.2024.
• “Visualisations de réseau, la nouvelle génération”, département de l’information et de la communication, Université Paris-Nanterre, Paris, 04.2024.

Johannes Röll

• mit Tatjana Bartsch, “Die Fotothek der Bibliotheca Hertziana”, workshop Visualisierungsstrategien in den Altertumswissenschaften, Deutsches Archäologisches Institut Rom, Rome, 14.04.2023.
• “Il ‘Corpus der italienischen Zeichnungen 1300–1500’ e ‘I disegni di Antonio e Piero del Pollaiolo’”, Lorenza Melli Istituto centrale per la grafica, Rome, 12.05.2023.
• “Bernhard Degenhart in the 1930s and 1940s between Research, War and Museum”, workshop AG Provenienzforschung Italien, Deutsches Studienzentrum Venedig, Venice, 25.09.2023.
• “Franz Caucig, Felice Giani e altri artisti nel Vicolo di Sant’Isidoro – Alla ricerca della propria identità artistica”, conference È Giani, è Cultura! – Felice Giani e il Neoclassicismo a Roma, Palazzo Altieri, Rome, 10.10.2023.

Sabina Rosenbergová

• “Conques’ Monastic Landscape: From Geological Reality to Hagiographic Imagination”,

• From Global to Local: Conques as a Crossroads (9th–13th c.), Graduate Center, CUNY, New York, 11.07.2022.
• “Religious Commissions of Noblewomen in Tenth-Century Rome: A Case Study of the Convent San Ciriaco in Via Lata,” research presentation by Conques Project visiting scholars, Graduate Center, CUNY, New York, 15.04.2022.

Sarah C. Rosenthal

• “Now You See Me, Now You Don’t: Urs Graf and Monogram Manipulations in Printed Books”, conference talk, panel on Early Modern Prints supported by American Friends of Herzog August Bibliothek, Renaissance Society of America (RSA) Annual Conference, San Juan, 04.2023.

Mariano Saggiomo

• “Una ‘nuova’ Cappella Minutolo nel Duomo di Napoli: metodologia ed esiti di un caso di studio”, seminar at the Centro per la Storia dell’Arte e dell’Architettura delle Città Portuali “La Capraia” (The Edith O’Donnell Institute of Art History – Dallas), site at Museo e Real Bosco di Capodimonte, Napoli, 07.12.2023.

Ana Paula dos Santos Salvat

• “From Mexico to Spain: The Constitution of the Plazas Mayores and the Amerindian Roots”, 35th CIHA World Congress: Migrations, session 10: Migration of Ideas, Artistic Theories on the Move, Goethe Institut, São Paulo, 17.01.2022.
• “The City as a Palimpsest and the Layers of Time: The Monoliths as Antiquities and the Political Uses of Mexica Artifacts”, conference Transregional Academy on Latin America IV: Plural Temporalities – Theories and Practices of Time, Universidad de los Andes, Bogotá, 28.09.2022.
• “La Plaza Mayor de la Ciudad de México: una construcción transcultural”, conference V Simposio Internacional Jóvenes Investigadores del Barroco Iberoamericano Jóvenes Investigadores del Barroco Iberoamericano: Iberoamérica, cartografía abierta, Centro de Estudios del Barroco Iberoamericano (CEIBA), Universitat de València, Valencia, 20.10.2022.

Paola Salvatori

• “La letteratura politica coloniale da Mazzini a Mussolini”, Cultura visiva e colonialismo italiano, Scuola Normale Superiore, Pisa, 06.12.2023.
• introduction to Andrea Giardina’s lecture “La Damnatio memoriae”, seminar series La cultura della cancellazione (Cancel culture). Prospettive storiche dall’antichità ad oggi, Istituto storico italiano per il Medioevo, Rome, 08.11.2023.
• round table “Fascismo e mito della romanità”, concluding seminar of the seminar series L’impatto del fascismo sulla cultura italiana. A cent’anni dalla marcia su Roma. 1922–2022, Univesità di Trento, Dipartimento di Lettere e Filosofia, Trent, 24.05.2023.
• “Augusto a Salò. Presenza e assenza del mito della romanità dopo il 25 luglio”, conference Apparati e centri di potere nella Repubblica sociale italiana: politiche e conflitti, Istituto Storico della Resistenza e dell’Età Contemporanea di Forlì-Cesena, Istituto Nazionale Ferruccio Parri, Forlì, 31.03.2023.
• “Architettura e politica: il caso del Foro Mussolini”, conference Il fallimento delle avanguardie? Uno sguardo sugli anni Venti del ‘900 in Europa, Fondazione Bruno Kessler, Istituto storico italo-germanico, Trent, 27.01.2023.

Christoph Sander

• “A Semantic Framework for Images: The Case of Rara Magnetica (1500–1650)”, workshop IIIF READER: Depicting Research in Humanities through Digital Environments, University of Porto, 14.06.2022.
• “Magnetic Margins. A Typology of Reader Annotations in Copies of William Gilbert’s De Magnete”, workshop, Warburg Institute, London, 02.02.2022.

Ludovica Schaerf

• “Do Computer Vision Models Internally Differentiate Visual and Conceptual Aspects of Art without Explicit Supervision?”, Cultural Data Analytics Conference 2023 (CUDAN 2023), Tallinn, 13.–16.12.2023.
• “Towards AI Art Curation: Re-imagining the City of Helsinki on the Occasion of its Biennial”, workshop Ethical Considerations in Creative Applications of Computer Vision (EC3V), Vancouver, 18.06.2023.
• “Synthetic Data in Art Historical Datasets? Considerations from the Case Study on Art Authentication”, symposium From Hype to Reality: Artificial Intelligence in the Study of Art and Culture, Digital Society Initiative and Digital Visual Studies, University of Zurich, Zurich, 20.–21.04.2023.
• “Reflections on Disentanglement and the Latent Space”, xCoAx, School of X, 09.2024.
• with Sandro Boccuzzo and Desirèe Meyer, “Art Forgery Detection using Kolmogorov Arnold and Convolutional Neural Networks", AI4VA, ECCV 2024, 09.2024.
• “Disentanglement, the Multi-dimensional Archive, and the Use of Color in Textile Samples”, conference xCoAx 2024, Fabrica, Treviso, 10.–12.07.2024.
• “TextAIles: Color Manipulations in the Latent Space of StyleGAN3”, Computer Vision and Image Analysis of Art, Electronic Imaging 2024, San Francisco, 21.–25.01.2024.

Georg Schelbert

• with Michael Müller, “Sammlungsdaten mit Wikidata anreichern und für die Vernetzung öffnen. Konzepte und praktische Erprobungen”, conference Digital Humanities im deutschsprachigen Raum e.V., Trier, 15.03.2023.
• “Charles Percier and Prussia. Ludwig Theodor Liman”, conference The Rome Drawings of Charles Percier and their Afterlife, Zentralinstitut für Kunstgeschichte, Munich, 18.–19.10.2024.

Maximilian Schich

• “The Intersection of Network Science and Art History”, invited talk in the NetSci Colloquium Series of the Network Science Society, netscisociety.net, online, 29.11.2023.
• “Zur Bedeutung der Netzwerkforschung für die Kunst- und Kulturwissenschaften”, invited talk opening the series Vernetzte Kultur – studium generale, Universität Marburg, 01.11.2023.
• “‘Too Lazy to Read the Paper’ Liveshow Extravagana Edition!”, Sune Lehmann in conversation with Maximilian Schich, Claudia Wagner, and Duncan Watts, International Conference on Computational Social Science IC2S2 2023, Copenhagen, 19.07.2023.
• “Kunst und Kultur verstehen: Von Netzwerken zu Bedeutungsräumen und zurück”, invited talk, CAIDAS Workshop, Universität Würzburg, 08.02.2023.
• “Bilder mit Bildern verstehen: Ansätze einer systematischen Kunst- und Kulturanalyse”, invited talk, Universität Augsburg, 03.02.2023.
• with Yan Asadchy, Takahiro Yabe, Alex Pentland, and Esteban Moro, “Unequal Culture: Effect of Pandemic Restrictions on the Income Segregation and Diversity of Museum Visitors in the Boston Area”, poster, International Conference on Computational Social Science (IC2S2), University of Copenhagen, 17.–20.07.2023.
• with Andres Karjus, Vejune Zemaityte, Ulrike Rohn and Indrek Ibrus, “Quantifying Structure and Diversity in Film Festival Networks”, poster, conference NetSci 2023, Vienna, 12.–14.07.2023.
• with Carlos Zapata Carratala, Xerxes Arsiwalla, and Taliesin Beynon, “Higher-Arity Algebra for Higher-Order Networks”, poster, conference NetSci 2023, Vienna, 12.–14.07.2023.
• “Results and Potential of Cultural Data Analytics”, invited lecture, Venice Long Data, the Future of the Past. PNRR CHANGES Spoke 8, Fondazione Cini, Venice, 26.01.2024.
• “Aesthetic Analysis and Synthesis” & “Spectral Chromatophores”, invited lecture and analog electronic performance, ZiF Workshop: Complexity, Aesthetics, and Data Sonification, Center for Interdisciplinary Research (ZIF), Universität Bielefeld, 18.–22.03.2024.
• with Ksenia Mukhina, “Learning Geo-Socio-Visual Attention Patterns Regarding the City of Rome”, poster, International Conference on Computational Social Science (IC2S2’24), University of Pennsylvania, Philadelphia, PA, 18.–20.07.2024.
• with Mark Mets and Peter Dodds, “Twitter Attention towards Ukraine Differs and Changes Fundamentally Across 28 Languages from 2008 to 2023”, poster, International Conference on Computational Social Science (IC2S2’24), University of Pennsylvania, Philadelphia, PA, 18.–20.07.2024.
• with Mikhail Tamm, Mila Oiva, Ksenia Mukhina, Mark Mets, “Quantifying World Geography Through the Lens of Soviet Propaganda”, poster, International Conference on Computational Social Science (IC2S2’24), University of Pennsylvania, Philadelphia, PA, 18.–20.07.2024.
  moderation of “Cultural Data Analytics Open Lab Seminar series”, Tallinn University, Tallinn, fall 2020 to fall 2024.

Elisabetta Scirocco

• “L’ambone medievale: microarchitettura, immagini, liturgia”, lecture, Pontificia Università della Santa Croce, Rome, 12.05.2022.
• with Alessandro Adamou and Ruggero Longo, “From Data to Model, and Viceversa”, conference The Future of the Virtual Past. New Directions and Shared Standards in the Reconstruction of the Medieval-Renaissance Built Environment, Jesus College, Cambridge, 27.–28.06.2022.
• “Mediating Historic Objects and Sacred Spaces. Research Databases – Research 3D Models”, summer school From Global to Local: Conques at the Crossroads (9th–13th c.), CUNY Graduate Center, New York, 14.07.2022.
• “Art History and the Post-Catastrophe City”, workshop Reconstruction of Destroyed Cities: History, Mapping, and Documentation, Masaryk University, Brno, 03.10.2022.
• “Lo spazio sacro nella basilica medievale di Sant’Angelo in Formis e in Terra di Lavoro”, La Basilica di Sant’Angelo in Formis nella candidatura UNESCO “Gli insediamenti benedettini altomedievali in Italia”, Sant’Angelo in Formis, Basilica Benedettina, 19.10.2022.
• with Ruggero Longo, “From Fragments to Models. Archaeometric Approach and Digital Tools within the Mapping Sacred Spaces Project Methodology”, research forum Digital Turn. The Potential of Informatics for the Reconstruction and Visualization of Space, Objects, and Monuments in Archaeology and Art History, Istituto Svizzero di Roma – BHMPI, 17.03.2023.
• “New Scripts on Old Tombs. The Aesthethics of the Palimpsest-Tomb in Renaissance Naples”, workshop Script – Image – Language in Early Modern Humanism, online, 22.–23.03.2023.
• with Antonino Tranchina, “L’arredo liturgico tra Oriente e Occidente (V–XV secolo). Frammenti, opere e contesti”, Università degli Studi di Verona, Verona, 26.04.2023.
• “Spolia/Memoria. The Legacy of Trecento Funerary Sculpture in Renaissance Naples”, session Unfolding the Past. The Materiality and Temporality of Medieval Southern Italy (I and II) at the 58th International Congress on Medieval Studies, Kalamazoo, Michigan, 11.–13.05.2023.
• “Mapping Sacred Spaces in Medieval Southern Italy”, lecture, Stanford University, CESTA (Center for Spatial and Textual Analysis), Stanford, 16.05.2023.
• “The Project Mapping Sacred Spaces”, workshop Interdisciplinarity and Methodological Approaches of Shared Sacred Spaces, Università Roma Tre, Rome, 08.–09.06.2023.
• with Manuela Gianandrea, “Lo spazio sacro della cattedrale di Benevento: allestimenti, trasformazioni e recuperi”, conference Aula micat medio clarificata suo. Ritrovare, rintracciare, ricostruire opere e monumenti dell’Europa medievale, Convegno Dottorale di Storia dell’Arte Medievale, Cagliari, Università degli Studi di Cagliari, 18.–20.09.2023.
• “Estetica e semantica della tomba-palinsesto nella Napoli aragonese: il Medioevo tra spolia in re e spolia in se”, workshop Enfront de l’objecte artístic. Condicions originals i funcions adquirired per les obres medievals, Universitat de Girona, Girona, 23.–24.10.2023.
• with Manuela Gianandrea, “Ripartire da Lehmann-Brockhaus: contaminazioni negli arredi liturgici lungo la via Tiburtina-Valeria”, conference Lungo la via Tiburtina Valeria nel Medioevo, Chieti–Roma, Università degli Studi “G. d’Annunzio” di Chieti-Pescara, Sapienza Università di Roma, Società Romana di Storia Patria, Rome, 14.–17.11.2023.
• with Ruggero Longo, “Lost Spaces, Fragmentary Objects: Methodological Challenges and Digital Approaches for the Reconstruction of Medieval Liturgical Installations”, lecture, Humboldt Universität, Berlin, 29.11.2023.
• “Neapel und Naturkatastrophen. Zerstörung, Wiederaufbau und künstlerische Bewältigungsstrategien”, lecture, Mittelalterzentrum, Greifswald, 04.12.2023.
• “Leben mit dem Vesuv. Über die (künstlerische) Prägung der Stadt Neapel durch die Bedrohung von Naturkatastrophen”, evening lecture, Albert-Ludwigs-Universität Freiburg, Freiburg im Breisgau, 25.01.2024.
• “’Medioevi’ diversi. Fortuna e sfortuna del cosmatesco tra Otto e Novecento”, with Manuela Gianandrea, conference La felicità della storia, il privilegio della bellezza. In memoria di Alessio Monciatti, Università degli Studi del Molise, Campobasso, 29.–30.04.2024.
• “Incorniciare l’altare, potenziare il sacro (Roma e l’Italia meridionale, VIII–XII secolo)”, with Manuela Gianandrea, conference L’arredo dell’altare. Le arti per il rito nell’Europa e nel Mediterraneo medievali, Università degli Studi di Bologna, Bologna, 10.–12.09.2024.

Braden Lee Scott

• “Little Story, Big Picture: Maarten van Heemskerck and Hieronymus Cock as Architects of Empire”, conference of the Sixteenth Century Society, Baltimore, 27.10.2023.
• “A little bit of the Alps in Bethlehem”, Universities Art Association of Canada, Banff, Alberta, 20.10.2023.
• “Africa, Infrastructure, and Empire in Rubens’ Portrait of Mulay Ahmad”, colloquium, Museum of Fine Arts, Boston, 12.05.2023.
• “Building Worlds: The Tower of Babel in Archaeological Imagination”, invited lecture, Hunter College, New York, 31.03.2023.
• “Early Modern Infrastructure”, panel co-organizer, with Victoria Addona, conference Annual Meeting of Renaissance Society of America, San Juan, 09.03.2023.
• round table “Global Perspectives on Antwerp’s Silver Age, 1585–1714”, Annual Meeting of Renaissance Society of America, San Juan, 10.03.2023.
• “Architecture, Ornament, and Analogy: Building the City of David in Early Modern Adoration Pictures”, conference Historians of Netherlandish Art, Cambridge, 10.–13.07.2024.
•  “All Aqueducts Lead to Rome”, conference Renaissance Society of America, Chicago, 21.–23.03.2024.
• Respondent to: João Cruz, “The City and the River: Origin and Evolution of Lisbon’s Riverfront”, workshop series DocTalks X MoMA, online, 10.09.2024.
• “The Shapes of Water”, panel co-organizer, with Lydia Barnett, conference Renaissance Society of America, Chicago, 21.–23.03.2024.
• “Worlding the Early Modern Netherlands: Global Routes of Mobility and Cultural Intersection”, panel co-organizer, with Adam Sammut, conference Renaissance Society of America, Chicago, 21.–23.03.2024.

Lucia Simonato

• “Some Thoughts on the Vatican, the Palace of the Popes”, lecture given as part of The Agency of Style: Aesthetics, Anthropology, Archaeology, Art History, Leiden Summer School, Leiden University, Faculties of Humanities & Archaeology, in collaboration with Cambridge University, Ecole Normale Supérieure (ENS, Paris) & Scuola Normale Superiore (SNS, Pisa), 09.2023.

Elisa Spataro

• “La fruizione degli spazi pergolati: dai giardini in Villa alle sale a paesi nella decorazione ad affresco”, conference Il giardino degli dei. Il paradigma dell’antico nelle arti della Villa, Tivoli, Villa d’Este, 21.–23.04.2022.
• “Landscape Image-making: Optical Issues and Perspective Instruments Between 16th and 17th Centuries”, conference Painting as a Model of Seeing and Thinking. Interrelations between Painting and Optical Science, Institut für Kunstgeschichte, Universität Wien, Vienna, 18.–19.11.2022.
• “Alberi sulla scena: tra mimesi e contraffazione dell'ordine naturale (XVI–XVII secolo)”, conference, Arguzia/Natura/Artificio. Contraptions and Ingenuity in Baroque Arts and Literature, Alma Mater Studiorum University of Bologna, Dipartimento di Filologia Classica e Italianistica, Bologna, 06.12.2024.

Oleksandr Sushynskyi

• “State of Emergency. Phantasm at Work”, workshop for the DFG-Projekt Bildproteste in den Sozialen Medien, Technische Universität Dresden, Dresden, 19.12.2022.

Martina Tanga

• “Nell’Ambiente: Italian Women Artists Reimagining 1970s Urban Space” presentation as part of the panel “Beyond the Boundary: Women in Urbanism” at European Association for Urban History Conference, Ostrava, 09.2024.

Tobias Teutenberg

• “Triangles, Squares and Circles: On the International Reception of Form and Measurement Research”, conference The History of Architectural History: The Genesis of a Scientific Discipline in the Dialectic Context of National Projects, European Expectations and Globalizing Perspectives, Accademia Nazionale di San Luca, Rome, 08.–09.11.2022.
• “Heinrich Wölfflins Bilderwirtschaft”, workshop Bilderwirtschaft: Fotografie als Ware und Material der Kunstgeschichte um 1900, Zentralinstitut für Kunstgeschichte, Munich, 02.11.2022.
• “Hidden Structures. Art-Historical Form and Measurement Research in the 19th and 20th Centuries and its Relation to Modern Techniques of Image Recognition”, conference 15th World Congress of Semiotics IASS – AIS, University of Thessaloniki, Thessaloniki, 30.08.–03.09.2022.

Antonino Tranchina

• “The Rossano Font at the Met”, gallery talk for summer school From Global to Local: Conques as a Crossroads (9th–13th c.), New York City, 14.07.2022.
• “La ‘correzione’ dei monaci. Per una rilettura dell’edilizia greco-cristiana dello Stretto attraverso le fonti liturgiche”, summer school Il Basiliano in Valdemone, Fondazione Horcynus Orca, Messina, 12.09.2022.
• “Il Salvatore in insula: i monaci e il mare prima del castello”, workshop Castel dell’Ovo tra storia e mito, Associazione Italiana Castelli – Sezione Campania, 22.09.2022.
• “Il Musivum di Messina normanna tra documentazione ed erudizione”, conference Sulle tracce delle tessere perdute. Mosaici parietali scomparsi fra Bisanzio e Occidente latino, Venice, 12.10.2022.
• “The Monastic Eye. Decorating Manuscripts at San Salvatore de Lingua in Messina (mid-12th Century)”, workshop Byzantium and the Mediterranean (11th-13th C.). Multiculturalism, Gender, and Profane Topics in Illuminated Manuscripts, Barcelona, 11.11.2022.

Carlo Ugolotti

• “Spazi d’oltremare: an open project about Italian Colonialism”, conference Post-Colonial Heritage in the Present: Museums, Archives and Activism, British School of Rome, Rome, 12.–13.10.2022.
• “Cinema Ritz: A ‘Red Light’ Screen in Parma (1980–2010)”, conference Film Exhibition: The Italian Context, University of Cambridge, Cambridge, 01.07.2022.

Carlotta Vacchelli

• “Fumetto italiano di controcultura. Pablo Echaurren dalle fanzine a Frigidaire”, conference For real: Il fumetto italiano tra reale e realismo. Raccontare la realtà. Italia ieri e oggi, Gruppo SnIF/AIPI, Università degli Studi di Palermo, Palermo, 27.–29.10.2022.
• “Digital Comics and the Italian Underground. Čapek Magazine and Love-Bot”, conference Comics Strike back: Digital Comics, Digital Audiences, Digital Practices, COMICS/Gruppo SnIF, Universiteit Gent, Gent, 12.–14.07.2022.
• “Il Poema nei fumetti. L’influenza di Dino Buzzati sulla nona arte”, conference Dino Buzzati at 50: New Research Perspectives, Università di Bologna, Bologna, 29.05.–01.06.2022.
• “Un politico personale. Il Pertini di Andrea Pazienza”, conference La piramide e il garofano. Politiche artistiche e strategie visive del PSI, Università degli studi di Milano, Milan, 31.03.2022.
• “Buzzati tra le nuvole. Critica, reminiscenze fumettistiche e ricezione di Buzzati nella nona arte”, conference Dino Buzzati e il segno, Università Ca’ Foscari, Venice, 30.03.–02.04.2022.
• “Da Andrea Pazienza a Sio e Zerocalcare. Generazioni di fumetto a confronto”, comics festival Ultracon Cremona, CremonaFiere, Cremona, 14.01.2023.
• “A Poem in Strips. Dino Buzzati’s Legacy in the Ninth Art”, conference Weird, Absurd, Menacing. The Fantastic World of Dino Buzzati, University of Chicago, Chicago, 10.11.2022.
• “Fumetti. Dietro le quinte del fumetto d’autore di Domani”, comics festival Lucca Comics & Games, Auditorium del Suffragio, Lucca, 28.10.–02.11.2022.
• “La funzione-Pazienza. L’influenza di Andrea Pazienza sulla cultura italiana”, opening lecture for the exhibition La funzione-Pazienza. Un archivio in mostra, Splash Archivio Pazienza, Museo dell’Alto Tavoliere, San Severo (Foggia), 21.05.2022.
• round table “Di cosa parliamo quando parliamo di graphic novel?”, University of Toronto, Toronto, 25.04.2022.
• “Alla ricerca dell’underground”, Comics-Festival “Napoli COMICON”, Mostra d’Oltremare, Naples, 24.05.2022.
• “Storie Zitte di Simone Angelini”, public interview, Risma Bookshop, Rome, 06.12.2022.
• “Prima di tutto tocca nascere di Sonno”, public interview in viaggio/Risma Bookshop/Monk, Biblioteca Aldo Fabrizi, Rome, 05.07.2022.
• “Barba di Alec Trenta”, public interview, Risma Bookshop, Largo Venue, Rome, 10.06.2022.

Laura Valterio

• with Virginia Marano and Charlotte Matter, “Rethinking Art History Through Disability”, invited lecture within the lecture series Kunstgeschichte/n verlernen, umlernen, neulernen, University of Weimar, Weimar, 08.12.2022.
• As co-organiser with Amanda Cachia, Virginia Marano, Charlotte Matter, workshop Unlearn the Body: New Approaches on Disability and Art History, University of Zurich, Zurich, 03.–04.06.2022.
• with Virginia Marano and Charlotte Matter, “The Artist Panteha Abareshi, Nina Mühlemann and Edwin Ramirez Talk Unlearn the Body”, Kunsthaus Zurich, Zurich 02.06.2022.

Julia Vázquez

• “What’s in a Re-Frame?”, conference Many Lives: Picture Frames in Context, Art Gallery of Ontario, online, 26.09.2024.
• “Marisol’s Fishman (1973): Pesticides, the Creature from the Black Lagoon, and Other Post-Nuclear Disasters”, Annual Meeting of the College Art Association, Chicago, 15.02.2024.
• “On the Origins of Exhibition Practice in Early Modern Europe”, panel organizer, Annual Meeting of the Renaissance Society of America, Chicago, 21.–23.03.2024.
• “Ecology vs. Patriarchy: Women Artists and the Environment, 1962–present”, panel organizer Annual Meeting of the College Art Association, Chicago, 14.–17.02.2024.

Alexandre Vico Martori

• “‘Antonio Pucci guida tutto più che mai’, Even in Painting. Portraits of the Filomedicean Oligarchy and Fictional Identities. Decentering the Self: Liminality and Marginality in Self-Presentation”, 57th International Congress on Medieval Studies, Center for Medieval and Early Modern Studies, Stanford University, 09.–13.05.2022.
• “Le prime pitture sulla Storia di Nastagio degli Onesti. Sandro Botticelli e una reinterpretazione diversa della novella del Decamerone”, ABA Triennal Conference 2022, International Boccaccio / Boccaccio internazionale, Dipartimento di Studi Linguistici e Letterari, Padua, 06.–08.06.2022.
• “The Late Quattrocento Spalliere. Furniture and Fantasy in the Florentine Camere Nuziali”, Imaginative Landscapes and Otherworlds, University of Exeter and Canterbury Christ Church University, 22.06.2022.
• “Una alcoba para Giannozzo y Lucrezia. Sandro Botticelli y el auge de los colmi da camera del Quattrocento”, conference series Botticelli opowiada historię. Malarstwo mistrzów renesansu z kolekcji Accademia Carrara, Zamek Królewski w Warszawie (Castello Reale di Varsavia), Warsaw, 07.07.2022.
• “‘Bentornati nel mio palazzo’. Les spalliere de Botticelli i altres produccions artístiques de finals del Quattrocento”, Associació alumnes i sèniors UdG, University of Girona, Girona, 03.10.2022.
• “Las escenas de la Historia de Nastagio degli Onesti, Sandro Botticelli”, Fundación Amigos del Prado, Madrid, 08.10.2023.
• “El retablo de Santa Elena de la catedral de Girona”, workshop TEMPLA-Bibliotheca Hertziana. Frente al objeto artístico. Condiciones originales y funciones adquiridas por las obras medievales, University of Girona, Girona, 23.–24.10.2023.

Sara Vitacca

• - “Dionysian Fantasies and Queer Subtexts in Filippo De Pisis’s Male Nudes”, conference On Other Shores. Queer Counter-narratives in Southern Europe and Mediterrenean Art History, 1800–2000, Pisa, 12.–13.12.2022.
• “Rosso, Boccioni et l’écoeurant Michel-Ange: filiations interrompues à l’aube du XXe siècle”, conference Autour de la notion de filiation artistique. Dialogue avec Elizabeth Prettejohn. Entretiens de la Fondation Maison Borel, Neuchâtel, 21.10.2022.
• “Working Bodies : Labor and Virility in Italian Socialist Visual Culture from the Early 20th Century”, conference Staging Injustice: Italian Art 1880–1917, Center for Italian Modern Art, New York, 29.–30.04.2022.
• “Boxe et boxeurs dans la culture visuelle de l’Italie fasciste”, conference Boxe! Round 1, Université Paris-Nanterre/Université Paris 1 Panthéon-Sorbonne, Nanterre, 23.03.2023.
• “Bodies and Nature in Fascist Visual Culture”, conference Ugly Modernity. Its Unseen Sides, online, 08.–09.06.2023.
• “Boxe et Blackness dans la culture visuelle de l’Italie du Ventennio”, conference Ce que les arts doivent au ‘noble art’. les artistes et la boxe: une rencontre singuliere, Université de Franche-Comté/Centre Lucien Febvre, Paris, 15.10.2023.

Tristan Weddigen

• “ARTYficial Intelligence: New Methods for Art History?”, lecture with the DVS-Team, Universität Genf, online, 06.03.2023.
• “The Fabrication of the King. Charles Le Brun Reflecting on the Textile Medium”, lecture, 36th CIHA World Congress, Lyon, 26.06.2024.
• “Developing Integrated Digital Research Infrastructures for Art History”, lecture, 36th CIHA World Congress, Lyon, 27.06.2024.

Erik Wegerhoff

• “Kratzen an den Oberflächen”, conference Architektur in Transformationsgesellschaften. Geschichte und Gegenwart des Umbaus, TU München, Munich, 26.10.2023.
• “98 Linkskurven, 103 Rechtskurven, oder: Von der Steinschlaggalerie ins Thermalbad”, conference Animated Architecture: Movement and Mobility in the Experience of Modern Architecture and Design, TU Wien, Vienna, 17.06.2023.
• “L’automobile e l’architettura. Un conflitto creativo”, lecture as part of the series Le Biblioteche presentano…, IED Roma, Rome, 09.04.2024.

Matthias Weiß

• “Das Thesenblatt zur Promotion des Karl Joseph von Guttrath, Salzburg 1741”, discussion forum PLUSpunkte, DomQuartier, Salzburg, 23.03.2022.
• “Zum Polychromiestreit”, lecture series Kanonische Texte und die Antike, Department of Ancient History, Paris Lodron University, Salzburg, 21.06.2022.
• “Portrait of a wounded woman from Eski Zagra”, contribution to the panel Visualising Europe, The European Pavilion, Rome, 17.–19.11.2022.
• “Performance und Performativität”, lecture series Vergleichende Literatur- und Kulturwissenschaft, Department of Slavic Studies, Paris Lodron University, Salzburg, 22.11.2022.
• “Altes und Neues vom Wellensittich. Oder: Was uns der Vogelflug über Kunst und Künstlichkeit lehrt”, inaugural lecture, Paris-Lodron-Universität, Salzburg, 29.11.2022.
• Entangled Art Histories. Objekte – Narrative – Diskurse, lecture series (with Eva Wiegert), Department of Art History, Paris Lodron University, Salzburg, winter term 2022/2023.
• “Was ist eine ‘Europerie’? Begriff und Phänomene eines Gegenblicks”, lecture series Exotismus revisited. Kulturelle Imaginationen, Projektionen und Aneignungen in Kunst und Kunstgeschichte(n), Department of Art History, Catholic Private University, Linz, 17.11.2023.
• “Europabilder außerhalb Europas? Interactive presentation of the book project “Blick Richtung Europa? Dreißig ‘außereuropäische’ Objekte geben Antwort”, ed. Matthias Weiß and Tanja Michalsky (with Hubert Auer, David Hobelleitner, Leona Remler and Eva Wiegert), Long Night of Research, Paris Lodron University, Salzburg, 24.05.2024.
• “Vorbereitung eines Coups gegen einen US-Soldaten”, book presentation of “Blick Richtung Europa? Dreißig ‘außereuropäische’ Objekte geben Antwort”, ed. Matthias Weiß and Tanja Michalsky (with Henry Kaap, Jeehye Kim, David Hobelleitner and Eva Wiegert), Department of Art History, Paris Lodron University, Salzburg, 28.11.2024.

Klaus Werner

•  “Geo-Contextualization and Aggregation of Information Resources”, ACM: HyperText 2023, Rome, 08.09.2023.
• “Contestualizzare le risorse geospaziali dai repositori LOD (DNB)”, conference Beyond the Gaze – Interpreting and Understanding the City (AISU), Ferrara, 14.09.2023.
• “Staccioli Digital Archive – Eine Kollaborative Entwicklung”, Arbeitsgemeinschaft Kunsthistorischer Bildarchive und Fototheken, Rome, 05.12.2023.
• conference organization Confluenze Digitali. Tutela, valorizzazione, fruizione condivisa del patrimonio artistico aquilano, DSU UnivAQ, L’Aquila, 18.04.2024.
• “Showroom 4.0: tecnologie digitali innovative per i beni culturali”, poster presentation, Confluenze Digitali per il Patrimonio Culturale, panel “A.e.internet delle cose e delle macchine”, Camera di Commercio del Gran Sasso d’Italia (AQ), Camera di Commercio (AQ), L’Aquila, 20.05.2024.
• “Monumenti Aquilani Condivisi”, conference paper, Heritechne 2024, panel “Digital Heritage”, Heritechne – Centro per lo sviluppo di tecnologie per i beni culturali (AQ), Centro Congressi Luigi Zordan, L’Aquila, 17.09.2024.
• “Mappare il patrimonio culturale con Openstreetmap e Wikidata”, study day Wikidata Days Bologna, panel “Wikidata per le biblioteche e la ricerca”, Wikimedia Foundation, Biblioteca Dario Nobili, Bologna, 08.11.2024.

Érika Wicky

• “L’Odorat des peintres, barbouilleurs et artistes (XVIIIe–XIXe)”, research seminar L’expérience des techniques: collections, reconstitutions, savoirs et savoir-faire, Université Paris Cité, Paris, 25.11.2022.
• “Savoirs olfactifs et art pictural au XVIIIe siècle”, Séminaire du GRAHAM (Groupe de recherche en histoire de l’art moderne), Institut National d’histoire de l’art, Paris, 16.02.2023.
• “The Lingering Scent of Eighteenth-Century Varnishes”, panel Beyond the Gloss : The Multi-Sensory Experience of Eighteenth-Century Varnishes at International Association for Eighteenth-Century Studies Annual Congress, Sapienza Università di Roma, Rome, 03.–07.07.2023.
• “Storia del profumo e artiste donne dal 1500 al 1900”, lectures series “La storia dei profumieri: un’introduzione”, “Profumieri del Settecento: il regno della leggerezza”, “Profumieri nel Ottocento: l’avvento della chimica”, “Profumieri nel Novecento: un incontro con la moda”, Palazzo Mocenigo, Venice, 21.03. –06.05.2023.
• with Isabelle Chazot, “Littérature et parfum au XIXe siècle”, lecture organized by Osmothèque, World’s Perfumery Archive and the Société des études romantiques et dix-neuvièmistes at ISIPCA (Institut supérieur international du parfum, de la cosmétique et de l’aromatique alimentaire), Paris, 18.03.2023.

Stephanie Wisowaty

• “Movable Devotional Landscapes: Painted Processional Crosses in Late Medieval Italy”, conference HagioScape! How Mobility and Materiality Shaped Pre-Modern Geographies of Devotion (400–1700), Norwegian Institute in Rome, Rome, 24.–26.05.2023.
• “Materiality and Multisensory Effects: Painted Processional Crosses in Late Medieval Italy”, 58th International Congress on Medieval Studies, Western Michigan University, Kalamazoo, online, 05.2023.
• “Painted Processional Crosses in Late Medieval Central Italy: Questions Concerning Form and Function”, Giotto’s Circle, Courtauld Institute of Art, London, 02.2023.

Vitale Zanchettin

• presentation of the book Lo stucco nell’età della maniera: Cantieri, Maestranze, Modelli, Bollettino d’Arte, Volume speciale 2022, Palazzo Massimo alle Terme, Rome, 13.10.2023.
• “I Palazzi Vaticani; Michelangelo e la costruzione della Basilica Vaticana”, Galleria Prencipe, Rome, 15.–29.11.2023.
• “Il Cantiere del Cinquecento: architettura e decorazione Cap. II Fontainbleau”, Villa Medici, Rome, 30.11.2023.
• “Interventi di tutela sul patrimonio architettonico del Vaticano. Problemi e prospettive”, Centenario della Commissione di tutela dei Monumenti e la Salvaguardia del patrimonio architettonico della Santa Sede, Palazzo Cesi, Rome, 22.11.2023.

Tommaso Zerbi

• “The Gothic Revival, Medievalist Ephemerality, and the Politics of the Risorgimento in the Kingdom of the Two Sicilies”, conference The Greek Revival and the Gothic Revival. Reception of Ancient Greek and Medieval Art and Culture in the Period between 1750 and 1850 – Theory and Practice, Univwesytet Wroclawski, Wrocław, 13.–15.10.2022.
• “A Tale of Two Monuments: Making, Remaking, and Unmaking the Myth of Amadeus VI of Savoy between the Nineteenth to the Twenty-First Century”, workshop Monumental Medievalism: Public Monuments and the (Mis)Use of the Medieval Past, Swansea University and the Paul Mellon Centre for Studies in British Art, online, 05.–06.10.2022.
• “L’impero perduto. Lo strano caso del ‘nobile Palazzetto’ Smith e il Colle Palatino”, Eleventh conference of the Associazione Italiana di Storia Urbana, Dipartimento di Architettura dell’Università degli Studi di Ferrara, Ferrara, 13.–16.09.2023.
• “The Renaissance Unveiled. The Façade of Santa Maria del Fiore and the Florentine Feasts of May 1887”, talk at the Villa I Tatti – The Harvard University Center for Italian Renaissance Studies, Florence, 25.05.2023.
• “Parliamentary Neo-Medievalism – Architecture, Revival, and Nation-Building in 19th-Century Italy”, conference Built Representation: Parlamentsarchitektur in Europa, Kommission für Geschichte des Parlamentarismus und der politischen Parteien e.V., Haus der Universität, Düsseldorf, 04.–05.09.2024.
• “The Renaissance Unveiled: Reception, Revival, and Politics at Florence Cathedral”, conference Renaissance Architecture and Theory Scholars, Downing College, Ax:son Johnson Centre for the Study of Classical Architecture, Cambridge, 26.04.2024.